| | Red Planet Let's Get Ripped! CD Red Planet Discography of CDs
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Our Price: $7.99 CDFor Sale Usually ships in 1-2 days (Only 1 available)
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You can't fault a band that just wants to drink with you, so go ahead and love Red Planet. Let's Get Ripped! kicks off with its goofy ruckus title track, which sounds like Shoes covering the Ramones. From there it's the fuzzy half-time stomp of "Big Hair Camaro," a trashy fun run through the Dead Kennedys classic "Too Drunk to Fuck," and some stuff about crappy jobs and drunken hookups. It's a real good time, pretty typical for the Bay Area band as well as Gearhead Records. ~ Johnny Loftus
Re-Issue Of Single+3 New Trax
Red Planet includes: Chris Dunn, Jeremy Powers.
Personnel: James Neil (vocals).
Red Planet Let's Get Ripped! Songs Let's Get Ripped! Review
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Purchase Let's Get Ripped! CD To buy, Click on price to add to cart | Alice Cooper Love It To Death CD (1971) Gold
Let's Get Ripped! album
$19.10 Whereas Alice Cooper's first two studio albums, 1969's PRETTIES FOR YOU and 1970's EASY ACTION, tended more towards the trippy excesses of the hippie era, ...
| | Joe Walsh Smoker You Drink, The Player You Get CD (1973) Gold
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$19.10 "Rocky Mountain Way," the tune that opens Joe Walsh's sophomore release (and remains one of his best-known songs), is a textbook example of Walsh's strengths. The song is driven by a slinky hard rock groove that boasts crunchy, distorted guitars, barrelhouse piano, wiry solos, and a catchy, singalong chorus--proving Walsh's ...
| | John Mayer Battle Studies CD (2009)
Let's Get Ripped! music CDs
$12.95 It's no secret that John Mayer is a 21st Century Fox, wining and dining women all through tabloid headlines, so it's about time he delivered an album that traded upon his loverman persona -- and Battle Studies is that record in spades. Retaining more than a modicum of the slick, soul-blues undertones of Continuum, Mayer fashions a modern groove album, a record that maintains a smooth seductive vibe so thoroughly it spills into a one-man band cover of "Crossroads." Mayer remains somewhat of a disciple of Slowhand, but he shows an unusual interest in the big AOR stylings of Journeyman, along with Stevie Ray Vaughan's In Step, creating a coolly clean blend of synths and Strats, one that's as much about texture as it is about song.something perfectly appropriate for a make-out album like this. Sometimes, Mayer dips too heavily toward the texture, but he can't resist a good, tight melody and ...
| | The Very Best Of Enya CDs (2009) With DVD
Let's Get Ripped! songs
$21.00 Comprised of 18 tracks culled from the singer/composer's first three decades, The Very Best of Enya was pieced together by the artist herself, along with longtime collaborators Nicky and Roma Ryan. Luckily, the trio seems enamored by most of the same songs that the general public is, resulting in one of those rare "greatest-hits" collections that goes deep without depriving the listener of the essentials. With tunes like "Orinoco Flow," "Caribbean Blue," and "Book of Days" in the pot and out of the way, it's easier to appreciate hidden gems like "Cursum Perficio," "Boadicea," "Trains and Winter Rains," and "Anywhere Is." Also notable is the inclusion of "May It Be" and a previously unreleased version of "Aníron (I Desire)," both of which originally ...
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| | Kahil El'Zabar's Ritual Trio Love Outside Of Dreams CD (2002)
Let's Get Ripped! songs
$13.29 While the music on this disc stands as yet another fine addition to Kahil El'Zabar's catalogue of collaborative jazz science, it should be noted first that this trio date is the final recording session of the late bassist Fred Hopkins, who died of heart disease six months after they were completed. Upon first listen, the striking and remarkable thing about Love Outside of Dreams sounds like a trio that had been playing together for no less than five or ten years. It's not just the intuition or the way in which Murray's and El'Zabar's tunes are executed, but the sheer and very muscular musicality the band plays with. This is music with a lot of improvisational fire at its center, yet, because of the strength and communication between the players, the nature of the music, it's affirmative and empathetic need to reach out of itself, is articulated with great verve by the trio. The opener and title track features Murray moving through the melodic statement and theme unencumbered by the rhythm section's simultaneous insistence to swing. He makes it knotty and complex, and then allows himself to open to their groove -- which is ...
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| | Kenny Carr Turn The Page CD (2006)
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$12.09 One cannot help but be impressed by the variety on this CD. Guitarist Kenny Carr ranges in style from Larry Carlton and crossover to touches of country music, bluesy jams, and solid straight-ahead jazz. Whenever you think you have this program figured out, Carr throws in another original ...
| | Paul Blackman & Andrew Sherbrooke Live From Big Sur 2006 CD (2006)
Let's Get Ripped! album
$13.89 Right in the middle of Route 1 in California lies Big Sur. It's a place to hike, meditate, surf, and it's generally just one of the most inspirational places on the planet. In 2006 Paul Blackman and I (Andrew Sherbrooke) met there to hang out, and to play some music. We've been improvising, writing, and performing music together since 1979. From heavy metal and classic rock in junior high school to progressive and art rock in high school, then jam bands like the Grateful Dead and modal jazz like Miles Davis we've covered a lot of territory. We've been critically acclaimed, featured on local radio, and have played countless live shows. In 1995, however, we moved to different areas of the country. Paul became a forest ranger, and I'm doing software development for various clients in the music industry. Big Sur was a long overdue reunion.This disc features two acoustic guitars on all tracks. Just two people conversing with music. Everything arose spontaneously, to reflect our moods of ...
| | Motor Unhuman CD (2007)
Let's Get Ripped! CD music
$12.39 Motor's second album kicks off with a perfect brutalist bang -- "Bleep #1" is such a perfect archetype of the electronic body music aesthetic of crisp-as-hell beats, nagging synth parts and four-to-the-floor groove it should be patented. From there Unhuman lives up to its title excellently. This is the antithesis of whatever is being called ...
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