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The funk-jazz guitarist's new two album deal with Warner Bros. is definite cause for the title of his label debut, Celebration. His continued growth as a writer is clear, as the hooks of all nine originals stick immediately to the ears yet offer spaces for improvisations that sometimes border on his bebop days. "Together At Last" brings both worlds together, with Brown building a strong melody by altering his Ibanez's high and low tones over a subtle, rising bed of horns before breaking for a crazy flurry of notes which jump beyond the melody. His cherished vocalese style marries perfectly with trademark warm, percolating string notes on "Out'a Nowhere," which also throws a tonal twist into the mix; he'll begin a melody line on a happy high register and then conclude it on a tone so low it sounds like a bass. One of the benefits of his crossover success is working with two of the best possible producers in smooth jazz and R&B-Paul Brown and Oji Pierce (Coolio, Montel Jordan). Paul Brown has had a tendency to make many of his cuts sound like Boney James tunes, but on his five cuts here, he simply creates an atmosphere for Brown's own style and groove to come alive. His best contribution is the dreamy vibe behind the falling drops effect of the guitar on the ballad "Rain." The guitarist rises to Pierce's challenge to grow his lead vocal chops with a lush rendition of "You Make Me Feel Brand New" that rivals the Stylistics' original. Ironically, however, some of Celebration's best produced tracks are those Norman Brown did himself; on "Breaking Out," her surrounds his galloping guitar-voice tandem with the disc's most exotic percussion and soundscaping, including hypnotic drum and cymbal flourishes by Rayford Griffin. ~ Jonathan Widran
The funk-jazz guitarist's new two-album deal with Warner Bros. was definite cause for the title of his label debut, Celebration. His continued growth as a writer is clear, as the hooks of all nine originals stick immediately to the ears yet offer spaces for improvisations that sometimes border on his bebop days. "Together at Last" brings both worlds together, with Norman Brown building a strong melody by altering his Ibanez's high and low tones over a subtle, rising bed of horns before breaking for a crazy flurry of notes which jump beyond the melody. His cherished vocalese style marries perfectly with trademark warm, percolatin
Personnel: Norman Brown (vocals, guitar, trumpet); Sue Ann Carwell, Tim Owens (vocals, background vocals); Mike Butler, Bridgette Fiddmont, Phajja, Vesta Williams (vocals); Dan Higgins (saxophone); Rick Braun (trumpet); Bill Reichenbach Jr. (trombone); Herman Jackson (piano, keyboards, synthesizer, programming); David Torkanowsky, David Woods (keyboards, drums); Oji Pierce (keyboards, programming); Elder David Woods and True Gospel Ensemble, Tim Heintz (keyboards); Lil John , Paul Brown , Alex Al, Ray Griffin (drums); Munyungo, Lenny Castro, Munyungo Jackson (percussion); Lynne Fiddmont (background vocals).
Audio Mixers: Koji Egawa; Erik Zobler; Guy DeFazio; Oji Pierce; Paul Brown .
Recording information: Adwin Recording Studios, Van Nu; Alpha Recording Studios, Burbsa; Bill Schnee Studios; BillSchnee Studios; Funky Joint Studios; Titan Recording Studios; Track Recording Inc., North Hollywood, CA.
Photographer: Kate Garner.
Unknown Contributor Role: Norman Brown.
Arrangers: Elder David Woods and True Gospel Ensemble; David Woods; Jeremy Monroe; Jerry Hey; Lynne Fiddmont; Norman Brown; Oji Pierce; Paul Brown .
Personnel includes: Norman Brown (vocals, trumpet, guitar); Phajja, Vesta Williams (vocals); Herman Jackson, Rayford Griffin (keyboards, synthesizer): David Woods (keyboards, drums); Tim Heintz, David Torkanowksy, Rick Braun (keyboards); Alex Al, Larry Kimpel (bass); Paul Brown (drums); Lenny Castro, Munyungo Jackson (percussion); Lil' John (drums); Lynne Fiddmont, Tim Ownes, Sue Ann Carwell (background vocals).
Producers: Norman Brown, Paul Brown, Oji Pierce.Q (12/99, p.128) - 3 stars out of 5 - "...may yet succeed where others have failed, due to a thankful characteristic: above-average ability....there's a genuine bonhomie to this set, which makes it hard to resist..." Norman Brown Celebration Songs | 1. | Out'a Nowhere | |
| 2. | Together at Last | |
| 3. | Paradise | |
| 4. | You Make Me Feel Brand New | |
| 5. | Celebration | |
| 6. | Getting By | |
| 7. | Rain | |
| 8. | Never Again | |
| 9. | Breaking Out | |
| 10. | It's Time for Love  | |
| 11. | Stay Young | |
| 12. | Rain - (Remix, remix, featuring Vesta) | |
| Celebration Review
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Purchase Celebration CD To buy, Click on price to add to cart | Gota Let's Get Started CD (1999)
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$9.69 Percussionist/producer Gota Yashiki's pop résumé -- everything from playing on Seal's "Kiss from A Rose" to creating all the instrumentation for Sinéad O'Connor's "Nothing Compares to U" -- informs us of his deep sense of sonic texturing, but hardly prepares us for the intense acid jazz experience his own band generates. While the groove on Let's Get Started is non-stop retro-styled funk (complete with wah wah, Fender Rhodes harmony, and dense electronic beats) throughout, the real joy of this immensely danceable release comes from the unpredictable relay race of instruments which carry the melodies. On "Will You Ever Know," for instance, a spacey lead synth melody pulls back for a brisk, echoing ...
| | Boney James Body Language CD (1999)
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| | Steve Cole Ny La CD (2003)
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