Dania 2 CD Netherlands

Dania 2 Music

List Price	$16.99 (You save $1.24)
Category	Rock/Pop Albums, World CDs, International, Arabic
Label	EMI Latin
Orig Year	2000
All Time Sales Rank	323582
CD Universe Part number	1592540
Catalog number	310899
Discs	1
Release Date	Jun 01, 1999
Mono/Stereo	Stereo
Additional Info	Netherlands

Dania 2 Songs

	1.	Ifrahou Ghannou
	2.	Ya Dallah
	3.	Leily (Transglobal Underground Remix)
	4.	Ya Glebey
	5.	Ya Akhid Akley
	6.	Es Salam
	7.	Inta
	8.	Leiley (Oriental Version)
	9.	Mafeesh Tari'a
	10.	Love Be Mine
	11.	Private Number (Dania & 911)

Dania 2 Review

Guidelines
Remember to focus your comments on Dania 2 CD - Import.
Check our review guidelines for specific details regarding customer review policy.

To submit your review, please fill out the above form and click "Submit Review." A staff member will then verify your review meets our guidelines. Upon approval, your review will be published within a few days.

Please do not use this form to comment on web site errors or for order related questions. If you have concerns of this nature, please contact customer service by filling out this form.

To buy, Click on price to add to cart

Also Bought

Joao Gilberto Amoroso/Brasil CD (1993)

Dania 2 album

$11.99

Joao Gilberto is perhaps forever destined to be lesser known to casual jazz fans than his occasional collaborator Stan Getz (whose GETZ/GILBERTO albums introduced the United States to bossa nova) and his ex-wife Astrud Gilberto (whose shy, delicate voice made her one of the most distinctive and beloved jazz vocalists of the '60s). However, true fans of Brazilian music recognize that Gilberto is second only to Antonio Carlos Jobim as a writer and interpreter of traditional Brazilian music and Brazilian-influenced jazz. These two albums, collected in full on one CD, are among Gilberto's best solo albums. Alternating between standards like "'S Wonderful" or "Besame Mucho" and Brazilian tunes like Jobim's "Wave" and the original "Triste," AMOROSO is a fine, romantic jazz album. BRASIL, as the title suggests, consists of six traditional-style sambas, sung in Portuguese to acoustic guitars and hypnotic percussion. Both are essential to Gilberto fans and neophytes. AMOROSO was released in 1977. BRASIL was released in 1981. BRASIL personnel: Joao Gilberto (vocals, guitar); Gilberto Gil, Caetano Veloso, Maria Bethania (vocals); Clare Fisher (keyboards); Milcho Leviev, Michael Boddicker (synthesizer); Jim Hughart (bass); Joe Correro (drums); Paulhinho Da Costa (percussion). Producer: Joao Gilberto. Personnel: Joao Gilberto (vocals, ...

Also Bought

Eros Ramazzotti Eros (Italian) CD (1997) Italian

Dania 2 CD music

$9.05

The Italian version of EROS contains 2 songs that do not appear on the Spanish version. It also contains 8 songs that are completely re-recorded. At the height of his popularity, after establishing a fan base for himself across much of Western Europe as well as parts of the Spanish-language world, Italian singer/songwriter Eros Ramazzotti took some time off during the late '90s and released Eros, a greatest-hits compilation comprised primarily of newly recorded material. The 16-track compilation is comprised of five songs that appear in their original versions, nine that have been newly recorded specifically for this compilation, and two new ones. While the decision to re-record the majority of the inclusions is unusual for a greatest-hits album, Eros ends up being a much more interesting album than it would have been otherwise. The nine songs that are re-recorded are the early hits of Ramazzotti, namely "Terra Promesa" (originally released in 1984), "Una Storia Importante" (1985), "Adesso Tu" (1986), "Ma Che Bello Questo Amore" (1987), "Musica E" (1988), "Se Bastasse una Canzone" (1990), "Cose Della Vita" (1993), and a couple others. The five songs that appear in their original versions are more recent hits such as "Un'Altra Te" (1993) and "Piů Bella Cosa" (1996). In fact, none of the songs on Eros predates 1993, and only two predate 1996. As a result, Eros sounds as if it were a totally new album -- a brilliantly written one, at that -- rather than a compilation of greatest hits. For instance, there's no trace whatsoever of the sometimes-bombastic ...

Also Bought

Art Of Amalia Rodrigues CD (1998)

Dania 2 music CDs

$11.39

Portugal's most beloved performer, Amalia Rodrigues is celebrated as the leading light of the spare, melancholy musical style known as fado. Both a film actress and a musical icon, Rodrigues garnered attention with both her striking beauty and her deeply expressive voice. Starting out as a singer in Lisbon, Rodrigues moved on to the nightclubs of Rio de Janeiro, Brazil, which led to her success as an international star. This impressive 18-track disc compiles many of Rodrigues's finest recordings, with most tracks dating from her heyday in the 1950s and '60s. Highlights of THE ART OF AMALIA RODRIGUES include the lilting, mournful classics "Nem As Paredes Confesso," "Lisboa Antigua," "Coimbra," and "Foi Deus," all of which feature beautifully minimal string backing and, of course, Rodrigues's plaintive ...

Also Bought

Lawrence Welk World's Greatest Polkas CD (1986)

Dania 2 songs

$10.49

Also Bought

Karunesh Global Village CD (2006)

Dania 2 album

$13.25

Also Bought

High Kings CD (2008) Digipak

Dania 2 CD music

$14.89

The debut album by the High Kings was issued by the same folks who had a hand in Celtic Woman and Riverdance, and consists of easy listening and buffed-and-polished Irish folk music of appeal to an audience that is comparatively massive for the world music fringe: this album made the lower levels of the Billboard Top 200 album chart. The High Kings is glossy and polite -- targeted perhaps toward listeners who enjoyed the pennywhistle on Celine Dion's "My Heart Will Go On" -- even on tunes that strive to be upbeat and frolicsome. ~ Stewart Mason The debut album by the High Kings, brought to you by the same folks who had a hand in faux-Celtic abominations like Celtic Woman and Riverdance, brings up an important philosophical question: just exactly what is the demographic for this blend of middlebrow easy listening and buffed-and-polished Irish folk music? More to the point, what does that audience (which was comparatively massive for the world music fringe: this album actually made the lower depths of the Billboard Top 200 album chart) get out of the antiseptic gloss of The High Kings that isn't available to them through the equally cleaned-up and mainstream likes of, say, the Chieftains or Clannad? Listening to the painfully polite and over-manicured tunes here, it seems like the target market for The High Kings is those consumers whose first exposure to the pennywhistle was Celine Dion's "My Heart Will Go On," and who just naturally assume that that's what Irish folk music sounds like as a result. That sense of maudlin earnestness permeates nearly the entire album, even on tunes that are striving ...