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Polenzani, Rose - Rose Polenzani CD Cover Art CD music music CDs songs album

Rose Polenzani CD

 Rose Polenzani Discography of CDs

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On her self-titled third release, the previously all-acoustic Rose Polenzani spruces things up a little with added instrumentation, helping to bring her revelatory and revealing songs to life. Increasing the musical intensity to the same level as the emotional, a good chunk of the support is ever so appropriate, with only "Orange Crush" seeming to stick out a tad. The occasional assault of guitars and drums certainly does help make her point, and thankfully the timing is well chosen -- otherwise it might possibly have been a hindrance to the intimacy at which she's so skilled. And lucky for listeners, Polenzani was compassionate enough to toss in a few bare bones (try "The Flood," "Mary Lee," and "Sacramento Avenue") that hark back to her earlier works. All in all, the songwriting and performances are still as poignant and powerful as listeners may have come to expect from Polenzani. ~ Kelly McCartney

The youngest of four children, Rose Polenzani was born into a midwestern family that valued music above all things. The prize of the household was an ornate baby grand piano...it was no mistake that the children grew up to have music as a major part of their lives (Rose's brother Matthew sings with the Metropolitan Opera). In 1995, Rose left school so she could concentrate on songwriting, immersing herself for two years in the Chicago open-mic scene and a hand -me-down four-track machine. She was a local girl until 1997.Her first tour took her to the Northeast in November of 1997. Within 7 months, she would be invited to play the Newport Folk Festival and winning a slot in the 1998 summer Lilith Fair. Balanced on the brink of 60's folk literacy and modern adult alternative, Rose has been able to straddle the largely streamlined music scene, opening for acts such as David Gray, Kristin Hersh, and Vic Chestnutt, as natural in a rock club as a coffeehouse. Despite her attention to lyrics, it's her voice that captures an audience and brings them to a hush, as the Minneapolis City Pages put forth: "[Rose's] ever-shifty and never precious vocal presence must have been long cultivated to arrive in public so fully formed."

Photographers: Dave Goodrich; Louise Ulrich; Rose Polenzani; Mike Piehl.

Personnel includes: Rose Polenzani (vocals, acoustic guitar, piano, keyboards, tambourine); David Goodrich (acoustic & electric guitars, piano, organ); Lou Ulrich (bass); Mike Piehl (drums, percussion).

Personnel: Rose Polenzani (vocals, acoustic guitar, electric guitar, piano, keyboards, tambourine); Dave Goodrich, David "Goody" Goodrich (guitar, acoustic guitar, electric guitar, piano, prepared piano, organ); Lorna Hunt (acoustic guitar); Louise Ulrich (bass guitar); Mike Piehl (drums, percussion).

CMJ (5/28/01, p.28) - "...Rose welcomes the dynamics of a rock band behind her nerve-striking songs here....Whatever the setting, her songs bring drama..."
Rose Polenzani Music


Detailed Rose Polenzani Music Information



List Price $14.97 (You save $2.38)
Category Rock Albums, Folk CDs, Rock/Pop, Folk Rock, Singer/Songwriter
Label Daemon
Orig Year 2001
All Time Sales Rank   218385  
CD Universe Part number 1574171
Catalog number 19029
Discs 1
Release Date Jun 05, 2001
Studio/Live Studio
Mono/Stereo Stereo
Producer Dave Goodrich; David Goodrich; Rose Polenzani
Engineer Francisco Lugo
Personnel David "Goody" Goodrich - guitar, acoustic guitar, electric guitar, piano, prepared piano, organ
MIke Piehl - drums, percussion
Lou Ulrich - bass
Lorna Hunt - acoustic guitar
Rose Polenzani - vocals, acoustic guitar, piano, keyboards, tambourine
Louise Ulrich - bass guitar
Rose Polenzani Songs


Rose Polenzani Album Track Listing



1.Fell
2.Whatever Remains
3.Bad Dreams
4.Flood, The
5.Mary Lee
6.Sacramento Avenue
7.Llama, The
8.Polliwog's Lament
9.Orange Crush
10.Thom II
Rose Polenzani Review


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Song Sequencing 101 must teach artists to start an album with their strongest song, figuring that if they are reeled in from the very beginning, listeners will give the record a chance. Rose Polenzani must have passed the course with flying colors, as "Shake Through to Ugly" is an incredible leadoff track. The furthest thing imaginable from a catchy pop song, this tune reaches down into you in a pleasantly disturbing fashion. Witness the first lines: "I was told I was a wise man by a woman I deceived/And her lover thought me handsome/He was not to be believed." Predominantly comprised of a girl and her acoustic guitar, Anybody is chock full of deeply felt lyrics and, if you can abstain from leaving the first track on repeat, many more gems await their discovery. Not often are the artist and the art so inseparable as this. For even with such penetrating phrases as are contained in "Omen" ("All the stars were falling/She said ...
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The extraordinary South African pianist meets his countryman, the late, very great bassist Johnny Dyani, and the result is one of the single most beautiful recordings of the '70s. The duo mix in traditional African and Islamic songs and perform with a fervor and depth of feeling rarely heard in or outside of jazz. From the opening traditional Xhosa song, "Ntsikana's ...
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Smarting from Dazzle Ships' commercial failure, the band had a bit of a rethink when it came to their fifth album -- happily, the end result showed that the group was still firing on all fours. While very much a pop-oriented album and a clear retreat from the exploratory reaches of previous work, Junk Culture was no sacrifice of ideals in pursuit of cash. In comparison to the group's late-'80s work, when it seemed commercial success was all that mattered, Junk Culture exhibits all the best qualities of OMD at their most accessible -- instantly memorable melodies and McCluskey's distinct singing voice, clever but emotional lyrics, and fine playing all around. A string of winning ...
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The third in a series of handsome box sets, SINGLES 1968-1971 is yet another must-have for hardcore Rolling Stones fans. As with the earlier installments, the collection presents the original 45's in CD format, along with a booklet of informative liner notes, vintage photos, and promotional artwork. Although the "Jumpin' Jack Flash" B-side, "Child of the Moon," finds the Stones still attempting to keep pace with the Beatles (the song clearly echoes Lennon/McCartney's "Rain"), the aforementioned A-side presents the group living up to their reputation as the World's Greatest Rock & Roll Band with blazing ...
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