Donovan - Mellow Yellow/Wear Your Love Like Heaven CD

Mellow Yellow/Wear Your Love Like Heaven buy CD music After working his way through loss and chaos on the brilliant TONIGHT'S THE NIGHT (recorded in 1973, but not released until 1975), Neil Young deftly exorcised any lingering demons with 1974's ON THE BEACH. The album opens with the saunter of the aptly titled "Walk On," followed by the utterly gorgeous, Wurlitzer-tinged "See the Sky about to Rain." The set also features a trio of scathing songs--"Revolution Blues," "Vampire Blues," and "Ambulance Blues"--that address issues important to Young, both social and personal. It is good to hear Young back with such bite and vitriol, especially after the broken desperation of TONIGHT'S THE NIGHT. But while ON THE BEACH is edgy and deeply felt, it also manages to sound liberating and relaxed, with glimmers of hope and humor peeking through the spare, evocative arrangements. Inexplicably unreleased on CD until 2003, ON THE BEACH is both unflinching and resilient, and easily stands as one of Young's finest albums. Recording information: Broken Arrow Studios, San Francisco, CA; Sunset Sound, Los Angeles, CA. Photographer: Bob Seidemann. Guests:Graham Nash/Rick Danko/ David Crosby/Levon Helm Personnel: Neil Young (vocals, guitar, banjo, harmonica, Wurlitzer organ); Neil Young (Wurlitzer piano); Ben Keith (vocals, guitar, slide guitar, steel guitar, dobro, Wurlitzer piano, organ, Wurlitzer organ, drums, background vocals); Graham Nash (vocals, Wurlitzer piano, Wurlitzer organ); Ralph Molina (vocals, drums, background vocals); Tim Drummond (bass instrument, drums, percussion); Rick Danko, Billy Talbot (bass instrument); David Crosby (vocals, guitar); Rusty Kershaw (guitar, slide guitar, violin, fiddle); George Whitsell (guitar); Joe Yankee (harp, tambourine); Levon Helm (drums). Liner Note Author: Rusty Kershaw.

Mellow Yellow/Wear Your Love Like Heaven CD music Principally recorded at Morgan Studios, London, England. Includes liner notes by Ian Anderson. People often forget that Tull started out as a forward-looking blues-rock unit not dissimilar to contemporaries like Cream and Led Zeppelin. While the blues influence is heard most clearly on the debut THIS WAS, its successor STAND UP still shows some of those traces. Tracks like "A New Day Yesterday" and "Nothing Is Easy" are the prime examples of this hard-hitting, bluesy riff-rock approach. Elsewhere, though, the boys begin to show some of the folk, jazz, and classical influences that would soon make them a leading exponent of progressive rock. "Bouree" is a flute-led instrumental track that combines Ian Anderson's improvisations with melodic bass work that's alternately jazzy and classical-influenced. The melancholy folk-rock feel of "Look Into the Sun" makes for an emotionally affecting, introspective ballad. The light-hearted "Fat Man" incorporates folk influences with an Eastern-sounding balalaika melody. STAND UP is a portrait of a band in transition, on its way to bigger things, but it's still eminently enjoyable. Digitally remastered reissue of their second release; includes four bonus tracks. Producers: Terry Ellis, Ian Anderson. Jethro Tull: Ian Anderson (vocals, guitar, balalaika, mandolin, flute, mouth organ, Hammond B-3 organ); Martin "Lancelot" Barre (electric guitar, flute); Glen Cornick (bass); Clive Bunker (drums, percussion). Additional personnel: David Palmer (arranger, conductor).

Mellow Yellow/Wear Your Love Like Heaven songs In terms of rustic, tights-wearing, elf-loving, flute-heavy, British/Celtic folk-tinged '70s prog-rock, SONGS FROM THE WOOD is the most Tull of all Jethro Tull albums. By 1977 the band had ventured far enough from its heavy blues-rock beginnings to create a completely unique, idiosyncratic sound, filled with European folk mythology, rural imagery and an endearing combination of art-rock and British folk-rock. Elaborate synthesizer fanfares mix with delicate acoustic guitar tapestries, complex arrangements and odd time signatures. SONGS FROM THE WOOD strikes the perfect balance between the proggie ambition of THICK AS A BRICK, the storytelling style of AQUALUNG and the courtly, medieval air of MINSTREL IN THE GALLERY. Digitally remastred reissue of 1977 album includes two bonus tracks 'Beltane' (taken from the album 20 Years of Jethro Tull - track done at end of sessions) & 'Velvet Green' (live) (taken from 20 years of Jethro Tull - BBC In Concert Recording 1977). 11 tracks & liner notes written by Ian Anderson. Chrysalis. 2003. Liner Note Author: Ian Anderson . Recording information: La Maison Rouge Mobile Studio; Morgan Studios. Author: Ian Anderson . Unknown Contributor Role: Keith Howard. Arranger: Jethro Tull. Jethro Tull: Ian Anderson (vocals, acoustic guitar, mandolin, flute, whistles); Martin Barre (electric guitar, lute); John Evans, David Palmer (keyboards); Barriemore Barlow (marimba, glockenspiel, drums, bells, nakers, tabor); John Glascock (bass, background vocals). Personnel: Ian Anderson (vocals, whistling, acoustic guitar, mandolin, flute); John Glascock (vocals, bass guitar); Martin Barre (electric guitar, lute); John Evan (piano, organ, synthesizer); David Palmer (piano, portative organ, synthesizer); Barriemore Barlow (marimba, glockenspiel, drums, nakers, tabor, bells).

