| | Marvin Sease Woman Would Rather Be Licked CD Marvin Sease Discography of CDs
(1 Customer Review)
If you've heard one of his albums, you know Marvin Sease's schtick. He's not just a ribald loverman, he's really raunchy, delving into double and single entendres for his slow Southern soul grinds. You either dig it or you don't, but if you don't dig it, his 2001 album, A Woman Would Rather Be Licked, could change your mind. Yes, all the typical Sease schtick is in place, but his material and performances are more convincing than usual, and the vulgarity level is toned down slightly (however, the Parental Advisory sticker on the cover is still earned -- although it's hard to imagine what kid would pick up this album). So, even this doesn't deliver full-on, hardcore Sease, this is one of his most satisfying records, at least on a musical level. ~ Stephen Thomas Erlewine
Explicit Lyrics
Recorded at Universal Language Studios, Alabama.
Personnel: Gerald Roberts (guitar); Eric Perkins (keyboards, drum programming, percussion programming); Todd Perkins (background vocals).
Audio Mixers: Eric Perkins; Marvin Sease.
Recording information: Universal Language Studio, AL.
Photographer: Ivory Serra.
Arranger: Marvin Sease.
Personnel includes: Marvin Sease (vocals); Mark Sease (arranger, programming, background vocals); Gerry Roberts (guitar); Eric Perkins (keyboards, percussion, programming); Gregory King (bass); Jeffrey Bradley, La-Kesha Burk, Lorenza Jones, Shrisma Kimbrough, Michelle Croskey, Liletta Nunnery, Chequetta Knight, Todd Perkins, Tracy Perkins (background vocals).
Woman Would Rather Be Licked Music | List Price | $7.99 (You save $0.20) | | Category | Rock/Pop Albums, R&B CDs, Rap, Blues, Urban Soundtrack, Soul/R&B, Contemporary R&B | | Label | Jive Aces | | Orig Year | 2001 | | All Time Sales Rank | 77052  | | CD Universe Part number | 1573472 | | Catalog number | 41712 | | Discs | 1 | | Release Date | Feb 06, 2001 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Marvin Sease | | Engineer | Eric Perkins | | Personnel | Marvin Sease - vocals Gerry Roberts - guitar Eric Perkins - keyboards, percussion, programming Gregory King - bass Gerald Roberts - guitar Lorenzo "Pee Wee" Jones Jeffrey Bradley Mark Sease - arranger, programming, background vocals Chequetta Knight La-Kesha Burk
List all 15 contributors
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Marvin Sease Woman Would Rather Be Licked Songs | 1. | Money Is What You Want | |
| 2. | I Gotta Clean Up | $0.99 | |
| 3. | I Wanna Love You | |
| 4. | Any Way You Want It | |
| 5. | Use'ta Don't Count | |
| 6. | Woman Would Rather Be Licked, A | |
| 7. | Ditch Diggers | |
| 8. | She's My Baby's Momma | |
| 9. | Friday | |
| 10. | We're Still Together | |
| Woman Would Rather Be Licked Music Review Purchase Woman Would Rather Be Licked CD To buy, Click on price to add to cart | Dazz Band 20th Century Masters: The Millennium Collection CD (2001)
Woman Would Rather Be Licked album
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| | Best Of Marvin Sease CD (1997)
Woman Would Rather Be Licked album
$9.89 This is part of Mercury Records/Chronicles Funk Essentials series.
The Best of Marvin Sease is the first comprehensive collection of Sease's best bawdy, funky '70s soul, culled from his four albums for Polygram. Among the 15 tracks are the notorious "Candy Licker" and a single that had never been available on an album prior to this collection. ~ Stephen Thomas Erlewine
All tracks have been digitally remastered.
Recorded at Systems Two, Sound Heights, Brooklyn, New York; and Prince Studio, New York, New York. Includes liner notes by Marvin Sease as told to Stanley Booth.
Compilation producer: Harry Weinger.
Engineers: Michael Marciano, Vince Traina, Kenny Patnaude.
Personnel: Marvin Sease (guitar); James Henry, Angelo Aiken, Gerald Roberts, Barry Crawford (guitar); Warren Stephen, Jr., Marvin Simmons, Kimber Fuller (horns); Butch Stewart, Bishop Burrell (keyboards); Ivory Semiens (drums, ...
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Woman Would Rather Be Licked songs
$15.75 Ever since it debuted in 1989, the notable radio series Riverwalk, Live From the Landing has given listeners a large dose of well-produced and intelligently presented classic jazz. This particular CD is the seventh to draw its material from these enjoyable programs, and it is a bit of a grab-bag. The theme of American love songs is rather loose, but it serves as an excuse to make the generally relaxed and concise performances available to the public for the first time since their airing. Jim Cullum is one of the finest cornetists/trumpeters in the field, ...
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| | Specials CD (1979) Remastered; Enhanced CD
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$11.35 Produced by Elvis Costello, this self-titled 1979 debut quickly became gospel to the wave of ska then sweeping England. Infusing the catchy, jumpy music developed by artists like the Skatalites and Prince Buster a generation before them with punk's youthful disenfranchisement, bands like the Specials, the Selecter and Madness gave birth to a movement, one which strove for such noble goals as racial unity (then a particularly sore issue in Britain) and non-violence. THE SPECIALS states these ideals magnificently, wrapping them in tunes bursting with energy--tight, sincere and masterful.
Ska's musical style is an easy one to discern--syncopated rhythm guitar, infectious rhythms, horn sections a-go-go; vocals often reach the level of a rant, and the lyrics are usually of utmost import. The album's opener and by far its most recognized tune "A Message To You Rudy" spoke frankly and directly to those youngsters tempted towards the gangster life. "Do the Dog" is more outright social statement--an earnest appeal not to fall into life's easy, safe categories, be they military or social. Societal issues of every stripe are attacked--from "Stupid Marriage" to "Concrete Jungle."
The Specials' self-titled debut sparked the Two-Tone movement in the late '70s. With well-chosen ska classics and Prince Buster-inspired originals, the band mixed political and social activism and blended punk's intensity with an infectious dance beat. The Specials is a ...
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$12.89 The second volume in Classics Records' chronological survey of the recording career of trumpet player and bandleader Joe Morris opens with his biggest hit, "Anytime, Any Place, Anywhere," which topped the R&B charts in 1950, thanks in part to a fine vocal by Laurie Tate. Tate sings the first eight tunes here, actually, with Teddy Smith, Billy Mitchell, Jimmy Lewis, and even Morris himself taking turns at singing on other tracks on this collection, which brings together Morris' early '50s sides for Atlantic Records (plus the "Travelin' Man" single from Herald Records). Among the clear highlights are the instrumental "Ghost Train," the edgy, relentless stomp of "Watch Out I Told You," ...
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