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Leadbelly, Vol. 1: 1934-1935 CD

 Leadbelly Discography of CDs

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Leadbelly, Vol. 1: 1934-1935 Music


Detailed Leadbelly, Vol. 1: 1934-1935 Music Information



Category Rock/Pop Albums, Blues CDs, Urban Soundtrack, Blues Traditional, Folk
Label Document
Orig Year 2000
All Time Sales Rank   359248  
CD Universe Part number 1785842
Discs 1
Release Date Mar 19, 2002
Mono/Stereo Stereo
Additional Info Import
Leadbelly, Vol. 1: 1934-1935 Review


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At The Chelsea Nightclub
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The only Members album worth owning, Chelsea Nightclub plays into the band's strengths and is loaded with their strongest songwriting (e.g., "Stand Up and Spit," "Off-Shore Banking Business"). ~ John Dougan The Members were one of the bands that arose from the second wave of British punk during the latter part of 1978, staking their place at the head of the pack with what still ranks among the greatest singles of the age, a rough-and-ready lament for life in London's bedsit land, "Solitary Confinement." Released on the Stiff label's short-lived One-Off subsidiary, it sold out in record time and, as the follow-up, "The Sound of the Suburbs," loomed closer, the buzz on the streets was deafening. This sophomore offering was, of course, as great as it needed to be, and the Members duly followed up with an album that not only equaled the singles' promise, ...
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Speechless
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Leadbelly, Vol. 1: 1934-1935 album
CD $14.09
Occasionally, on the Kelly Richey Band's all-instrumental album Speechless (get it? So have Albert Lee, Bruce Cockburn, and many other artists making vocal-free recordings.), sparks fly and you want to believe. This happens on "The Longest Road," on which blues-rock guitarist Richey's soaring, melodic lead lines escalate, change course, fly off someplace else and rise yet again. And it happens on "Only the Bird Knows," on which Richey takes to her acoustic guitar and deftly balances the instrument's inherent gentleness with serious rhythmic muscle. But mostly it just doesn't happen. For too much of Speechless, Richey and her rhythm section -- bassist Jimmy V and drummer David Clawson -- trod and plod. That is to say they trod on familiar territory (Stevie Ray Vaughan fans will often feel déjà vu) and plod through arrangements that never quite get off the ground. While the decision to make an instrumental album was a noble one indeed, the lack of vocals, rather than serve to draw attention to the musicians' proficiency or the properties of their interactions instead makes most of Speechless feel like backing tracks. Richey is obviously a talented guitar slinger, but she's lost for original ideas here. And the bassist and drummer are powerless to save her; drummer Clawson is particularly wooden throughout. It would not be surprising to learn that these same tunes have the potential to rile up a bar crowd, but the studio ...
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cdu4asppid music 1785842 cdu4pidall cdu4pls7 ver232cdu cdu4all 12/8/2009 7:29:04 AM