Mellow Yellow/Wear Your Love Like Heaven album for sale Originally released on RCA Victor (4058). Includes liner notes by Jeff Tamarkin. This newly remastered 2003 deluxe edition contains bonus tracks. Originally released on RCA Victor (4058). Includes liner notes by Jeff Tamarkin and Bill Thompson. CROWN OF CREATION is a rich and varied collection showing off the different talents of the main songwriters. Among the many memorable moments are Grace Slick's beautiful vocal on "Lather," the band's sensitive cover version of David Crosby's "Triad," and Jorma Kaukonen's stunning wah-wah solo on "If You Feel." Add to this the intense lyrics (such as the drug-themed "Greasy Heart"), Marty Balin and Paul Kantner's consistently strong vocals throughout, and Jack Casady's remarkable dexterity on bass. This is most certainly the Airplane's REVOLVER. The bonus tracks Ribumbabap Rubadubaoumoum; Would You Like a Snack; Share a Little Joke (single version), and the unreleased and suitably bizarre The Saga of Sydney Spacepig join the rest of this 1968 album. Originally released on RCA Victor (4058). Personnel: Timothius Davis, Dan Woody, Bill Goodwin (drums). Liner Note Authors: Jeff Tamarkin; Bill Thompson. Photographers: Hiro ; Chuck Boyd. Jefferson Airplane: Marty Balin, Paul Kantner, Jorma Kaukonen (vocals, guitar); Grace Slick (vocals); Jack Casady (bass) Spencer Dryden (drums). Additional personnel: Charles Cockey (guitar, vocals); Tim Davis (congas); Bill Goodwin (talking drums); Dan Woody (bongos); Gary Blackman (nose solo); Gene Twombly (sound effects). Additional personnel: Gary Blackman, Charles Cockey (vocals, guitar); David Crosby (guitar); Tim Davis (congas); Bill Goodwin (talking drums); Dan Woody (bongos).

Mellow Yellow/Wear Your Love Like Heaven CD music The big psychedelic chart topper for folk guru Donovan, this includes the title track and "Season of Witch." Paced by the title track, one of Donovan's best singles, 1966's Sunshine Superman heralded the coming psychedelic age with a new world/old world bent: several ambitious psychedelic productions and a raft of wistful folk songs. Producer Mickie Most fashioned a new sound for the Scottish folksinger, a sparse, swinging, bass-heavy style perfectly complementing Donovan's enigmatic lyrics and delightfully skewed, beatnik delivery. The two side-openers, "Sunshine Superman" and "Season of the Witch," are easily the highlights of the album; the first is the quintessential bright summer sing-along, the second a chugging eve-of-destruction tale. The rest of Sunshine Superman is filled with lengthy, abstract, repetitive folk jams, perfect for lazy summer afternoons, but more problematic when close attention is paid. Accompanied by acoustic guitar and a chamber quartet, the second track, "Legend of a Girl Child Linda," plods on for nearly seven minutes, Donovan's hippie-dippie delivery rendering "lace" into "layyyzzz." After that notable low point, he performs much better, tingling a few spines with his enunciation on the ancient-sounding folksongs "Guinevere," "Three King Fishers," and "Ferris Wheel." Elsewhere, he salutes the Jefferson Airplane on "The Fat Angel" and fellow British folkie Bert Jansch on "Bert's Blues." Donovan's songs are quite solid, but Mickie Most's insistence on extroverted productions (it would grow even more pronounced with time) resulted in a collection of songs that sound good on their own but aren't very comfortable in context. ~ John Bush 2005 Digitally remastered re-issue features seven bonus tracks 'Breezes Of Patchulie', 'Museum' (First Version), 'Superlungs' (First Version), 'The Land Of Doesn't Have To', 'Sunshine', 'Good Trip' (Demo), 'House Of Jansch' (Demo). Sunshine Superman marked the coming of psychedelia and utilised the production skills of already established producer, Mickie Most, whose bass heavy style complements Donovan's enigmatic lyrics and their beatnik delivery brilliantly. EMI. The Remastered import edition includes six bonus tracks. Audio Mixer: Peter Mew. Audio Remasterer: Peter Mew. Liner Note Author: Lorne Murdoch. Photographers: Jack Pia; Barry Plummer.

Mellow Yellow/Wear Your Love Like Heaven buy CD music Digitally remastered 2000 reissue of the singer/songwriter's 1970 album. Includes the hit, 'Riki Tiki Tavi'. Digipak. Although it was a disappointing seller and signaled the start of Donovan's commercial decline, Open Road could have been a new beginning for the singer. Stripping down to a Celtic rock format that managed to be hard and direct, yet still folkish, Donovan turned out a series of excellent songs, notably the minor hit "Riki Tiki Tavi," that seemed to show him moving toward a roots-oriented sound of considerable appeal. Unfortunately, he was derailed by record company hassles and perhaps his own burnout, and Open Road turned out to be a sidestep rather than a step forward. ~ William Ruhlmann Personnel: Donovan (vocals, guitar, harp, harmonica); Mike Thomson (vocals, guitar); Mike O'Neil (vocals, piano, keyboards); John Candy Carr (vocals, drums); Candy John Carr (percussion).