| | Hot Tuna Yellow Fever CD Hot Tuna Discography of CDs
 (4 Customer Reviews)
Hot Tuna's second album of 1975 began with a cover of Jimmy Reed's "Baby, What You Want Me to Do" rendered in the group's characteristic noisy electric-guitar style, an approach that was typical of this more-of-the-same album. By this point, Jorma Kaukonen seemed to have found a balance between his songwriting ambitions and the need to provide springboards for the group's boogie-all-night improvisations. Here, "Sunrise Dance with the Devil" and "Bar Room Crystal Ball" feature good lyrics and excellent hooks, yet still fit into Hot Tuna's heavy approach. ~ William Ruhlmann
French reissue of the Jefferson Airplane spin-off's 1975 album, currently out-of-print in the U.S. 2000 release. Hot Tuna Yellow Fever Songs Yellow Fever Music Review Purchase Yellow Fever CD To buy, Click on price to add to cart | Susan Boyle I Dreamed A Dream CD (2009)
Yellow Fever album
 $9.58    
Susan Boyle's grand unveiling on Britain's Got Talent was with a song from Les Miserables - the very song that lends this album its title -- and if she could become an international sensation based on a show tune standard, there's no reason for her to change her approach on her debut, since that's the sound that made her a star. Plus, a large part of Boyle's appeal is that she's a middle-aged woman recalling a bygone era when there were singers that appealed to an adult audience by offering soft, stately versions of pop hits and standards. That time was the late `60s and early `70s, and apart from a rather faithful version of Madonna's "You'll See," I Dreamed a Dream could very well have been released all those years ago, as it mixes up the show tunes, gospel, and Christmas carols with covers of Skeeter Davis' "The End of the World," the Rolling Stones' "Wild Horses," and a version of "Daydream Believer" that is easily the slowest on record. ...
| | Paul McCartney Good Evening New York City CDs (2009) With DVD; Digipak
Yellow Fever CD music
$15.64  
Unlike its 2002 predecessor Back in the U.S., Good Evening New York City doesn't cherrypick highlights from a tour, it commemorates a specific event: the inauguration of Citi Field -- the replacement for the now-defunct Shea Stadium, where the Beatles played a legendary show in 1965 -- in the summer of 2009. The circumstances may be different -- different enough to lead to a Billy Joel cameo on "I Saw Her Standing There," the piano man returning a favor from Paul, who played at Billy's Shea-closing shows in 2008 -- and McCartney might have two strong albums of new material to draw upon, but as an album, Good Evening New York City plays a lot like Back in the U.S. with a whopping 17 of its 35 tracks shared between the two titles. More importantly, the vibe is the same, with Macca delivering an expertly balanced and sequenced set with all the skill of the old pro that he is. Apart from the inclusion of "Mrs. Vanderbilt" and "I'm Down," there are no surprises, either in ...
| | Lady Gaga Fame Monster CD (2009)
Yellow Fever music CDs
$8.79 
Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it's tacked onto a now standardized version of her debut. It's a nice move for fans, plus it helps emphasize the new material, which does act as a bridge from the debut to a forthcoming full-length. Everything on The Fame Monster bears a galvanized Eurotrash finish, as evident on the heavy steel synths of "Bad Romance" and the updated ABBA revision "Alejandro," as it is on the rock & roll ballad "Speechless" -- its big guitars lifted from Noel Gallagher -- and the wonderful, perverse march "Teeth." Even the stuttering splices on "Telephone," ...
| | Pink Funhouse CD (2008) Explicit
Yellow Fever songs
$8.99
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| | J R Monterose J.R. Monterose CD (1956) Bonus Track; Remastered
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This is part of Blue Note's Limited Edition Connoisseur series.
J.R. Monterose's first session as a leader was a thoroughly enjoyable set of swinging, straight-ahead bop that revealed him as a saxophonist with a knack for powerful, robust leads in the vein of Sonny Rollins and Coleman Hawkins. With a stellar ...
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