| | Frank Melrose Jelly Roll Stomp CD Frank Melrose Discography of CDs
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Our Price: $14.79  CDFor Sale Usually ships in 1-2 days
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Collection features rare & never before released material from pianist Melrose, performing with others in four different sessions (including solo & duo settings), featuring Tommy Taylor, Pete Daily, Dunie Ward, Leroy Smith, Sleepy Kaplan, Bud Jacobson's Frank Melrose Jelly Roll Stomp Songs | 1. | Whoopee Stomp | |
| 2. | Whoopee Stomp | |
| 3. | Rock My Soul | |
| 4. | Jelly Roll Stomp | $0.99 | |
| 5. | Market Street Jive | |
| 6. | Piano Breakdown | $0.99 | |
| 7. | Whoopee Stomp | |
| 8. | Distant Moan | |
| 9. | The Harwell Blues | |
| 10. | Hammond Boogie | |
| 11. | The Boy In The Boat | |
| 12. | Cosmics | |
| 13. | Josephine | |
| 14. | Farewell Blues | |
| 15. | Sugar Foot Strut | |
| 16. | Laughing At You -Slow | |
| 17. | Laughing At You - Fast | |
| 18. | Opus # 1, Sans Melody | |
| 19. | Opus # 1, Sans Melody | |
| 20. | Can't Believe | |
| 21. | Clarinet Marmalade | |
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Jelly Roll Stomp Review
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Purchase Jelly Roll Stomp CD To buy, Click on price to add to cart | Egberto Gismonti: Saudacoes CDs (2009)
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Ballin' the Jack's second release, The Big Head, jitterbugs its way right out of the starting gate with a rendering of Duke Ellington's "Jubilee Stomp." This time around sees the contemporary jazz septet interpreting swing and blues classics by such legends as Benny Goodman, Jelly Roll Morton, and Tommy Dorsey, among others, and paying tribute to the beginning of bebop or, as some call the genre, the root of rock & roll. Ballin' the Jack also flex their muscles in the area of originals, of which there are five on this disc. Of note is the bluesy "L'Esprit Django," written by guitarist Ben Sher, whose performance here is best described as smooth, smooth, smooth. The Big Head features guest artist and Ellington "specialist" Anthony Coleman on the Hammond B3 organ. You hear the musician in fine form on Leadbelly's down-home blues joint "Dick's Holler," where Coleman plays a soulful, stomp-your-foot extended solo. Coleman also takes a nice back-up turn on Ellington's "Fugueaditty," ...
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Illustrator: Michelle White.
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Originally inspired to take up playing the blues in our teens, we’ve both been playing ever since – in bands, jams, solo, duos – and sometimes just the two of us together. Living at opposite ends of the country, we don't get to play together as often as we'd like, but when we do, the result is the kind of thing you hear on this album – a mixture of old favourites and new discoveries. It’s also a homage to the men and women who first shaped the blues, and a journey through the country blues, vaudeville and jug band music of the 1920s and 1930s, to the post World War 2, electric blues of Chicago. Recorded in a single session, and mostly in single takes (with some overdubbing for additional vocals and jug), we set out to capture the spirit of one of our live sets, meeting the blues like an old friend – but one full of surprises.Notes on the songs1. Stealing, Stealing An old favourite that we first heard from Jesse Fuller, but originally recorded in 1928 by the Memphis Jug Band with Will Shade on harmonica and vocals. It has what must be one of the best opening lines of any song.2. Big Road BluesA Tommy Johnson song, first recorded in 1928 and one of three of his on this album. He wrote this one night at a party when the girl he wanted to go home with was non-committal. The guitar here is in dropped D tuning capoed up to E.3. Green River BluesOne of two Charley Patton songs on this album, both recorded in 1929. This one rolls along like a Mississippi steamboat; big wheel churning, smoke hanging in the air, and accordion and guitar music drifting across the water….4. I Wonder To MyselfAnother song from Tommy Johnson, this one surviving only as a poor quality 1929 Paramount recording. We think this is the only ragtime number Tommy recorded, and family members tell us that in the studio he had someone to put the kazoo in his mouth for the instrumental breaks. Here Bob had the luxury of a rack to hold his kazoo. Tommy’s lyrics deal with common themes in his songs - coming home to his old mother who is missing him, being drunk and short of money. The lyrics also make a reference to racial segregation (“got to stagger to the rear of some passenger train”), which was rare in 1920s blues recordings.5. Rocking Chair BluesA Big Bill Broonzy song first recorded in 1940 with Memphis Slim on piano. Although Big Bill protests he’s young and tender and needs handling with care, he was 47 at the time. And as for Bob’s age…well, he too is being ironic…...6. Going To GermanyA Canon's Jug Stompers song recorded in 1929 with Noah Lewis singing and playing harmonica. There are various ideas on what is meant by “going to German” – perhaps a reference to army service during the First World War or, more likely, to Germantown on the east side of Memphis. Either way, it's a beautiful and haunting song.7. Me And The Devil BluesOne of our favourite Robert Johnson numbers and one we usually play acoustically. But this time we plugged in for an ‘early Chicago’ sound, Bob playing his Gretsch Synchromatic guitar and Keith playing harp through small Fender tube amps. We wonder what Robert Johnson would have done with an electric guitar if he had lived a little longer....8. Some Of These DaysAnother Charley Patton number but this time not a blues - ...
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Recovering from the just plain ...
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