| | Karen Silver Hold On I'm Comin' CD - Import Karen Silver Discography of CDs
Photographers: Ellen Toffelmire; Greg Lawson.
Arranger: Gino Soccio.
Personnel: Karen Silver (vocals); Gino Soccio (guitar, keyboards, background vocals); Bob Cohen (guitar); Carlisle Miller (horns, background vocals); Roger Walls (horns); Derek Kendrick (drums); Luc Boivin (percussion); Sharon Williams (background vocals).
Recording information: Studio Saint-Charles, Montreal, Canada; Studio Tempo.
Karen Silver Hold On I'm Comin' Songs | 1. | Hold On! I'm Comin' |
| 2. | Fake |
| 3. | Can't Stop Dancing |
| 4. | Hot Stuff |
| 5. | Make Me Feel Alright |
| 6. | Set Me Free |
| 7. | Crazy for Ya |
| 8. | Love Me Tonight (Turn Off the Light) |
| 9. | Boy from New York City |
| 10. | Nobody Else |
| 11. | Paradise |
| 12. | Mirror, Mirror |
| 13. | On the Radio |
| 14. | Clean Up Woman |
| 15. | Party Girl |
|
Hold On I'm Comin' Review
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Purchase Hold On I'm Comin' CD To buy, Click on price to add to cart | Original Salsoul Classics 2 CDs (1992) Collector's Edition
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It's hard to believe that after recording as a leader for 40 years, DRESDEN: IN CONCERT is Jan Garbarek's first-ever live album. For those who think that Garbarek abandoned jazz some time ago, this will be a shock. DRESDEN is an engaged, kinetic, double-disc, two-hour performance of his quartet playing ...
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All tracks have been digitally remastered using 22-bit technology.
The notes for this CD ask, "What issue is more topical than the Brazilian rain forest? So what reissue would be more topical than Walter Wanderley's Rain Forest?" Politically, this may be true, but musically, this collection is anything but topical. From the first tune -- the monster hit "Summer Samba," the listener is catapulted straight back to the '60s when bossa nova was new in the U.S. and everyone wanted a piece of it. Organist Wanderley made a big splash with this CD, which went platinum in two years -- and it does evoke strong water images, like "poolside" and "ice skating rink." The jazzmen are underutilized, since most of the tracks are less than three minutes long and leave little room to stretch out. One exception is the pretty Ferreira/Marconi ballad "Rain," the only track where Wanderley plays piano rather than organ and which features a fine solo by Urbie Green on trombone. On "Beach Samba," Green gets to noodle a bit, but Bucky Pizarelli ...
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Free blowing often inspires traffic and automotive metaphors -- all those horns -- and these 14 cuts suggest one more: five musicians playing as if respecting a four-way stop. This album was released on a Vermont label, and is the packaging ever misleading. Melanie Powell's cover painting is as serenely vague upside down as it is right side up, while the album title (in large type) evokes the new age racks or a movie soundtrack. But before you pass it by, check the fine print for the artists' names. Joseph Jarman's tenor saxophone and Leroy Jenkins' violin are better known from two important jazz outfits, respectively, the Art Ensemble of Chicago and the Revolutionary Ensemble. This time, Jarman's other axes include ceramic flutes, bass flute, "hands" (sic), some rather useless chimes and gongs, and the mysterious Isan. Jenkins swaps his violin for a harmonica on a few cuts, as well as playing kalimba, but that violin makes a great foil for the rather stiff timbre of Jarman's ceramic flutes. And a little stiffness ...
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