| | Pam Gadd Time Of Our Lives CD Pam Gadd Discography of CDs
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Gadd's songs are strong and she sings them as if they matter, which in fact they do. Sure of herself, Gadd sings of the pleasures and pitfalls of love without dropping into the "poor me" trap so many of her contemporaries can't seem to avoid. The mood here is melancholy, not whining. Guests Marty Stuart, Glen Duncan, and Rob Ickes add some sensitive accompaniment, but never overwhelm the songs. The focus here is on Gadd, on her songs, and her endearing voice. The flavor of the album reminds one of some of the Judd's earlier records, or perhaps something Dolly Parton might have done. While this album might not be a classic, it's another worthy effort from an artist who deserves more attention, especially from those in search of heartfelt country musings. ~ Rob Ferrier
Former Lead Singer For Wild Rose;2nd Solo
Personnel includes: Pam Gadd (vocals, guitar); Marty Stuart (mandolin); Randy Scruggs.
Pam Gadd Time Of Our Lives Songs | 1. | Virginia Man |
| 2. | If I Was a River |
| 3. | Hold Your Horses |
| 4. | Some Things Stay the Same |
| 5. | Acoustisizer |
| 6. | Go On |
| 7. | Blue Railroad Tracks |
| 8. | Whole Lot of Heart, A |
| 9. | My Living Room |
| 10. | Settling Down |
| 11. | Love Never Felt Like This |
| 12. | Ramble and Roll |
| 13. | Time of Our Lives, The |
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Time Of Our Lives Review
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Purchase Time Of Our Lives CD To buy, Click on price to add to cart | Alan Jackson Under The Influence CD (1999)
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UNDER THE INFLUENCE is Alan Jackson's tribute to the singers and songwriters who most influenced him, including George Jones, Merle Haggard and Conway Twitty.
Principally recorded at Javelina Recording Studio, Wedgewood Sound and The Sound Station, Nashville, Tennessee; Clinton Recording Studio, New York, New York; Compass Point Studios, Nassau, Bahamas. Includes liner notes by Alan Jackson.
All tracks have been digitally mastered using HDCD technology.
UNDER THE INFLUENCE was nominated for the 2001 Grammy Award for Best Country Album.
Traditionalist Alan Jackson has paid tribute to his musical roots in ...
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"Put me in coach, I'm ready to play." These are lines familiar to any baseball fan, for John Fogerty's "Centerfield" has become the unofficial song of our national pastime. Those lines also signaled Fogerty's return to the music business after a ten-year absence. The music is mighty familiar, as Fogerty works the same terrain he mined for gold with Creedence Clearwater Revival from 1968-1972. The riff of the opening track, "The Old Man Down the Road," sounds so much like the Creedence hit "Run Through the Jungle" that Fogerty was sued by his former record company for plagiarizing himself. (He won the ...
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MOUNTAIN SOUL was nominated for the 2002 Grammy Award for Best Bluegrass Album.
A 180-degree departure from contemporary commercial country music, album number six from the always dynamic Loveless is like a breath of fresh air on a steamy summer afternoon. Mountain Soul is a rare and brilliant acoustic 14-track ...
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| | Vanilla Fudge Mystery CD (1984)
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Quiet Riot's producer gives Vanilla Fudge -- whom producer Shadow Morton discovered in the late '60s -- a "bang your head" onslaught of big hair drums, compressed guitar, and tired homogenization. The fun psychedelic distortion of Vinny Martell is totally stripped away -- he is relegated to rhythm guitar on one song and backing vocals on three. That is a total travesty. It is one thing to have the leader of Beck, Bogert & Appice, one Jeff Beck, funk up "My World Is Empty," even under the disguise of J. Toad (shades of George Harrison in his L'Angelo Mysterioso garb), but this version of the Supremes is so far removed from what made Vanilla Fudge so special that, really, it should be included as a bonus track on a reissue of the 1973 Epic debut Beck, Bogert & Appice. One Ron Mancuso is listed under Martell in the credits, but he is the hip guitarist recruited for this calculated disc to replace Martell. His name might be in small print, but his sound is what is splashed all over this veteran group's comeback attempt. Proffer takes the once angelic voices and puts them through his machinery to come up with something that could be Patty Smyth's Scandal or even 38 Special. Clearly, this wasn't an attempt at former glories, but a stab at reinventing the band instead of putting their trademark arrangements on familiar tunes. This is everything fans of '60s music hate about the '80s. Whether it is the first track, "Golden Age Dreams," or the decent cover of Dionne Warwick's "Walk on By," or the song that took seven writers to compose, "Don't Stop Now," the drumbeat is incessant and is more Quiet Riot than Fudge. The worst track is probably "Hot Blood," which is Scott Sheets, Mark Stein, and Carmine Appice totally ripping off the chorus of Foreigner's 1978 hit "Hot Blooded." You can rest assured they would've been sued if this album sold, but where the covers are amusing, and some of the originals show sparks of ingenuity, "Hot Blood" is so bad that most bar bands would balk before sending it to an A&R man. That this was released on Foreigner's own label is even more appalling. The song that follows, "The Stranger," thankfully does not cop Billy Joel's riffs -- it is interesting because ...
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