Mala Fe Fuera De Orbita CD

Fuera De Orbita Music

List Price	$13.97 (You save $2.38)
Category	International Albums, Latin CDs, Latin Pop, Spanish, Merengue, Salsa/Tropical, Tropical
Label	J & N
Orig Year	2001
All Time Sales Rank	124999
CD Universe Part number	1599238
Discs	1
Release Date	Feb 20, 2001
Studio/Live	Studio
Mono/Stereo	Stereo
Engineer	Felix Veloz; Humberto Raposo; July Ruiz
Personnel	Luis Aquino - trumpet David Jimenez Rudy - saxophone Kaki Ruiz Moreno - alto saxophone, tenor saxophone Luis Corporßn Nicky Catarey - congas Andy Santana - piano Richie Herrera - vocals

Mala Fe Fuera De Orbita Songs

1.	Lo Oscuro, A
2.	Pajaro Pelu
3.	Chiva Blanca, La
4.	El Loco
5.	Haciendo Cocote	$0.99
6.	Gitana
7.	Baritico
8.	Besos Robados II
9.	Solo Mambo I
10.	Vamos Hablar Ingles
11.	Sacala Negra
12.	Carlota
13.	El Regeton

Fuera De Orbita Music Review

Average Rating: (5 out of 5 stars) 5 stars

5 stars gotta get this one too
if it takes you longer to get ready , then listen to this one as well as "con su loquera" hype! hype! hype!
Submitted by joelinfante (baytown,tx )
Was This Review Helpful? Yes No

Have you heard this album?

To buy, Click on price to add to cart

Also Bought

Mala Fe Con Su Loquera CD (2000)

Fuera De Orbita album

$13.85

Also Bought

Dazz Band 20th Century Masters: The Millennium Collection CD (2001)

Fuera De Orbita CD music

$6.75

Originally released on Motown Records. Includes liner notes by A. Scott Galloway. An 11-song snapshot of the Dazz Band's Motown stint that includes the not-often-featured "To the Roof," whose origins date back to "Take It to the Woof" by Cleveland, OH-based funk band Morning Maniac led by ex-Dazz Band member Kenny Pettus who's the lead voice on the Earth, Wind and Fire-ish "I Might As Well Forget About Loving You." But other than that, there are no surprises, ...

Also Bought

Afroman Good Times CD (2001) Enhanced CD

Fuera De Orbita music CDs

$11.99

"Because I Got High" was nominated for the 2002 Grammy Award for Best Rap Solo Performance. Contains the hidden track "Because I Got High," with alternate lyrics, which follows "The American Dream." Straight ...

Also Bought

Sonora Carruseles De Una Vez Gozando CD (2002)

Fuera De Orbita songs

$7.95

Also Bought

Mala Fe Back'N Town CD (2003)

Fuera De Orbita album

$10.39

Also Bought

Orishas El Kilo CD (2005)

Fuera De Orbita CD music

$12.35

With their third album, El Kilo, Orishas seem to have matured, and added an Old World depth (they live in France) to their Cuban roots and a pop sheen to the hip-hop that originally propelled them into the limelight. There's far more thought to the arrangements here, such as the guitar opening on "Reine de la Calle" or the mariachi horns of "Elegante." There's a fusion of melody and rap here that sets this album apart, moving easily from the gorgeous, almost perfect pop of the title cut to rapid-fire wordplay ...

Goo Goo Dolls Boy Named Goo CD (1995)

Fuera De Orbita music CDs

$8.89

All songs written by John Rzeznik or Goo Goo Dolls except "Disconnected" (Mann/Piranha/Secrist/Sinister) and "Slave Girl" (M. Blood/J. Jakimyszyn). A BOY NAMED GOO shows that the Goo Goo Dolls have soaked up all the elements necessary to make them a great guitar band. The album's title clearly harkens back to Johnny Cash's "A Boy Named Sue" and its narrator's search for the people who named him; but the Goo Goo Dolls aren't taking that path. They already know their past (straight-ahead post-punk), and A BOY NAMED GOO plots out their present. With a smart-alec, bar-band approach reminiscent of the Replacements, the Goo Goo Dolls rage about being "Disconnected"--that "someone pulled the plug." They sound worried on "Long Way Down," realizing that "I don't think I'll make it on my own." "Burnin' Up" offers another key to the Goo Goo Dolls' garage sound by adding a smidgeon of Husker Du (the Bob Mould guitar chimes and Grant Hart's melodic vocal sense are properly reproduced). But it's on the acoustic "Name" that the Dolls' own context emerges. The song complains about "growing up way too fast" in a culture where everything seems borrowed and "re-runs are our history." This is what makes the Goo Goo Dolls admirable. They're thoroughly aware of the repetition within today's guitar-rock, and use only the good pieces to evaluate the present. A BOY NAMED GOO shows a band completely aware of their surroundings, and boasts some great guitars in the process. Though they hailed from upstate New York, the Goo Goo Dolls began as a band enamored of the '80s Minneapolis sound of the Replacements, Husker Du, Soul Asylum, et al. Accordingly, their early albums were fervid punk-flavored items full of barely controlled ...