| | Love Da Capo CD Love Discography of CDs
(3 Customer Reviews)
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Love: Arthur Lee, Bryan Maclean (vocals, guitar); John Echols (guitar); Tjay Cantrelli (flute, saxophone); Alban "Snoopy" Pfisterer (keyboards, percussion); Ken Forssi (bass); Michael Stuart (percussion). Recorded in Hollywood, California. Love broadened their scope into psychedelia on their sophomore effort, Arthur Lee's achingly melodic songwriting gifts reaching full flower. The six songs that comprised the first side of this album when it was first issued are a truly classic body of work, highlighted by the atomic blast of pre-punk rock "Seven & Seven Is" (their only hit single), the manic jazz tempos of "Stephanie Knows Who," and the enchanting "She Comes in Colors," perhaps Lee's best composition (and reportedly the inspiration for the Rolling Stones' "She's a Rainbow"). It's only half a great album, though; the seventh and final track, "Revelation," is a tedious 19-minute jam that keeps Da Capo from attaining truly classic status. ~ Richie Unterberger Love, fronted by the charismatic Arthur Lee, was the first rock band signed to the '60s folk label Elektra, and their wild, enigmatic sound was a big part of their unique appeal. DA CAPO, Love's second album, found the group augmented to a septet, allowing the material to shift through a variety of musical styles. The first six songs hover around the three-minute mark, employing odd time changes to touch on everything from waltzes and free jazz (in the same song) to more mainstream, pie-in-the-sky folk rock. After scoring a hit with the reverb-laden, fuzz-guitar driven "Seven & Seven Is," their follow-up FOREVER CHANGES led them down the path of critical respectability.
Q (May 2002, p.135) - 4 out of 5 stars - "...Of all '60s West Coast bands, none continue to command quite the same intensity of cultish fascination....an intoxicating fusion of garage-rock frustration, baroque psychedelic pop and Latin-flecked jazz..." Mojo (Publisher) (6/02, p.126) - "...Remains a curious beast after all this time. The album's original 6-track first side is simply one of the most mesmerising sequences in all of Californian psych-pop....16 minutes 12 seconds of the genuine godlike stuff..." Da Capo Music Review Average Rating: (4.3 out of 5 stars)   First Side Is Amazing 'Da Capo', Love's second album, is often maligned for the side-long jam "Revelation". Okay, I'll admit the 18-minute long song has its moments (particularly when the sax comes in), but to many it'll probably be a "hear once" kind of song. Besides, the album was released in 1967, and they were simply doing what was popular at the time.
For this album, Love briefly expanded to a 7-piece, adding Tjay Cantrelli on sax and flute, moving drummer Alban "Snoopy" Pfisterer to keyboards, and putting new member Michael Stuart on drums. Listening to this album shows how amazingly fast Love matured musically (and Arthur Lee's songwriting muse had now been fully developed) in just a year. Anyways, on to the actual review:
The opener, "Stephanie Knows Who", is a briskly paced jazzy waltz kind of track. Arthur Lee shouts his trademark cryptic lyrics with plenty of emotion - a great opener to a great album. Allegedly, it's about a mutual friend of Bryan MacLean's and Arthur Lee's.
Next up is Bryan MacLean's achingly beautiful "Orange Skies". The melody was written around Roger McGuinn's guitar solo on "Bells of Rhymney". This song was written by MacLean when he was only 17, already showing his immense talent. Another interesting thing to note is that this song is sung by Arthur Lee alone (normally MacLean took vocals on his songs). Also, this song has some great flute playing.
Next up is the Lee-penned "¡Que Vida!", a very Latin-influenced track. The lyrics are still cryptic and surreal (though if you're not a Love neophyte, this shouldn't come as a surprise to you).
After "¡Que Vida!" comes the corkscrew paced rocker, "Seven & Seven Is", released as a single (which peaked at #33, effectively becoming their only "hit"). Also interesting to note is that on the single it was titled "7 And 7 Is". The song has some of the most cryptic lyrics ever written, and climaxes with a countdown, followed by a slowed-down gun shot sound, before ending with a dreamlike blues coda.
The next track, "The Castle", is the only track on the album that would foreshadow their next effort, the masterpiece 'Forever Changes'. The theme of travel (both physical and mental) permeates through the song, which is built around some great flamenco-flavored fingerpicking.
Next up is perhaps the greatest song that ever came from Arthur Lee's pen, "She Comes in Colors". In an interview, Arthur Lee said that it's quite literally about making love to a woman during her period, but he may have just been messing with the interviewer. Also interesting to note is that this song is reportedly the inspiration for the Rolling Stones' song, "She's a Rainbow".
After the magnificent first side of songs, comes the tedious and unnecessary 18-minute long blues jam "Revelation". I'll admit that the song has its moments, like when the sax comes in, but it's ultimately a "one listen" kind of song. However, they really were just doing what was popular at the time. However, I'd have to say the saddest part is that Bryan MacLean later said he had enough songs written at the time to take up the second side of the LP. Even if they had just been half as good as the first side, this would've been a classic on-par with 'Forever Changes'. However, Arthur Lee was unwilling to sacrifice a significant amount of control on the band to have MacLean's songs take up side two. I believe MacLean's songs would've been great inclusions, particularly since the 'IfYouBelieveIn' demo album probably had some of the songs that would've been on the album.
All in all, judge this album based on the first side of the album, not the unnecessary "Revelation" jam. Ultimately, a near-classic album that could've been as great as 'Forever Changes' had Bryan MacLean been allowed to put his songs on the second side of the album. Submitted by Matt (Palos Park, IL, USA) Was This Review Helpful? Yes No 2 of 2 found this helpful.
Timeless.. i LOVE this album makes me think about how when the late 60's REALLY were Submitted by honoraryme (los angeles, ca, USA)  Was This Review Helpful? Yes No
A good album This LOVE's album is nottheir best(i think "Forever Changes" is),but it is good.Just good... Submitted by Andrew (Athens,Greece) Was This Review Helpful? Yes No 0 of 1 found this helpful.
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Purchase Da Capo CD To buy, Click on price to add to cart | Moby Grape CD (1967)
Da Capo
$18.79 Moby Grape: Skip Spence, Peter Lewis, Jerry Miller (vocals, guitar); Bob Mosley (vocals, bass); Don Stevenson (drums). Personnel: Don Stevenson, Skip Spence (vocals, guitar, drums); Jerry Miller, Peter Lewis (vocals, guitar); Bob Mosley (vocals). Recording information: CBS, Hollywood, CA (01/25/1967-11/06/1967). Unknown Contributor Roles: Don Stevenson; Jerry Miller; Peter Lewis; Skip Spence; Bob Mosley . Moby Grape's career was a long, sad series of minor disasters, in which nearly anything that could have gone wrong did (poor handling by their record company, a variety of legal problems, a truly regrettable deal with their manager, creative and personal differences ...
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Da Capo
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Love: Arthur Lee, Bryan Maclean (vocals, guitar); John Echols (guitar); Ken Forssi (bass); Michael Stuart (percussion). Includes liner notes by Ben Edmunds. FOREVER CHANGES is also included in its entirety on the 2 disc set LOVE STORY 1966-1972. Love: Arthur Lee, Bryan Maclean (vocals, guitar); John Echols (guitar); Ken Forssi (bass); Michael Stuart (percussion). Love's Forever Changes made only ...
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