| | Medieval Chants & Improvisations CD Gaga, A / Schlieker, L CDS
| Category | Classical, Oldies Collections, Renaissance Period, Mass, Hymn, Medieval Period, Anthem, Early Music/Chant, Chant, Antiphon, Gloria, Vespers, Kyrie, Alleluia, Offertory, Gradual, Introit |
Medieval Chants & Improvisations Music | List Price | $17.97 (You save $3.48) | | Label | Centaur Records | | Orig Year | 1/23/2001 | | All Time Sales Rank |  69617  | | CD Universe Part number | 1576814 | | Discs | 1 | | Release Date | Jan 30, 2001 | | Recording Time | 1 10 |
Medieval Chants & Improvisations Review
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Medieval Chants & Improvisations Songs Medieval Chants & Improvisations Music Composers on Medieval Chants & Improvisations CD : Anonymous, Cistercian Anonymous, Codex Calixtin Anonymous, Gregorian Chant Genres on Medieval Chants & Improvisations CD : Alleluia, Anthem, Chant, Gloria, Gradual, Hymn, Kyrie, Mass, Medieval Period, Renaissance Period, Vespers Purchase Medieval Chants & Improvisations To buy, Click on price to add to cart | Handel's Messiah: A Soulful Celebration CD (1992)
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Live Recording
Engineers include: Tony Sheppard, Erik Zobler, Barry Rudolph.
Personnel: Jamecia Bennett (vocals, soprano); Core Cotton, Carrie Harrington (vocals, alto); Terrence Frierson, Patricia Lacy, Kimberly Brown (vocals, tenor, tenor saxophone); James F. Wright (vocals, baritone); David B. Young, Michael L. Bowens (vocals, bass voice); Mervyn Warren (vocals, piano, keyboards, drums, programming, drum programming, background vocals); Richard Smallwood (vocals, keyboards, programming); Donna McElroy, Howard Hewett, Angela Wright, Patti Austin, Take 6, Vicki Hampton, Chris Willis, Kim Fleming, Bob Bailey (vocals, background vocals); Commissioned, Daryl Coley, Jackie Ruffin, Dianne Reeves, Janice Chandler, Melvin Warren, Dennis Sawyers, Caroline Evans, Carolene Evans, David Young, Pat Lacu, Michael Weeks, David Young, Darlene Simmons, Al Jarreau, Michelle Weeks, The Richard Smallwood Singers, Stevie Wonder, Tevin Campbell, The Boys Choir of Harlem, The Clark Sisters , Tramaine Hawkins (vocals); Mike-E (rap vocals, guitar); Leaders of the New School (rap vocals); Jayne Bell, Jayn Bell Porter, Angela Henderson, Cherly Reeves, Sandra Harris, Dorothy Brown, Manecia Bennett, Renee McCall, Elizabeth J. Turner, Wanda Lewis, Ann Nesby (soprano); Jennifer Whitlock (alto, brass); Dorothy J. Townes, Shirley Marie Graham, Beverly ...
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Since Chris Young appeared on the "Nashville Star" television program in 2006, he's been on a roll. After signing with RCA he had a hit with "Drinkin' Me Lonely," his first single from his self-titled debut recording. Likewise, the two singles that have preceded the release of THE MAN I WANT TO BE in 2009 haven't done too badly either, getting plenty of play on radio. While Chris Young's sound is firmly in the contemporary country camp, it's also a lot more hardcore honkytonk than it is the refried '70s rock clichés that plague the genre. Part of that is due to his big booming baritone voice that rings as clear as a bell in this mix. (Think George Strait-meets-Josh Turner.) The other part of his appeal is the use of a relatively small group of musicians, giving the disc a more organic sound than a lot of what's out there. Young also has a lot of respect for tradition: "Rose in Paradise" is drenched in fiddles, mandolins, and acoustic guitars. It's a country-styled blues and features no less than Willie Nelson as a duet partner. The final track on the set is a moving cover of Tony Joe White's "Rainy Night in Georgia." Its beauty lies in its arrangement; his reading of this classic ballad is utterly tender and believable, accentuanted by a sparse, stripped-down production. And rather than stick with his trademark baritone, he stretches his vocal range--including a mean falsetto--to the brink and still pulls it all off.
Recording information: Loud Recording, Nashville, TN; Oceanway Studios.
Photographer: ...
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Stanley Black's orchestral fantasies touch upon Argentina and Andalusia in this double reissue of dramatically produced concept albums from the golden age of thematically presented mood music. What makes both All-Time Top Tangos and Spain much more substantial and interesting than his Red Velvet and Music for Romance albums is the inclusion of authentic instrumentation and traditional vocalizing. The tango stratum is dominated by accordion and brass; the Spanish studies bring in flamenco guitar & vocals along with bursts of conversation in the mother tongue. ...
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