| | Tragically Hip Fully Completely CD - Import Tragically Hip Discography of CDs
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Our Price: $10.99 CDFor Sale Usually ships in 1-2 days
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The reissue of FULLY COMPLETELY is an Enhanced audio CD which contains regular audio tracks as well as multimedia computer files, including videos for the songs "Courage," "At The Hundredth Meridian" and "Locked In The Trunk Of A Car."
In the tradition of bands like R.E.M. (and the early Stones), The Tragically Hip wear the outsider's mantle with power and style. And while they may indeed be tragically hip, that shouldn't imply that their jangling, guitar-inflected tales of rural rock outcasts and post-punk alienation aren't ready for prime time, because FULLY COMPLETELY is a tough, focused, rivetting rock record.
The songs on FULLY COMPLETELY travel a dark highway of rock 'n' roll roadstops on the way to nowhere, longing for a world gone by ("We'll Go Too") and a sense of connection (the title song, with its ironic echoes of "Mission Impossible"). The music itself is their release, and the guitars of Bobby Baker and Paul Langlois flesh out the quavering rage and desperation of Gordon Downie's voice with something approaching heroism (to particular effect on the nostalgic acoustic song "Wheat Kings"), as the Tragically Hip walk the line between rustic roots and hard rock with a singular sense of style.
Recorded at Battery Studios, London, England.
The Tragically Hip: Gordon Downie (vocals); Paul Langlois (guitar, background vocals); Bobby Baker (guitar); Gord Sinclair (bass, background vocals); Johnny Fay (drums).Q (3/93, p.92) - 4 Stars - Excellent - "...an effortlessly powerful but beautifully streamlined rock record that bristles with capacious melodies, dark intent and a big, driving guitar sound..." Tragically Hip Fully Completely Songs Fully Completely Review
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Purchase Fully Completely CD To buy, Click on price to add to cart | Allman Brothers Band Dreams CDs (1989) Box Set
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Recorded between 1966 & 1988. Includes a 32-page illustrated booklet and liner notes by John Swenson.
Like nearly all box sets, DREAMS has plenty to recommend it-and a few nagging drawbacks. The set's chief shortcoming is its two conflicting goals: providing an overview of the Allmans' history, thus attracting buyers seeking the ultimate hits package, ...
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$17.39 The major product of Jackie DeShannon's brief early-'70s stay on Capitol Records, Songs is also one of her finest and least known albums. Recorded principally in collaboration with producer Eric Malamud, who had previously produced the Persuasions' We Came to Play LP, the album has a curiously lean, stripped down feel -- done with a minimum of players backing her, DeShannon sounds up close and personal here, almost like these are private demos rather than full-blown, finished pop productions. And that was the point -- to get her away from the highly produced sound of her later Liberty recordings. In a sense, this was DeShannon's "get back" album, bringing her back to her musical roots in country and gospel, and it works artistically -- one gets a sense of gritty urgency in most of the songs here, with "Keep Me Warm," Dylan's "Lay Lady, Lay" (done as "Lay Baby, Lay"), and "West Virginia Mine" worth the price of admission by themselves; "Salinas," on which she's not accompanied by much more than a pair of acoustic guitars, is a glorious showcase for her unfettered voice, while "Bad Water" was as fine a rock & roll track as she ever recorded. Even on the handful of numbers that have some string accompaniment, the raw, basic textures aren't lost -- "International" is a great example of how to incorporate strings, reeds and more on an intimate gospel-styled number without destroying the mood. Strangely enough, the one track that shouldn't fit here, "Show Me," a highly "produced" track here that was a product of a series of earlier sessions helmed by Chips Moman that were otherwise abandoned, manages to enhance the value of the album, providing a healthy moment of contrast that demonstrates what DeShannon was doing with her sound without wrecking the effect of what's around it. ~ Bruce Eder
The major product of Jackie DeShannon's brief early-'70s stay on Capitol Records, Songs is also one of her finest and least known albums. Recorded principally in collaboration with producer Eric Malamud, who had previously produced the Persuasions' We Came to Play LP, the album has a curiously lean, stripped down feel -- done with a minimum of players backing ...
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