| | Antoine Fluck Original Swiss Folklore, Vol. 2 CD Antoine Fluck Discography of CDs
Personnel includes: Antonine Fluck, Fredy Baumann (bass). Original Swiss Folklore, Vol. 2 Music Antoine Fluck Original Swiss Folklore, Vol. 2 Songs | 1. | Fiesta Mexicana |
| 2. | Tout Droit au Coeur |
| 3. | Quoique Vous Fassiez, Faites le Bien |
| 4. | Ecoute Papi!! |
| 5. | Au Bal du Samedi Soir |
| 6. | Patronne un Cigare |
| 7. | Au Kiosque a Musique |
| 8. | Merci Monsieur I'Agent |
| 9. | Joelle & Vincent |
| 10. | La Descente Pierelino |
| 11. | Chainer la Roue de Secours |
| 12. | Un Beau Dimanche au Bord du Doubs |
| 13. | Bapteme au Beau Sapin |
| 14. | Marche du Zillertale |
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Original Swiss Folklore, Vol. 2 Review
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Purchase Original Swiss Folklore, Vol. 2 CD To buy, Click on price to add to cart | Pink Martini Splendor In The Grass CD (2009) Digipak
Original Swiss Folklore, Vol. 2 album
 $13.39  
Pink Martini follow the around-the-world-in-a-dozen-songs thrills of HEY EUGENE! with SPLENDOR IN THE GRASS, a mellower, simpler set of small pleasures. These are relative terms, however; the group's music is still well-traveled, with China Forbes singing in five languages (English, Spanish, Neapolitan, French, and Italian) instead of the six or so on EUGENE!. However, Pink Martini opt for a more unified sound here, one that draws on the more straightforward lounge-pop of their debut, SYMPATHIQUE, and the mellowness of '60s and '70s pop. SPLENDOR IN THE GRASS' first half is especially smooth, opening with the beautifully soft Neapolitan ballad "Ninna Nanna" and the title track, on which Forbes sings "I think we should take it slow" over swooping strings, brass, and piano that resurrect the glory days of AM pop; that feeling is echoed by the cover of Joe Raposo's "Sing," the Sesame Street song that gained popularity when the Carpenters performed it (Emilio Delgado, aka Sesame Street's Luis, duets with Forbes here in Spanish and English). The album's first few tracks are among its most playful, including the slinky yet winking "Ohayoo Ohio" and the French confection "Ou Est Ma Tete?" While Pink Martini ...
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| | Buju Banton Til Shiloh... CD (1995) Bonus Tracks; Remastered
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It was not pure ego that led Buju Banton to title his 1993 album VOICE OF JAMAICA; his unique voice is a gruff, melodic instrument, and his lyrics are precise. He built his career on controversial hits and slacker anthems, but has since helped spearhead a movement to swing reggae's pendulum away from sex and violence, back towards conscious lyrics and Rastafarian themes. On `TIL SHILOH, the voice of Jamaica has visibly evolved.
Still, don't let all this consciousness talk scare you; Buju's strength is his ability to create hooks that buoy the weight of his words. The choruses of singles like "Murderer," "I Wanna Be Loved" and "Champion" drill themselves into your head and nest there for days. 'TIL SHILOH is also one of the most experimental dancehall releases ever, utilizing an a capella intro, a track built out of African chanting and percussion ("'Til I'm Laid To Rest"), and a song featuring an acoustic guitar ("Untold Stories"). A duet with the late Garnett Silk ("Complaint") provides a nice respite from Banton's trademark growl. For the most part, Buju and executive producer Donovan Germain steer clear of pandering to cross-over audiences, choosing instead to rely on innovative rhythms and Banton's natural pop sensibilities to win over listeners.
While Buju may not yet be ready to inherit Silk's "Next Marley" tag, 'TIL SHILOH is without a doubt the most roots-oriented dancehall release of 1995. And if Banton continues to ...
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Recording information: Dan Shea Studios; Dark Horse, Nashville, TN; Soundscape, Dublin; The Givens House, Franklin, TN; Windmill ...
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With help from musicians associated with the era and location (including Don Tosti, Lalo Guerrero, and Thee Midnighters' Little Willie G.) and studio musicians Jim Keltner, Jon Hassell, and legendary Tex-Mex accordionist Flaco Jimenez, Cooder has created a musical novel that richly celebrates the music, life, and lingering mythos of Chavez Ravine, an L.A. neighborhood razed by the city in the interest of big business (namely to build a stadium for the soon-to-be L.A. Dodgers). Stylistically, the album, performed in both Spanish and English, encompasses Latin folk forms, swing, atmospheric ballads, rhumba, and R&B. Yet the whole feels so rooted in history, so packed with real characters (like boxer Carlos Chavez) and stories (like a Pachuco-slang-speaking UFO sighting) that it plays as an organic whole. Playful, poignant, historically significant, and thoroughly enjoyable, CHAVEZ RAVINE is a stunning achievement.
In the wake of the tremendous impact of the BUENA VISTA SOCIAL CLUB album, film, and tour, it is easy to see Ry Cooder as a historian, a cultural ambassador, and a gifted humanist interested in revitalizing all people through music. If this sounds like an overstatement, you probably haven't ...
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GOING FOR GOLD is a best-of set by Shed Seven, and includes the songs "Going for Gold," "Getting Better," and "High Hopes," as well as several rarities.
Since none of Shed Seven's three studio albums were exceptionally consistent, it seems like a wise idea to assemble a hits package including all of their excellent smash singles. Going for Gold effectively packages all of the band's hits along with two new songs: the funky "Disco Down" and the ...
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