| | Mozart: Sturm Und Drang CD - Import Bezuidenhout, K CDS
(2 Customer Reviews)
Mozart: Sturm Und Drang Music | List Price | $17.97 (You save $1.58) | | Label | Fleur de Son | | Orig Year | 3/27/2001 | | All Time Sales Rank | 13002  | | CD Universe Part number | 1630126 | | Discs | 1 | | Release Date | Mar 06, 2001 | | Recording Time | 1 10 | | Additional Info | Import |
Mozart: Sturm Und Drang Classical Review Mozart: Sturm Und Drang Songs | 1. Fantasia for piano in C minor, K. 475 (12:35) | | Common Name | Fantasia For Piano | | Catalog No. | K 475 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Performer | Kristian Bezuidenhout (Fortepiano) | | Genre | Classical Period / Fantasy | | Date Written | 1785 | | Period | Classical | | Country | Austria | | Venue | Eastman Theatre, Eastman School Of Music | | Recording Date | 05/31/2000 | | 2. Piano Sonata No. 14 in C minor, K. 457 (18:57) | | Common Name | Piano Sonata 14 | | Catalog No. | K 457 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Performer | Kristian Bezuidenhout (Fortepiano) | | Genre | Classical Period / Sonata | | Date Written | 1784 | | Period | Classical | | Country | Austria | | Venue | Eastman Theatre, Eastman School Of Music | | Recording Date | 05/31/2000 | | 3. Adagio for piano in B minor, K. 540 (13:06) | | Common Name | Adagio For Piano | | Catalog No. | K 540 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Performer | Kristian Bezuidenhout (Fortepiano) | | Genre | Classical Period | | Date Written | 1788 | | Period | Classical | | Country | Austria | | Venue | Eastman Theatre, Eastman School Of Music | | Recording Date | 05/31/2000 | | 4. Piano Sonata No. 8 in A minor, K. 310 (K. 300d) (19:07) | | Common Name | Piano Sonata 8 | | Catalog No. | K 300D / K 310 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Performer | Kristian Bezuidenhout (Fortepiano) | | Genre | Classical Period / Sonata | | Date Written | 1778 | | Period | Classical | | Venue | Eastman Theatre, Eastman School Of Music | | Recording Date | 05/31/2000 | | Notes | Composition written: 1778.
Composition revised: Germany. | | 5. Fantasia for piano in D minor (fragment), K. 397 (K. 385g) (5:24) | | Common Name | Fantasia For Piano | | Catalog No. | K 385G / K 397 | | Composer | Wolfgang Amadeus Mozart (1756 - 1791) | | Performer | Kristian Bezuidenhout (Fortepiano) | | Genre | Classical Period / Fantasy | | Date Written | 1782 | | Period | Classical | | Country | Austria | | Venue | Eastman Theatre, Eastman School Of Music | | Recording Date | 05/31/2000 |
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Liner Note Author: Billy Vera.
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$16.19 In 1972, Stax Records was second only to Motown as America's most successful black-owned record company, and as part of an ambitious bid to grow into a multimedia empire, the Memphis-based label had opened offices in Los Angeles and was eager to announce its presence in the community. The Watts Summer Festival was an annual celebration staged in the beleaguered Watts neighborhood of L.A., a mostly African-American community that had been scarred by race riots in the late '60s, and in 1972 Stax did something special for the occasion: it staged an all-day concert at the Los Angeles Coliseum on the final day of the Watts festival, with nearly every artist on the Stax roster appearing live on-stage and tickets priced at only a dollar. Over 110, 000 people attended the show, a camera crew was on hand to capture the proceedings for a feature film, and a mobile recording truck committed the whole show to tape. Two albums featuring material from the Wattstax festival appeared in 1972 and 1973, but both contained studio recordings along with material from the concert, and Wattstax: Music from the Wattstax Festival and Film is a three-CD set that brings together the lion's share of the previously released live material from the show along with a handful of previously unreleased performances recorded that day. This set tries to give a sense of the size, shape, and flow of the massive concert, opening with "Salvation Symphony" (a grand-scale orchestral piece written by Dale Warren, who led the big band that backed most of the performers) and an invocation by the Rev. Jesse Jackson, and closing with headliner Isaac Hayes winding up the crowd with "Theme from Shaft." Along the way, the festival attempted to showcase the breadth of both the African-American musical experience and the Stax artists, touching on gospel, blues and several flavors of rhythm & blues, though the jazz acts which appeared at the show didn't make the cut for this set. While these three discs feel a bit over
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$49.45 Although Chess Records is the Chicago label most often associated with black music from the 1950s and '60s, the Vee-Jay label gave Chess a respectable run for its money in terms of quality and variety. Jimmy Reed and John Lee Hooker, among others, are here representing the blues; while Jerry Butler, the Four Seasons, the Staple Singers, and the Swan Silvertones are among those weighing in for soul, doo-wop, and gospel. At 86 tracks spread over four discs, there's very little filler on this stupendous collection (Gloria Jones' original version of "Tainted Love" is itself nearly worth the price of admission). Beautifully selected and compiled, with a 40 page booklet brimming with photos and superb notes, VEE-JAY: THE DEFINITIVE COLLECTION is just that, and deserves a place in any well-rounded library.
Liner Note Authors: Michael Ribas; Gerald Early.
Recording information: 05/05/1953-05/13/1965.
Photographer: Billy Vera.
Arranger: R. Patterson.
Personnel: Priscilla Bowman (vocals).
Audio Remasterer: Randy Perry .
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