| | Wow & Flutter Pounding The Pavement CD Wow & Flutter Discography of CDs
Angular sonic explorations anchored by solid rhythms. Vocal melodies sneaking up out of the mix showing off the bands tendency towards pop. Half of this is with the full band the other half is made up of instrumental pieces done by Cord during a summer spent in an empty apartment building.Sometimes being ultimately unclassifiable is the best description you can give a band. Wow & Flutter are just that -- a peculiar assembly of mood-altering qualities that's difficult to pinpoint. The band is bold and daring, striking out at dissimilar genres ranging from introspective experimental on "Last Flight 8:15" to the more indie rock skewed "Pounding the Pavement", which broods in toned guitar notes and tape manipulated effects, producing a thick, multi-textured body of work that can appease your senses on multiple levels. Whether it's pristine guitar notes shimmering alone or an opaque assortment of percussion and strings, Wow & Flutter thrives on producing a whirling musical anomaly that's fruitfully entertaining and thoroughly unrivaled.
Recording information: Otari Reel-To-Reel 4-Track, Wickersham (1999); Tascam 16-Track, Cockeyed Recordings (1999).
Photographer: Cord Amato.
Wow & Flutter includes: Cord Amato (vocals, various instruments).
Personnel: Cord Amato (recorder).
Pounding The Pavement Music Wow & Flutter Pounding The Pavement Songs | 1. | Last Flight |
| 2. | Freezer Burn |
| 3. | Breakbable Doll |
| 4. | Drilling Holes |
| 5. | Longest Holiday |
| 6. | Pie |
| 7. | Wedding Storm |
| 8. | Pounding the Pavement |
| 9. | Electrohome |
| 10. | Shoeshine |
| 11. | Thin-Air Evolution |
| Pounding The Pavement Review
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Purchase Pounding The Pavement CD To buy, Click on price to add to cart | Sea & Cake Fawn CD (1997)
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$12.79 A popular rocker in the U.K., Cliff Richard is known as much for his strong Christian beliefs as for his rock & roll music. TAKE ME HIGH is presented here with an additional six songs included.
Take Me High was the soundtrack to another in the growing parade of blink-and-you'll-miss-it musical movies that Cliff Richard had been making since the mid-'60s, although its timing could scarcely have been better. Early 1973 saw him score his biggest U.K. hit in five years, when "Power to All Our Friends" rose to number four. Unfortunately, it wasn't a part of the album, and so the opportunity to capitalize on the smash passed by, and his next 45, the movie's own title track, fizzled at a lowly number 29. Neither did it deserve much better. Little about the album appealed, from its tawdry cover art on to the soulless succession of lightweight Tony Cole ballads that were the heart of the soundtrack. Indeed, Richard himself apparently acknowledged this by piling a couple of instrumentals into the fray for the first time since his days with the Shadows. The difference was, of course, was that the anonymous sidemen who backed him up were not the Shadows. It should also be noted that former Doctor Who girl Debbie Watling, Richard's co-star and occasional singing partner, was a great actress, but she was no Una Stubbs in the vocal department. Released as Hot Property in the U.S., Take Me High was a failure at the box office and didn't do much better in the record stores. Cliff Richard's darkest hour was not over yet. ~ Dave Thompson
Take Me High was the soundtrack to another in the growing parade of blink-and-you'll-miss-it musical movies that Cliff Richard had been making since the mid-'60s, although its timing could scarcely have been better. Early 1973 saw him score his biggest U.K. hit in five years, when "Power to All Our Friends" rose to number four. Unfortunately, it wasn't a part of the album, and so the opportunity to capitalize on the smash passed by, and his next 45, the movie's own title track, fizzled at a lowly number 29. Neither did it deserve much better. Little about the album appealed, from its tawdry cover art on to the soulless succession of lightweight Tony Cole ballads that were the heart of the soundtrack. Indeed, Richard himself apparently acknowledged this by piling a couple of instrumentals into the fray for the first time since his days with the Shadows. The difference was, of course, was that the anonymous sidemen who backed him up were not the Shadows. It should also be noted that former Doctor Who girl Debbie Watling, Richard's co-star and occasional singing partner, was a great actress, but she was no Una Stubbs in the vocal department. Released as Hot Property in the U.S., Take Me High was a failure at the box office and didn't do much better in the ...
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