Renaissance Song For All Seasons CD

Three members of the classic Renaissance lineup, Annie Haslam, Michael Dunford, and Terence Sullivan, reunited in a sextet lineup -- filled out by Rave Tesar on piano and other keyboards, Mickey Simmonds on keyboards and vocals, and David Keyes on bass and vocals -- for a 2001 tour of Japan that yielded this 105-minute concert recording In the Land of the Rising Sun: Live in Concert. Haslam's voice is still in excellent shape, to judge by the results, hitting those high notes well, if not with quite the same power than she did in the '70s. The repertory encompasses both older and newer songs, from the Ashes Are Burning album all the way up thru the group's 21st century work, such as "Lady from Tuscany." The presence of two keyboard players, coupled with Haslam's vocal instrument, gives the group a vast melodic range, and fans will almost certainly be thrilled with the sonic textures and the sheer range of sounds generated by the group -- there seem to be genuine orchestral timbres here on "Opening Out" and other numbers, and there's also room for Dunford's acoustic guitar to be heard well on "Carpet of the Sun," and "Midas Man," among others. ~ Bruce Eder

Originally released in 1978, this is the U.S. CD debut with the original album cover artwork. 8 tracks including, 'Opening Out', 'Closer Than Yesterday' and 'She Is Love'. Standardjewelcase. 2001 release.

The next to last album by Renaissance as a full-time, ongoing group, A Song for All Seasons was a courageous effort in its time, wearing its classically based progressive rock colors proudly on its sleeve amid the punk and new wave booms that were sweeping across the musical landscape. Vocalist Annie Haslam and pianist John Tout generated some memorably beautiful moments, ably supported by the Royal Philharmonic Orchestra and conductor/arrangerHarry Rabinowitz. The first two tracks, "Opening Out" and "The Day of the Dreamer," ultimately promise a little more in the way of classically based lyricism than the album delivered; and the harder rocking moments are only fitfully interesting, despite the best efforts of bassist Jon Camp and guitarist Michael Dunford. But the pop tracks here, most notably "Northern Lights," "Back Home Once Again," and the acoustic guitar-driven "Closer Than Yesterday" are appealing on a level that was mostly new to the group. A few more numbers like those, interspersed with the more ambitious works on this album, and Renaissance might have found that wider following that always eluded them. But ultimately the album pulls in one or two too many directions at once, especially on the moody "She Is Love." For a finale, the title track, "A Song for All Seasons," (clocking in at almost 11 minutes) plunges us back into heavily orchestrated art-rock head-first and several yards deep, and succeeds better than most of the group's ambitious suites and song cycles of the second half of the '70s. The album has some gorgeous moments, but coming out at the end of the '70s, it was timed about as poorly as any LP ever issued, in terms of finding an audience -- which doesn't stop modern audiences from savoring its appeal or those moments, three or four decades on. ~ Bruce Eder

Renaissance includes: Annie Haslam (vocals).