| | Justin Trevino Traveling Singing Man CD Justin Trevino Discography of CDs
 (3 Customer Reviews)
Justin Trevino, who released his debut LP in 1998, is a fan of the kind of country music that ruled Nashville from the late '50s through the early '70s -- and it shows. He's a darn fine practitioner of that classic brand of music, from the opening shuffle of Mel Tillis' "All Right I'll Sign the Papers" to the sophisticated production of the title track, which was written by the late Justin Tubb (who happens to be Trevino's namesake). The version calls to mind the unabashed cornball beauty of countrypolitan at its best, like George Jones' "Good Year for the Roses" and Roy Clark's "Yesterday, When I Was Young." Trevino's neo-traditionalism stems from country artists who can really sing, and it's clear that folks like Ray Price have inspired him. This Texan is a country singer in the loveliest sense...the way it used to be. ~ Erik Hage
2Nd Rel;Texas Country
Audio Mixers: Justin Trevino; Bill Green .
Recording information: BGM Studios, TX; JT Sound, TX.
Personnel includes: Justin Trevino (vocals, guitar, electric bass); Johnny Bush (vocals); Bobby Flores (electric guitar, fiddle); Dave Kirby, Levi Mullens (electric guitar); Dicky Overbey, Rick Price (steel guitar); Scott Moon (fiddle); Debra Hurd, Randy Reinhard, Ron Huckaby (piano); Allan Chapman (upright bass); Jerrad Green, John "Smiley" Reynolds, Jim Loessberg (drums).
Personnel: Justin Trevino (guitar, electric bass); Bobby Flores (guitar, fiddle); Dave Kirby (guitar); George "Dicky" Overbey, Rick Price (steel guitar); Scott Moon (fiddle); Ronnie Huckaby, Debra Hurd, Randy Reinhard (piano); Alan Chapman (upright bass); John Reynolds (drums).
Traveling Singing Man Music Justin Trevino Traveling Singing Man Songs | 1. | Alright I'll Sign the Papers |
| 2. | She Knows My Weaknesses |
| 3. | Travelin' Singin' Man |
| 4. | Brand New Mister Me |
| 5. | Where Were You |
| 6. | Who Will Buy the Wine |
| 7. | So Easy to Forgive Her |
| 8. | Leavin' and Sayin' Goodbye |
| 9. | Unloved Unwanted |
| 10. | Feel Again |
| 11. | You Can't Get Here from There |
| 12. | Waltz of the Wind |
| 13. | One More Drink and Then I'll Go - (previously unreleased, bonus track) |
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Traveling Singing Man Music Review Average Rating: (5 out of 5 stars)  The Real Deal!!!
If you like "real" country music, in the traditional sense from the likes of Ernest Tubb, Wanda Jackson, Johnny Bush and many others, this cd is a must have. In this day of "soul-less" country-pop, it is refreshing to find a gifted singer that has a true country soul. His smooth yet edgy voice handles this music brilliantly. Highly recommended for anyone looking for the real deal in country music.
Submitted by pilgrim33us (Portlan, ME, USA) 
Was This Review Helpful? Yes No Great Old Country Feel
Enjoyed so very much,I am always on a quest for that "Old Country Feeling"
Submitted by a reviewer (Atkinson,IL.)
Was This Review Helpful? Yes No when are you coming to Pennsylvania?!
reminiscingly original!! Incredible sound quality. Great lyrics!! We love you in Williamsport,PA!!
Submitted by batesrc6 (williamsport,PA)
Was This Review Helpful? Yes No | Have you heard this album? |  |
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Listening to the odd narrative of the opening cut, "The Reckoning," with its haunted musical backdrop, is both puzzling and perplexing. Is it music or perhaps a dramatic narrative? And if it is music, what kind of music is it? Either way, it's an odd track, and an odd -- since the follow-up track is straight alternative country -- way to open an album. On songs like "Last Thin Line," Kasey Anderson mixes a lean sound and gritty vocals that are reminiscent of Steve Earle. It's a sound that leaves an impression of hard living and experience, and one that easily converts into authenticity. Anderson's worldly wise lyrics deepen this impression. He varies the arrangements from song to song on The Reckoning, mixing acoustic and electric guitars, segueing from easy rolling country-rock ("Long Way Home") to folk ("Don't Look Back"). Overall, the material on The Reckoning is performed well, though Anderson's stylized vocals wear thin when songs like "Don't Look Back" and "You Don't Live Hear Anymore" extend beyond the six-minute mark. It is also strange in the latter song that he adopts a higher, more pop affected vocal style, one that doesn't particularly mesh with what has come before. While The Reckoning lacks cohesion, fans who enjoyed 2004's Dead Roses will undoubtedly want to pick up a copy. ~ Ronnie D. Lankford, Jr.
After the release of Dead Roses, his 2004 album, Kasey Anderson found himself suddenly on the radar of critics nationwide. Publications from No Depression to Punk Planet praised Dead Roses and listed Anderson as “one to watch in the alt.country scene” (Punk Planet). While such positive critical response was not surprising given the quality of Anderson’s work (Matt Ryan of The Village Voice listed Dead Roses as the #5 album of 2004), it did set expectations rather high when Anderson entered the studio to record the follow-up to Dead Roses.Working once again with producer Eric “Roscoe” Ambel (Ryan Adams, The Bottle Rockets, Blue Rodeo), who helmed Dead Roses, 27-year-old Anderson’s goal was simple and clear: to create characters that would resonate, clearly conveying the hope, rage and fear that Anderson saw in the lives of so many, regardless of culture or geography. The result is The Reckoning, an album that will undoubtedly expand and ...
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