| | Vanessa Amorosi Power CD Vanessa Amorosi Discography of CDs
POWER is 14-track release by pop singer Vanessa Amorosi features "U R Mine" and "I Wanna Be Your Everything."
Japanese version features two bonus tracks, "Rise Up" and "Second Chance."
Teenage pop diva Vanessa Amorosi first came to international attention at the closing ceremony of the Sydney Olympic Games, impressing with her Australian smash "Absolutely Everybody." The trend continues on her solid debut release, The Power, where she flexes impressive vocals among a range of standard pop, dance, and rock tracks. Her strong and soulful voice doesn't always sound at home among the more lightweight pop ("Shine" and "How Y' Livin'"), but the strength more than complements the melodic "Every Time I Close My Eyes" and gutsy "Have a Look." "The Power" is the only other dance single that comes close to matching the precocious "Absolutely Everybody" among a steady selection of tracks with few musical risks. The Power is characterized by consistency rather than standout songs -- a glimpse of Vanessa Amorosi's promise, rather than the best of Vanessa Amorosi. ~ Brendan Swift
Additional Tracks Power Music | List Price | $44.98 (You save $6.79) | | Category | Rock/Pop Albums, Rock CDs | | Label | Polygram | | Orig Year | 2000 | | All Time Sales Rank | 466890  | | CD Universe Part number | 1573420 | | Catalog number | 2002 | | Discs | 1 | | Release Date | Dec 15, 2007 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Additional Info | Bonus Track; Japan |
Power Review
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Purchase Power CD To buy, Click on price to add to cart | Susan Boyle I Dreamed A Dream CD (2009)
Power album
$9.58 Susan Boyle's grand unveiling on Britain's Got Talent was with a song from Les Miserables - the very song that lends this album its title -- and if she could become an international sensation based on a show tune standard, there's no reason for her to change her approach on her debut, since that's the sound that made her a star. Plus, a large part of Boyle's appeal is that she's a middle-aged woman recalling a bygone era when there were singers that appealed to an adult audience by offering soft, stately versions of pop hits and standards. That time was the late `60s and early `70s, and apart from a rather faithful version of Madonna's "You'll See," I Dreamed a Dream could very well have been released all those years ago, as it mixes up the show tunes, gospel, and Christmas carols with covers of Skeeter Davis' "The End of the World," the Rolling Stones' "Wild Horses," and a version of "Daydream Believer" that is easily the slowest on record. Boyle sings beautifully throughout, delivering more of the same of what she did in her moment in the sun on television. Those won over by Boyle, either her voice or story, will surely be satisfied.
There's no question that Susan Boyle's story is inspiring, but the same adjective can't quite apply to her debut, I Dreamed a Dream. This is almost a willful antonym of "inspiring" -- it is not stirring, rousing, or stimulating, it is sleepy, reserved, and placid, but is that a surprise? Boyle's grand unveiling on Britain's Got Talent was with a song from Les Miserables -- the very song that lends this album its title ...
| | Paul McCartney Good Evening New York City CDs (2009) With DVD; Digipak
Power CD music
$15.64 Unlike its 2002 predecessor Back in the U.S., Good Evening New York City doesn't cherrypick highlights from a tour, it commemorates a specific event: the inauguration of Citi Field -- the replacement for the now-defunct Shea Stadium, where the Beatles played a legendary show in 1965 -- in the summer of 2009. The circumstances may be different -- different enough to lead to a Billy Joel cameo on "I Saw Her Standing There," the piano man returning a favor from Paul, who played at Billy's Shea-closing shows in 2008 -- and McCartney might have two strong albums of new material to draw upon, but as an album, Good Evening New York City plays a lot like Back in the U.S. with a whopping 17 of its 35 tracks shared between the two titles. More importantly, the vibe is the same, with Macca delivering an expertly balanced and sequenced set with all the skill of the old pro that he is. Apart from the inclusion of "Mrs. Vanderbilt" and "I'm Down," there are no surprises, either in song selection or performance, but no surprises doesn't mean no satisfaction, and this is plenty entertaining
Unlike its 2002 predecessor, Back in the U.S./Back in the World, Good Evening New York City doesn't cherrypick highlights from a tour, it commemorates a specific event: the inauguration of Citi Field -- the replacement for the now-defunct Shea Stadium, where the Beatles played a legendary show in 1965 -- in the summer of 2009. The circumstances may be different -- different enough to lead to a Billy Joel cameo on "I Saw Her Standing There," the piano man returning a favor from Paul, who played at Billy's ...
| | Lady Gaga Fame Monster CD (2009)
Power music CDs
$8.79 Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it's tacked onto a now standardized version of her debut. It's a nice move for fans, plus it helps emphasize the new material, which does act as a bridge from the debut to a forthcoming full-length. Everything on The Fame Monster bears a galvanized Eurotrash finish, as evident on the heavy steel synths of "Bad Romance" and the updated ABBA revision "Alejandro," as it is on the rock & roll ballad "Speechless" -- its big guitars lifted from Noel Gallagher -- and the wonderful, perverse march "Teeth." Even the stuttering splices on "Telephone," a duet with Beyoncé, leans to the other side of the Atlantic, which just emphasizes the otherness that's become Gaga's calling card. And even as she's becoming omnipresent, with her songs mingling with those who co-opt her on the radio, she still is slightly skewed, willing to go so far over the top she goes beyond camp, yet still channeling it through songs that are written, not just hooks. The Fame Monster builds upon those strengths exhibited on The Fame, offering a credible expansion of the debut and suggesting she's not just a fleeting pop phenomenon.
Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate ...
| | Pink Funhouse CD (2008) Explicit
Power songs
$8.99 Pink's insistently hooky, attitude-filled pop-rock has kept the singer a fixture on the radio and on singles charts since the early 2000s. The artist's fifth effort, FUNHOUSE, doesn't tamper with the formula: Pink's powerhouse vocals and in-your-face approach, backed by stadium-sized production, are in full effect on all 12 tracks. Even though the album deals primarily with aftermath of her divorce and includes serious moments of self-confrontation like "Sober," fans needn't worry that Pink has lost any of her chutzpah.
If anything, there's an increased sense of confidence and newfound liberation on tracks like the chest-thumping "So What" and the mischievous, bouncing "Bad Influence." In softer moments, like the ballad "I Don't Believe You" and the soulful "One Wrong Foot," Pink ...
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