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Traffic - Last Exit CD Cover Art
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Traffic Last Exit CD

 Traffic Discography of CDs
4.5 stars (2 Customer Reviews)

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LAST EXIT is a collection of studio tracks and live tracks recorded at The Fillmore West, San Francisco, California.
Traffic: Steve Winwood, Dave Mason, Chris Wood, Jim Capaldi.
Producer: Jimmy Miller.
Reissue producer: Bill Levenson.
Originally released on Island (9097).
Personnel: Steve Winwood (vocals, guitar, keyboards); Dave Mason (vocals, guitar); Jim Capaldi (vocals, keyboards, drums); Chris Wood (wind).
Recording information: Fillmore West.
Photographers: Richard Polak; Ray Ross.
Unknown Contributor Roles: Jim Capaldi; Steve Winwood.
Since Traffic originally planned its self-titled second album as a double LP, the group had extra material left over, some of which saw release before the end of 1968 (there was a new, one-off single released in December, "Medicated Goo"/"Shanghai Noodle Factory"). In January 1969, Steve Winwood announced the group's breakup. That left Island Records, the band's label, in the lurch, since Traffic had built up a considerable following. As far as Island was concerned, it was no time to stop, and the label quickly set about assembling a new album. The non-LP B-side "Withering Tree," "Medicated Goo," and "Shanghai Noodle Factory" were pressed into service, along with "Just for You," the B-side of a solo single by on-again, off-again member Dave Mason that had been released originally in February 1968 and happened to feature the rest of the members of Traffic as sidemen; a short, previously unreleased instrumental; and two extended jams on cover songs from a 1968 live appearance at the Fillmore West. It all added up to more than half an hour of music, and that was enough to package it as the posthumous Traffic album Last Exit. Actually, Last Exit isn't bad as profit-taking products go. "Just for You" is one of Mason's elegant folk-pop songs, including attractive Indian percussion. "Medicated Goo" has proven to be one of Traffic's more memorable jam tunes, despite its nonsense lyrics, and the equally appealing "Shanghai Noodle Factory" is hard not to interpret as Winwood's explanation of the band's split. And while the cover material seems unlikely, the songs are used as platforms for the band to jam cohesively. So, Traffic's third album, thought at the time of its release to be the final one, has its isolated pleasures, even if it doesn't measure up to its two predecessors. ~ William Ruhlmann
Half live, half studio, LAST EXIT is a fitting testament to Traffic's strengths in both arenas. This 1969 release was the band's third album in two years, titled as such because it was to be their farewell. Upon disbanding, Steve Winwood joined the short-lived BLIND FAITH, only to reconvene Traffic a year later with their classic JOHN BARLEYCORN MUST DIE. The catchy, playful pop of Dave Mason's "Just For You" and Winwood's "Medicated Goo" are classic Traffic, sounding of a piece with their debut, MR. FANTASY.
Though pared down to a trio at this point--Winwood (organ, vocals), Chris Wood (saxophone and flute), and Jim Capaldi (drums, vocals)--Traffic also performs well in the way of extended jams. Two long selections recorded live at the Fillmore West never falter. The band's version of Anthony Newley's "Feelin' Good" exalts at every turn, with Capaldi's drums springing out of Winwood's church-y Hammond like a percussive hallelujah chorus.

Additional Tracks

Last Exit Music


Detailed Last Exit Music Information



List Price $9.95 (You save $3.36)
Category Rock Albums, Rock/Pop CDs, Live Performances, Art Rock, Psychedelic
Label Island
Orig Year 1969
All Time Sales Rank   5841  
CD Universe Part number 1590901
Catalog number 548540
Discs 1
Release Date Feb 27, 2001
Studio/Live Live
Mono/Stereo Stereo
Recording Time 34 minutes
Personnel Dave Mason, Steve Winwood, Chris Wood, Jim Capaldi
Additional Info Remastered
Traffic Last Exit Songs


Traffic Last Exit Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Just for You  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Shanghai Noodle Factory  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Something's Got a Hold of My Toe$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Withering Tree  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Medicated Goo  $0.99
6.Feeling Good
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Blind Man  $0.99

Last Exit Music


Last Exit Other Versions



Last Exit Music Review


Customer Last Exit Reviews 




Average Rating: (4.5 out of 5 stars) 4.5 stars

5 stars A classic
Steve Windwood comes across loud and clear in his usual dynamite fashion.
Submitted by a reviewer (Los Angeles, CA.) Verified Buyer
Was This Review Helpful? Yes No

4 stars Traffic...
This album is a bit too short, but the studio tracks are all solid. Medicated Goo is a great Winwood song and it's the highlight of this album. The two live tracks are somewhat lacking due to Mason's recent departure, but are still well played.
Submitted by Steve (Philadelphia, PA)
Was This Review Helpful? Yes No

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Wanderlust -pronounced 'won'der'lust (n) a strong desire to travel Ever since the beginning of my life, I've loved to travel. Seeing new places and meeting new people has been one of my greatest passions. Being in a traveling band has made it possible for me to travel around the world several times, playing the music that I love. So, when it came time for me to put out my first ever solo album, there was no better name for the project than WANDERLUST. I never actually decided, "Alright, now I'm going to record a solo album". It just sort of happened. FireHouse has always been my top priority, and at a certain point, I realized that I was writing and recording songs that fit my vocal style more and more. Musically, my songwriting style has always had a bit of diversity from the harder edged sound of my electric guitar, to the softer side of me that comes out in my acoustic guitar. I love both, and this album had to have that diversity. Growing up in Virginia and being exposed to so much great music of the South, combined with my love of hard rock, heavy metal, funk, and blues, influenced me in the writing and recording of this album. After I had all ten songs written and the demos were recorded, I realized that there was something missing. I had played all the instruments: guitars, bass, keys, programmed the drums, etc., and even though I really loved the songs, they didn't sound like they were being played by a BAND. I needed to get the right guys to bring the most out in the music. I wanted the energy of the band to come through in the recording. The songs had a Southern vibe that kept shining though, and I realized that the two perfect guys for the gig were right in front of me: Michael Foster and Bruce Waibel. Michael Foster, who I have had the honor of playing with since 1984, was the perfect choice for drums. His aggressive approach, powerful energy, and extremely dynamic and diverse style, combined with his amazing sense of creativity, took the project to a level that I had never imagined. His signature feel and groove is the backbone of the music, and I can't tell you how phenomenal he was in the studio, recording the entire album in only one day. Bruce was the obvious choice as the bassist especially since he came from the exact musical place that I was going for (melodic rock with a Southern ...
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