| | Miniatures For Flute & Guitar/Various CD Graf, Peter-Lukas CDS
| Category | Classical, Romantic Period, Chamber Music/Recitals, 20th Century Period, Classical Period, Baroque Period, Sonata, Dance - Classical, Variations, Ballet, Waltz, Rondo, Divertimento, Polonaise, Siciliana, Tambourin |
Live Recording Miniatures For Flute & Guitar/Various Music | List Price | $17.98 (You save $3.69) | | Label | Claves | | Orig Year | 3/27/2001 | | All Time Sales Rank | 84886  | | CD Universe Part number | 1651939 | | Discs | 1 | | Release Date | Apr 09, 2002 |
Miniatures For Flute & Guitar/Various Review
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Purchase Miniatures For Flute & Guitar/Various To buy, Click on price to add to cart | Yo-Yo Ma Songs Of Joy And Peace CD (2008)
Miniatures For Flute & Guitar/Various
$15.05 Yo-Yo Ma's holiday album SONGS OF JOY AND PEACE admirably aims to be all-inclusive by featuring songs from the Christian, Jewish, and Islamic traditions, as well as feel-good popular favorites like "Here Comes the Sun" and "My Favorite Things." Guests include Diana Krall, James Taylor, Joshua Redman, Chris Botti, and Dave Brubeck, among others. The set ranges across religious traditions and styles, but a feeling of open-hearted warmth, along with Yo-Yo Ma's rich, swelling cello, provides the glue that binds this diverse group of musicians and songs.
Personnel: Yo-Yo Ma (cello); James "J.T." Taylor (vocals, guitar); Chris Thile (vocals, mandolin); Diana Krall (vocals, piano); David Lasley, Caroline Taylor , Carolina Assad, Kate Markowitz, Alison Krauss, Andrea Zonn, Arnold McCuller, Clarice Assad, Badi Assad (vocals); Renée Fleming (soprano); Romero Lubambo, Odair Assad, Sergio Assad (acoustic guitar); Siamak Aghaei (santur); Jake Shimabukuro (ukulele); Jonathan Gandelsman (violin); Natalie MacMaster (fiddle); Kayhan Kalhor (kamancha); Nicholas Cords (viola); Matthew Brubeck ...
| | Victory At Sea CD (1992)
Miniatures For Flute & Guitar/Various
$10.49 The 1952 NBC series Victory at Sea was one of the earliest network documentary series to capture the public's imagination in a serious way, and one of the more enduring offshoots was the music by Richard Rodgers, which was recorded by RCA-Victor in what ultimately became a series of four LPs. Rodgers was chosen by series producer Henry Salamon based on his being the "leading American composer of his day," a somewhat exalted (though understandable) judgement for a man who was most closely associated with the Broadway stage and Hollywood. The albums were popular, probably due in part to the fact that the music was accessible and unchallenging, and that it insinuated itself for months into the household of seemingly every American family that had someone fighting in World War II -- and that a lot of veterans owned stereo systems in the late '50s, and these recordings took full advantage of stereo's two-channel sound separation. As to the music itself, one finds on listening to it 40+ years later that a little goes a long way. Rodgers devised a straightforward melodic score whose most inspired moments (such as the main title theme) seem to have been lifted from the early work of Ralph Vaughan Williams. An astonishing amount of what is on this CD (which runs 67 minutes) is banal, predictable musical accompaniment, broken up with a few surprises, such as "Dangers Down Deep," which opens with an understated reprise of the main title theme, and "Theme of ...
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| | Classic Yo-Yo / Yo-Yo Ma CD (2001)
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$11.25 To categorize CLASSIC YO-YO as simply a greatest-hits collection would be inaccurate. This compilation offers a glimpse of the breadth of a great artist's ability. It effectively conveys the essence of Yo-Yo Ma, not simply the virtuosity of a supremely gifted cellist--arguably the finest of his time--but the intelligence, insight, and assiduousness of a musician who continually seeks new challenges, explores diverse musical territories, and refuses to be pigeonholed.
The ...
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$6.29 | | Philip Glass Hydrogen Jukebox CD (1993)
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$14.35 A departure for Glass and a new direction for Ginsberg, Hydrogen Jukebox is a great piece of work from two greats in the field of "new art" for the 20th century. The title, borrowed from Ginsberg's poem "Howl," is a dual reference to an American mentality that self-restricts its input -- as well as a body of music that "begins to shake the bones" with the violence of a hydrogen bomb. Glass here becomes more pronounced with his political statements, and Ginsberg orchestrates particularly potent excerpts of his work to comprise an hour-long opera. This is a marked departure from Glass' signature interwoven fabrics of sound. Not that the epic length arpeggios are gone, but they do not signify the total of the music itself. In places, the score approaches rock music in feel. There is beautiful work by the vocal ensemble. A surprising and unexpected element comes in the form of Ginsberg's own voice, whose unique sense of inflection draws the confused listener in; no matter what he is saying, Ginsberg always sounds like he is delivering great news. One of the stronger imperatives here is a call to action for the people of America -- not to sit idly while the world continues to happen around them. There are many strong Buddhist references on this disc (both Glass and Ginsberg are adherents). The only low point is that it may be very off-putting to those familiar with Ginsberg's work to hear many of these oft-repeated passages again -- this time put ...
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