| | Shostakovich: 24 Preludes And Fugues Op 87 / Scherbakov CD Scherbakov / Shostakovich CDS
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Konstantin Scherbakov,Piano 2 Cds Shostakovich: 24 Preludes And Fugues Op 87 / Scherbakov Music | List Price | $17.97 (You save $5.68) | | Label | Naxos | | Orig Year | 2/20/2001 | | All Time Sales Rank |  3464  | | CD Universe Part number | 1574087 | | Catalog number | 8554745-46 | | Discs | 2 | | Release Date | Feb 20, 2001 | | Recording Time | 2 23 |
Shostakovich: 24 Preludes And Fugues Op 87 / Scherbakov Classical Review Additional track information is unavailable.
Shostakovich: 24 Preludes And Fugues Op 87 / Scherbakov Music Composers on Shostakovich: 24 Preludes And Fugues Op 87 / Scherbakov CD : Dmitry Shostakovich Performers on Shostakovich: 24 Preludes And Fugues Op 87 / Scherbakov CD : Konstantin Scherbakov Purchase Shostakovich: 24 Preludes And Fugues Op 87 / Scherbakov To buy, Click on price to add to cart | Biber: Missa Salisburgensis / Goebel, Mccreesh, Et Al CD (1999)
Shostakovich: 24 Preludes And Fugues Op 87 / Scherbakov
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| | Harry "Sweets" Edison Sweets CD (1956) Reissue; Remastered; Digipak
Shostakovich: 24 Preludes And Fugues Op 87 / Scherbakov
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Personnel: Harry "Sweets" Edison (trumpet); Barney Kessel (guitar); Ben Webster (tenor saxophone); Jimmy Rowles (piano); Joe Mondragon (bass guitar); Alvin Stoller (drums).
Neither an innovator nor an iconoclast, trumpeter Harry "Sweets" Edison is simply one of the bluesiest, hardest-swinging, and downright tastiest jazz musicians of the 20th century. A consummate sideman who worked steadily throughout his career (even getting gigs recording soundtracks in the '50s), Edison created music that always reflected his journeyman aesthetic and unerring sense of swing. Recorded in 1956, Sweets is one of the quintessential Edison albums showcasing the former Count Basie bandmember at the height of his abilities with a stellar ensemble of other Basie-ites, including tenor saxophonist Ben Webster, guitarist Barney Kessel, pianist Jimmy Rowles, bassist Joe Mondragon, and drummer Alvin Stoller. Rolling from blues ...
| | Hank Mobley Another Workout: RVG Series CD (1961)
Shostakovich: 24 Preludes And Fugues Op 87 / Scherbakov
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Personnel: Hank Mobley (tenor saxophone); Wynton Kelly (piano); Paul Chambers (bass); Philly Joe Jones (drums).
Producer: Alfred Lion.
Reissue producer: Michael Cuscuna.
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on March 26 and December 5, 1961. Includes liner notes by Michael Cuscuna.
This is part of Blue Note's Collector's Choice series. These are limited-edition pressings of a few thousand copies.
Personnel: Hank Mobley (tenor saxophone); Hank Mobley; Paul Chambers (upright bass); Wynton Kelly (piano); Philly Joe Jones (drums).
Audio Remasterer: Rudy Van Gelder.
Liner Note Authors: Michael Cuscuna; Bob Blumenthal.
Recording information: Van Gelder Studios, Englewood Cliffs, NJ (12/05/1961).
This LP has material from 1961 that for no real reason went unreleased until 1985. One song, "Three Coins in a Fountain," is from the same session that resulted in tenor saxophonist Hank Mobley's famous Workout session with guitarist Grant Green, pianist Wynton Kelly, bassist Paul Chambers and drummer Philly Joe Jones. The other five numbers -- three obscure Mobley originals, plus "I Should Care" and "Hello Young Lovers" -- are from the previously unheard December 5, 1961 session with the ...
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Thirty years later, George Crumb's Ancient Voices of Children is still a startling work. Like many of his compositions from this period, the music centers on the poetry of Federico Garcia Lorca, here excerpted prudently by Crumb to create a virtual song cycle about life, death, and the quest to reacquire the "ancient soul of a child." Mezzo-soprano Jan DeGaetani, whose voice ranges from supernatural bird caws to haunting lyricism (and from a whisper to a scream, literally), is the lance with which Crumb shatters our armor of expectations. Applying exotic percussive sounds -- here strident, there dreamlike -- like daubs of paint around his subject, the composer holds listeners spellbound in DeGaetani's mad siren's song. The treatment of the text is so radical from section to section that the work's short span (under a half-hour) is almost a necessity to keep all of the events in memory. The opening "El Nino Busca Su Voz" is rendered phonetically (think Yoko Ono with classical training, or better yet don't think about it), creating a world of fantastical perspectives. "Me He Perdido Muchas Veces Por el Mar" is whispered; "De Donde Vienes, Amor, Mi Nino?" is magical dialogue between woman and child; and "Todas las Tardes en Granada..." is luminescent. At the close, which recalls the opening theme, there is a sense of surrender and completion that simply trails off; nothing is left to be said. George Crumb's resourceful instrumentation -- tuning one set of mandolin strings a quarter-tone low, threading paper between a harp's strings, playing piano strings with a chisel -- coupled with his revelatory vision of the voice as an instrument, creates a work here that sparkles with invention. Not only does the music communicate ...
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Otaka,T,Conductor/BBC Weish, Sym.Orch.
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This CD features the Bohemian composer F.Benda. His violin concerto is a vigorous and uplifting. His concerto is the first recording since the discovery of the hand written manuscript. Before now, it has never been published. Another Bohemian composer J.K.VaĹhal who played cello in a string quartet with Haydn, Dittersdorf and Mozart wrote a wonderful, cheerful, and uplifting double bass concerto. G.Bottesini was called in his lifetime â The Paganini of the double bass." This piece certainly shows the Grand Duo for violin and double bass are equal virtuosities for both instruments. T.A.Findeisen, former solo double-bassist of the Gewandhaus Orchestra, wrote the Romantic Suite a duo for violin ...
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Shostakovich: 24 Preludes And Fugues Op 87 / Scherbakov
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