| | Eric Vloeimans Umai CD Eric Vloeimans Discography of CDs
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Our Price: $13.25  CDFor Sale Usually ships in 1-2 days
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Recorded at Studio Le Roy, Amsterdam, The Netherlands.
Personnel: John Taylor (piano); Joe La Barbera (drums).
Audio Mixer: Chris Weeda.
Liner Note Author: John Taylor .
Recording information: Studio LeRoy, Amsterdam, The Netherlands.
Photographers: Jan Metselaar; Joost Leijen.
Unknown Contributor Role: Eric Vloeimans.
Personnel: Eric Vloeimans (trumpet); John Taylor (piano); Furio Di Castri (bass); Joe LaBarbera (drums).
Eric Vloeimans Umai Songs | 1. | Dreamland | $0.99 | |
| 2. | Four Winds | $0.99 | |
| 3. | Zorro | $0.99 | |
| 4. | C.H. | $0.99 | |
| 5. | Umai | $0.99 | |
| 6. | Bradshaw | $0.99 | |
| 7. | Villa Borghese | |
| 8. | Duet I | |
| 9. | Summersault | $0.99 | |
| 10. | Isis | $0.99 | |
| 11. | Roadmovie | $0.99 | |
| 12. | Intro to Requiem | $0.99 | |
| 13. | Requiem | $0.99 | |
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Umai Review
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Also available with LIVING AND DYING IN 3/4 TIME on 1 cassette.
Ultradiscs are mastered from the original master tapes using Mobile Fidelity's proprietary mastering technique, then plated with 24 karat gold and housed in a stress-resistant lift-lock jewel box.
Jimmy Buffett's major label debut (the title takes off from a sappy piece of late '50s teen pop by country singer Marty Robbins) is a bit more folky and laid back than you might expect. There are hints of the rowdier Buffett persona to come, but by and large this is early '70s mellow singer-songwriter stuff, albeit with cleverer than usual lyrics.
Highlights include "Death of an Unpopular Poet," a delicately arranged story song about a poet whose posthumous success leads, literally, to the dogs; "They Don't Dance Like Carmen No More," a nostalgic remembrance of '40s big-fruit wearer Carmen Miranda; and "My Lovely Lady," an enthusiastic paean to a woman who "can eat her own weight in crabmeat." There's also the immortal "Why Don't We Get Drunk," a song whose next line--"and screw"--raised eyebrows in 1973, although post-Eminem it's less likely to do so.
Recorded at Glaser Sound, Nashville, Tennessee. Includes liner notes by Tom McGuane.
Recorded at Glaser Sound, Nashville, Tennessee.
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For Canadian "riot grrrl" extraordinaire Bif Naked, mixing punk, pop, and the sound du jour has become second nature. Although many dismiss her embrace of more accessible forms of punk as selling out, she's out to prove that it's more a result of her growth as both a songwriter and an individual. With each album, she seems to get more comfortable opening up musically and emotionally, and Purge is no exception. With the album's prevailing theme of self-empowerment, Bif Naked walks a fine line between wanting more and having enough. On songs like "Tango Shoes" and "I Love Myself Today" (the latter being co-written by über-producer Desmond Child), Naked is bold, self-assured, and optimistic. On "October Song" and "You Are the Master," she explores her humility while searching for acceptance and guidance. She leaves a lasting impression ...
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An unheard power pop gem - until now! Fans of Paul Collins\' Beat and The Plimsouls, this is for you as there are lots of similarities throughout! This little-known garage power pop band from New Haven, CT existed from 1980 to 1981. The songs and music presented here reflect the energy, spirit and overall sound of a lot of American bands at the time, and provide another entry into the long list of garage pop bands that existed during this period! It all began with vocalist/bassist Doug Riccio (a.k.a. \"Doug Derek\") (who\'s got a little Peter Case in him) and vocalist/multi-instrumentalist Michael Brochin, who reunited with two additional former band mates in drummer Rich D\'Albis and guitarist Bob Cedro to form the initial lineup. Accurately self-described as \"pop with a lot of balls\", they were able to create more than 30 original songs together during that short, yet very productive period. All previously unreleased until now, ultra-catchy songs such as \"Bobby\'s Gotta Get Back To Boston,\" (could\'ve been a college radio hit in the day), ...
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