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New Philharmonic Orchestra - Beethoven Collection, Vol. 4 CD Cover Art

Beethoven Collection, Vol. 4 CD

 New Philharmonic Orchestra CDS

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Category Classical, Romantic Period, Orchestral/Symphonic, Classical Period, Concerto, Symphony
Beethoven Collection, Vol. 4 Music


Detailed Beethoven Collection, Vol. 4 Music Information



List Price $4.98 (You save $0.79)
Label CBS
Orig Year 10/10/1995
CD Universe Part number 1522971
Catalog number 23241
Discs 1
Release Date Mar 02, 1993
Beethoven Collection, Vol. 4 Review


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Beethoven Collection, Vol. 4 Songs


Beethoven Collection, Vol. 4 Songs Detailed Work Information



1. Symphony No. 7 in A major, Op. 92
   Common Name  Symphony 7
   Composer  Ludwig van Beethoven (1770 - 1827)
   Genre  Classical Period / Symphony
   Date Written  1812
   Period  Classical
   Country  Austria
2. Piano Concerto No. 4 in G major, Op. 58
   Common Name  Piano Concerto 4
   Composer  Ludwig van Beethoven (1770 - 1827)
   Genre  Concerto / Romantic Period
   Date Written  1805-1806
   Period  Romantic


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Beethoven Collection, Vol. 4 Music


Elements featured on Beethoven Collection, Vol. 4 CD



Composers on Beethoven Collection, Vol. 4 CD : Ludwig van Beethoven

Genres on Beethoven Collection, Vol. 4 CD : Concerto, Romantic Period, Symphony

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Performed with the Royal Philharmonic Orchestra - David Charles Abell, conductor. Recorded live at The Royal Albert Hall, London, England on October 8, 1995. Includes liner notes by Alan Boublil, Claude-Michel Schonberg, Cameron Mackintosh, Edward Behr, Herbert Kretzmer, Trevor Nunn, and John Caird. Originally conceived as a simple recording production, Les Miserables evolved quickly into one of the premiere theater events of the 1980s. Theatrically on par with Phantom of the Opera, Les Mis is drawn from the Victor Hugo novel of the same name. The story chronicles the life of Jean Valjean, a simple Frenchman arrested as a youth for stealing a loaf of bread. After serving five years for that crime, as well as an additional 14 for attempted escape, Valjean is released on parole. Upon changing his name and eluding his parole officer, he becomes the surrogate father of a young girl and a Mayor as the French Revolution sets in. As the war rages, he finds that he cannot change the man he is. Les Miserables is typical of theater in the '80s, with extravagant effects and large, full-cast numbers. The beautiful score is full of emotion and humor, including such memorable and noteworthy songs as "Look Down," "Do You Hear the People Sing?," "Bring Him Home," "Empty Chairs at Empty Tables," and the ubiquitous "On My Own." In 1995, a tenth anniversary concert was performed at Royal Albert Hall, combining members of the original cast, including Colm Wilkinson and Michael Ball, as well as Lea Salonga (the original Kim from Miss Saigon). Fully enjoyable, it may not be the best compilation of the music available, but it is definitely a worthwhile listen. ~ Sarah Erlewine At The Royal Albert Hall 10/95 Prev.# ...
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Christmas Favorites features Arthur Fiedler and the Boston Pops Orchestra performing a variety of holiday favorites. Most of the songs should be familiar: "Santa Claus Is Coming ...
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With EDEN, Broadway diva Sarah Brightman ("Requiem," "Cats") stretches beyond the constraints of what's considered show music. Here, she sings an assortment of classical adaptations, rock, and sleek modern pop songs. The entrancing opener, "In Paradisum" combines pre-recorded nature sounds, atmospheric textures, and echoes of Gregorian chant, setting the regal and eclectic mood. "Nella Fantasia" is an adaptation of a tune by movie soundtrack composer Ennio Morricone, with Italian lyrics by Ferrau, and here the exquisite longing in Brightman's voice transcends all language barriers. She transforms Kansas' philosophical hit "Dust in the Wind" into a theatrical ballad that transcends time or setting. The production is lavish, judiciously mixing lustrous, gently throbbing modern pop textures, and conventional orchestration in a way that showcases the songs and the singer without being obtrusive or maudlin. Another special Asian release with a bonus VCD featuring 3 MTV videos plus an interview. Personnel includes: Sarah Brightman (vocals); Paul Bateman, Jeremy Lubbock (conductor); Tim May (acoustic guitar); Michael Thompson (electric guitar); Peter ...
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Music composed by Gene De Paul. Lyrics written by Johnny Mercer. Songwriter Johnny Mercer did not have much luck writing for Broadway, but the exception was Lil' Abner, based on the satiric Al Capp comic strip about the rural residents of Dogpatch. Mercer wrote the song lyrics to music by Gene DePaul, with whom he had worked on the movie musical Seven Brides for Seven Brothers. After the show opened on November 15, 1956, it became the only stage work with which Mercer was associated to turn a profit, running 693 performances. Actually, the score isn't as strong as that for one of Mercer's flops, St. Louis Woman, but it is appropriate to the subject matter. The songs "Jubilation T. Cornpone," "The Country's in the Very Best of Hands," and "Progress Is the Root of All Evil" wittily capture Capp's sense of humor and dim view of politics. There are also some attractive romantic ballads, notably "Namely You" and "Love in a Home," both of which became minor hits. Edith "Edie" Adams and Stubby Kaye lead a cast of unknowns who give their all to the show's broad comedy. A key element of Lil' Abner's success was the staging and choreography of director Michael Kidd, not available on record, although the 2002 reissue adds the main dance number, "Sadie Hawkins Day Ballet." The disc is, in fact, full of new material, including a stereo version of the "Overture" (Li'l Abner was Columbia Records' last cast album not recorded in stereo, but the label was experimenting); the previously unreleased song "What's Good for General Bullmoose"; an expanded version of the finale, "The Matrimonial Stomp"; "There's Room Enough for Us," from the 1959 soundtrack album; and pop versions of two songs cut from the score, Percy Faith's "The Way to a Man's Heart" and Rosemary Clooney's "It's a Nuisance Having You Around." ~ ...
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James Campbell's Friendly Five: James Campbell (vocals, guitar); Beauford Clay (fiddle, banjo); Bell Ray (fiddle, guitar, vocals, percussion); George Bell (trumpet); Ralph Robinson (bass horn, tuba). Recorded in Nashville, Tennessee between October 25, 1962 and April 14, 1963. Includes liner notes by Chris Strachwitz. On their lone release, Blind James Campbell and His Nashville Street Band serve up a singular blend of blues, jazz, old-time, skiffle and jug band music; while their material is traditional, the presentation is anything but, with a tuba taking the place of bass guitar and Campbell's gravelly voice going lower and deeper than either. ...
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