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Dallas Chamber Players - Reinecke: Trios Op. 188, 264, 274 / Dallas Chamber Players CD Cover Art
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Reinecke: Trios Op. 188, 264, 274 / Dallas Chamber Players CD

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Category Classical, Romantic Period, Chamber Music/Recitals, Trio
Reinecke: Trios Op. 188, 264, 274 / Dallas Chamber Players Music


Detailed Reinecke: Trios Op. 188, 264, 274 / Dallas Chamber Players Music Information



List Price $16.99 (You save $3.94)
Label Klavier Records
Orig Year 8/10/1995
All Time Sales Rank   6099  
CD Universe Part number 1543525
Catalog number 11050
Discs 1
Release Date Aug 10, 1995
Recording Time 1 15
Reinecke: Trios Op. 188, 264, 274 / Dallas Chamber Players Review


Reinecke: Trios Op. 188, 264, 274 / Dallas Chamber Players Classical Reviews



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Reinecke: Trios Op. 188, 264, 274 / Dallas Chamber Players Music


Elements featured on Reinecke: Trios Op. 188, 264, 274 / Dallas Chamber Players CD



Composers on Reinecke: Trios Op. 188, 264, 274 / Dallas Chamber Players CD : Carl Reinecke

Ensembles on Reinecke: Trios Op. 188, 264, 274 / Dallas Chamber Players CD : Dallas Chamber Players

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Reinecke: Trios Op. 188, 264, 274 / Dallas Chamber Players
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Chico Freeman showed a great deal of potential in the 1970s when the young tenor saxophonist recorded frequently. His profile has been a lot lower since that era, but he is still quite capable of playing rewarding music as he shows on this project, The Emissary, from 1995. Teamed with a group of San Francisco Bay-area musicians who form the Josh Jones Latin Jazz Ensemble, Freeman plays quite well on tenor, soprano, and bass clarinet. The music ranges from Latin jazz to world music, with a touch of reggae and pop, and a relatively straight-ahead "Seven Steps to Heaven." Since the Josh Jones group is essentially a rhythm section, Freeman is the main voice throughout and he comes up with plenty of creative ideas throughout this fairly accessible set. ~ Scott Yanow master saxophonist explores new musical territory w. an incredible 7-piece band, blending African, reggae, pop, hip hop & jazz influences in a state of the art recording Recorded at San Rafael Studios, San Rafael, California on from November 29-December 2, 1995. Includes liner notes by John Koenig. Personnel: Chico Freeman (bass clarinet, soprano saxophone, tenor saxophone, background vocals); Andrienne Wilson (vocals, flute, background vocals); Scheherazade Stone (vocals, background vocals); Stan Franks (acoustic guitar, electric guitar, background vocals); Geoff Brennan (acoustic bass, electric bass); ...
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The sole album released by this group from Montreal, Et Cetera ranks among the finest items in Quebec progressive rock and remains a sought-after collector's item. The group benefited from a sleek production that enhances its rich arrangements and complex contrapuntal lines. This is as close as any derivative prog rock band got to Gentle Giant. Besides emulating the technique of their illustrious British masters, the Montrealers tapped into the essence of Giant-esque counterpoint and vocal harmony. Mostly detectable in "Et la Musique Tourne," "Éclaircie," and "Newton Avait Raison," this influence is not the only point of reference here. Et Cetera adds a brand of jazz-rock also found in the music of a few other Quebec groups at the time, especially Maneige and Sloche. The music is dominated by Marie Bernard's keyboards and voice. Her soloing ability on the mini-Moog ranks high among her male European counterparts, while her use of Ondes Martenot gives the music a unique flavor. One of the first synthesizers built, the Martenot is operated by a slide, giving it a sound somewhere between a theremin and a singing saw. Having a woman sing lead vocals in a progressive rock group is a treat by itself. Highly cerebral, this music requires many listens before ...
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World-renowned jazz saxophonist Benny Golson performs live in Berlin as part of his Whisper Not Tour. Other featured musicians include Art Farmer, Curtis Fuller, Geoffrey Keezer, Dwayne Burno, Joe Farnsworth, and more. Bonus segments include video performance from the Skopje Jazz Festival, artist biographies, and extra audio tracks. In this legendary, uncut concert performance, jazz icon Benny Golson performs alongside such greats as ...
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Reinecke: Trios Op. 188, 264, 274 / Dallas Chamber Players
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A timely reminder of the great Welsh tenor and outstanding Mozartian. Presents the complete recital on CD for the first time. Welsh tenor Stuart Burrows was born at Pontypridd on 7 February 1933. He studied in Wales and made his opera debut in Nabucco with Welsh National Opera in 1963. His Covent Garden debut was as Beppe (Pagliacci) in 1967; the same year he made his American debut with the San Francisco Opera. Other important debuts followed with Tamino (Die Zauberfl”te) at the Vienna State Opera in 1971 and New York Met in 1972. Mozart was always an important part of Stuart Burrows's repertory and in Solti's 1969 recording of Die Zauberfl”te he sang the role of Tamino. He participated in a number of other Decca recordings and this all-Mozart recital ...
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Reinecke: Trios Op. 188, 264, 274 / Dallas Chamber Players
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Reinecke: Trios Op. 188, 264, 274 / Dallas Chamber Players
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Maryanne Amacher has been composing and creating sound installations since the 1960s. With a focus on the way tonal frequencies interact with the acoustics of architecture, Amacher explores the physical dimensions and permutations of sound within physical space. The aural component of her 2005 Mexico City-based project TEO! A SONIC SCULPTURE, which won a Prix Ars Electronica award in the "Digital Musics" category, is captured on this Tzadik release. TEO!, like much of Amacher's work, deals with tonal ...
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Reinecke: Trios Op. 188, 264, 274 / Dallas Chamber Players
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