| | Herve Hovington Deux Histories D'Amour CD - Import Herve Hovington Discography of CDs
Deux Histories D'Amour Music | List Price | $16.99 (You save $1.24) | | Category | Rock/Pop Albums, World CDs, International, French | | Label | Unidisc | | Orig Year | 2003 | | CD Universe Part number | 1594217 | | Catalog number | 628056 | | Discs | 1 | | Release Date | Jul 18, 2006 | | Mono/Stereo | Stereo | | Additional Info | Canada |
Herve Hovington Deux Histories D'Amour Songs | 1. | Plus Fort Que le Silence et Que l'Or |
| 2. | Deux Histoires d'Amour |
| 3. | Nos Cheveux |
| 4. | Elle Veut Maintenant |
| 5. | Requiem |
| 6. | Chacun dans Son Appartment |
| 7. | Do Wah Diddy |
| 8. | Juste Toi et Moi |
| 9. | Si Elle Passe |
| 10. | Pierre Sur La Route |
| 11. | C'est Mon Coeur |
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Deux Histories D'Amour Review
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Claude Challe's Buddha-Bar, Vol. II compilation has elements of Far Eastern spirituality, African song, European electronica, and Spanish spice. The first album, Buddha-Bar, is very mellow for the most part. Deepak Chopra and Demi Moore, far and away the most recognizable names on the album, do a spoken word ditty on love and self-worth. People who are not fans of new age doctrine will appreciate artists such as Oliver Shanti and Consuelo Luz, both of whom contribute songs that manage to sound musical, spiritual and ethnic at once. The second album varies from hallucinatory to groovy to fairly high-energy. "Tears Inshalla" will appeal to fans of Eastern-influenced trance. Lyrics are of almost no importance on the album. They do exist on most tracks, but they bounce around from English to Portuguese to Arabic. Bits and pieces and snatches of phrases come through here and there -- just enough to make ...
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The sixth volume of Ace's long-running SuperFunk series is a pretty typical one: 20 pretty high-class rarities from funk's golden age, seven of them previously unissued, and none of them from famous performers. Perhaps the label needs to dig even deeper than usual as time goes on, getting into the vaults not only of unreleased material, but also sources (such as companies specializing in Latin music) that researchers might not necessarily assume hold some pure funk. While the results couldn't be said to be on par with the best funk of the era, they're pretty good (if occasionally generic), and considerably above the quality of what you'll find in the average rarity compilations assembled for some other genres of the era, like '60s garage rock and Northern soul. Some of the better outings here include the exuberant disc-opener by the Love Experience, "Are You Together for the New Day?"; the Philips Brothers' outrageous courtroom scenario "Who Stole My Cookie"; Mr. Jamo's "Shake What You Brought with You," elevated by electric sitar; Elroy Peace's "New Day," which is laced with some really weird wobbly ...
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