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Brahms: Lieder , Vol. 3 CD Cover Art

Brahms: Lieder , Vol. 3 CD


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Category Classical, Romantic Period, Song, Classical Vocal Crossover, Song Cycle, Lied, Romance
Andreas Schmidt,Baritone Helmut Deutsch,Piano
Brahms: Lieder , Vol. 3 Music


Detailed Brahms: Lieder , Vol. 3 Music Information



List Price $16.99 (You save $4.24)
Label CPO
Orig Year 1/16/2001
All Time Sales Rank   35781  
CD Universe Part number 1574500
Discs 1
Release Date Jan 01, 2001
Recording Time 55 minutes
Additional Info Complete Edition
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Brahms: Lieder , Vol. 3 Songs


Brahms: Lieder , Vol. 3 Songs Detailed Work Information



1. Romances (15) from Tieck's "Die schöne Magelone" for voice & piano, Op. 33: "Keinen hat es noch gere  (52:36)
   Common Name  Die Schone Magelone Romances, Romances From Tieck's For Voice & Piano
   Composer  Johannes Brahms (1833 - 1897)
   Performer  Helmut Deutsch (Piano)
Andreas Schmidt [baritone]
   Genre  Romance / Romantic Period / Song
   Date Written  1861-1868
   Period  Romantic
   Country  Germany
   Notes  06/02/1998-06/05/1998


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Brahms: Lieder , Vol. 3 Music


Elements featured on Brahms: Lieder , Vol. 3 CD



Composers on Brahms: Lieder , Vol. 3 CD : Johannes Brahms

Genres on Brahms: Lieder , Vol. 3 CD : Romance, Romantic Period, Song

Performers on Brahms: Lieder , Vol. 3 CD : Helmut Deutsch, Andreas Schmidt [baritone]

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Michael John La Chiusa's off-Broadway 1994 musical Hello Again, based on Arthur Schnitzler's play La Ronde, contains ten two-character scenes chronicling sexual encounters in different decades of the 20th century -- "The Soldier and the Nurse" in scene two, "The Nurse and the College Boy" in scene three, "The College Boy and the Young Wife" in scene four, etc. As such, it is an ambitious undertaking and necessarily episodic. On-stage, there may have been many unifying visual elements, but on record, the sung-through scenes pass by quickly and sketchily, simultaneously full of deep feeling and passion, yet not presented in enough detail to convey those emotions fully to the listener. Although there are nods to musical styles across the century, much of the music is in a post-Sondheim musical recitative style: it's a musical because the dialogue is sung, not because there are real songs. ~ William Ruhlmann Michael John La Chiusa's off-Broadway 1994 musical Hello Again, based on Arthur Schnitzler's play La Ronde, contains ten two-character scenes chronicling sexual encounters in different decades of the 20th century -- "The Soldier and the Nurse" in scene two, "The Nurse and the College Boy" in scene three, "The College Boy and the Young Wife" in scene four, etc. As such, it is an ambitious undertaking and necessarily episodic. On-stage, there may have been many unifying visual elements, but on record, the sung-through scenes pass by quickly and sketchily, simultaneously full of deep feeling and passion, yet not presented in enough detail to convey those emotions fully to the listener. Although there are nods to musical styles across the century, much of the music is in a post-Sondheim musical recitative style: it's a musical because the dialogue is sung, not because there are real songs, which means it loses more in mere audio form than a standard musical might. A talented effort, then, but relatively inaccessible. ~ William Ruhlmann Recorded at Clinton Studio A, Ne
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