| | Bossa Nova & Baion 3 CD Bossa Nova & Baion 3 Discography of CDs
Bossa Nova & Baion 3 Music Bossa Nova & Baion 3 Songs | 1. | Baion del Cavaquinho [Baion] |
| 2. | Yo Vendo Unos Ojos Negros [Baion-Cueca] |
| 3. | Rio Brasileiro [Baion] |
| 4. | Nicolito [Baion] |
| 5. | Y Sigue el Amor [Marche-Baion] |
| 6. | Mulher Rendeira [Baion] |
| 7. | General da Banda [Bossa-Nova] |
| 8. | Cabeca Inchada [Baion] |
| 9. | Maricota [Baion-Batucada] |
| 10. | Pernambuca [Baion-Batucada] |
| 11. | No Meu Pe de Serra [Batucada] |
| 12. | Criada [Marche-Bossa-Nova] |
| 13. | Cintura Fina [Baion] |
| 14. | Attention Theresa [Baion] |
| 15. | Carolina [Baion] |
| 16. | Lisboa Antigua [Baion] |
|
Bossa Nova & Baion 3 Review
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Purchase Bossa Nova & Baion 3 CD To buy, Click on price to add to cart | Brian Culbertson Live From The Inside CDs (2009) With DVD
Bossa Nova & Baion 3 album
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| | Anouar Brahem The Astounding Eyes of Rita CD (2009)
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| | Peter White Good Day CD (2009)
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Many people think of smooth jazz as something that didn't start until the 1980s, but arguably, smooth jazz started around 1966-1968 with the overtly commercial, pop-drenched albums that guitarist Wes Montgomery recorded during the last few years of his life. Love it or hate it, Montgomery's more commercial output had a major impact on Peter White and many other guitarists who have contributed to smooth jazz (including George Benson, Lee Ritenour, Earl Klugh, Chuck Loeb, and Henry Johnson). Musically, a lot has changed since the '60s, but the more things change in music, the more they inevitably stay the same -- and 2009 found White (like Montgomery 41, 42, and 43 years earlier) still struggling with a desire to improvise and a desire for mass acceptance (the thing that jazz, for the most part, lost after World War II). Of course, one doesn't necessarily rule out the another; the late saxophonist Grover ...
| | Tord Gustavsen Ground CD (2005)
Bossa Nova & Baion 3 songs
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In the proto-typical Scandinavian ECM style of modern jazz oriented music, pianist Tord Gustavsen follows the path of previous progenitors influenced by Bill Evans, forged by Keith Jarrett, and extended by the likes of Mike Nock. This is certainly late-night, nocturnal music, completely reserved and relaxing, ultra-melodic, calm, peaceful, and non-threatening. ...
| | Michael Buble Kings Of Swing CD Import
Bossa Nova & Baion 3 album
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| | Diana Krall When I Look In Your Eyes CD (1998)
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WHEN I LOOK IN YOUR EYES won the 2000 Grammy Award for Best Jazz Vocal Performance and for Best Engineered Album, Non Classical. WHEN I LOOK IN YOUR EYES was nominated for the 2000 Grammy Award for Album Of The Year.
WHEN I LOOK IN YOUR EYES, a 1999 Verve release, heralds the return of the cool and groovy Latin-tinged jazz of the '60s. Upon hearing the opening track, a bossa-nova-fied version of Irving Berlin's "Let's Face The Music And Dance," one might think he had accidentally put on a Getz/Gilberto record. In fact, it's hard to avoid comparing Krall's breathy alto to that of Astrud Gilberto-particularly on the more samba-flavored numbers.
But Krall ultimately resists ...
| | Scott Wendholt Through The Shadows CD (1994)
Bossa Nova & Baion 3 music CDs
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On trumpeter Scott Wendholt's second recording as a leader he has gathered together ...
| | Best Of Manhattan Transfer CD (1996) (Import)
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| | Peggy Scott-Adams Hot & Sassy CD (2001)
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| | Keith Jarrett Always Let Me Go: Live In Tokyo CDs (2002)
Bossa Nova & Baion 3 CD music
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Recorded live at Orchard Hall and Bunka Kaikan, Tokyo, Japan in April 2001.
Recorded live in Tokyo in April 2001, Always Let Me Go is Keith Jarrett's 149th concert in Japan. Joined by his long-standing partners Gary Peacock and Jack DeJohnette, these performances are playful, explosive, somber, and completely improvised. After 20 years of working together, they trust each other (and the audience) enough to deliver over two hours of unscripted music. DeJohnette prowls through his drums like a restless cougar: he chatters, scuffles, and pounces on the skins with agility. Likewise, Peacock spoons out a concrete foundation of bass; one that bubbles as it spreads through the cracks in Jarrett's 88 keys (which serve the pianist so very well). For listeners familiar with the trio's Inside Out CD, here is the same idea further elaborated on.
"Hearts in Space" spirals out of the starting gate with geometrical tremors, as three virtuosos all start their respective engines and read each other's pulses over the course of 32 minutes. The trio effortlessly glide from mood to mood in synchronization to deliver a ballad in the eye of a hurricane, then dismount into straight-ahead swing. "The River" is a stoic hymn, a richness of melancholy in deep scarlet blue. It is Jarrett's only solo here, as brief as it is rewarding. "Paradox" rides the crest of bebop in a simmering stew to close out the first disc with a punch that stops on a dime. There are enough recurring themes here to call it a standard of sorts, and the musicians quickly assume the proper formation ...
| | Broadway Musicals Of 1939 CD (2004)
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| | Franklin Moore Motive Force CD (2004)
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| | Les Baxter Colors Of Brazil/African Blue CD (1993) Japan
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| | Joesf Glaude Blues For Skip CD (2008)
Bossa Nova & Baion 3 CD music
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"Blues for Skip" is a collection of songs about or related to my long time friend and companion The Amazing Skippy. Skip and I toured most of the US and Canada together and he was often seen on stage right next to me. He was present for the majority of my recording sessions but passed away before this CD was completed.Aside from presence of Skip I was joined in studio by Pete Astor and Martin Perez, two ...
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