| | Memento Music For & Inspired By The Film Memento Soundtrack CD (2 Customer Reviews)
Music for and inspired by the film featured at the Sundance Film Festival (2001). The film is being released this spring nationwide. This release features tracks Roni Size, Groove Armada, Radiohead, Bjork, Tricky, Peace Orchestra, Paul Oakenfold and Delerium. The original film score is by David Julyan. 20 tracks. 2001 release.
Original score composed by David Julyan.Mojo (Publisher) (6/02, p.68) - Included in Mojo's "100 Coolest Movie Soundtracks" - "...A score of eerie dreamlike scratchings and harmonics..." Memento Music For & Inspired By The Film Memento Soundtrack Songs | 1. | Opening Titles / Polaroid Fades |
| 2. | Motel Room / Arriving At The Derelict |
| 3. | Snapshot |
| 4. | Focus on Sight |
| 5. | Stone |
| 6. | Remember Me |
| 7. | The Facts / Tattoos |
| 8. | More Facts |
| 9. | Treefingers - (extended version) |
| 10. | All Is Full of Love - (Funkstorung mix) |
| 11. | Motel Room / Arriving At The Motel |
| 12. | Leonard and Natalie |
| 13. | Time For My Shot |
| 14. | Losing Control / Tattoo Parlor |
| 15. | First Cool Hive |
| 16. | Who Am I |
| 17. | Amnesia - (previously unreleased) |
| 18. | Jimmy |
| 19. | Memento - (main theme) |
| 20. | Something in the Air |
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Original score composed by Lalo Schifrin.
Composer: Lalo Schifrin.
Liner Note Authors: Lalo Schifrin; Stuart Rosenberg.
Lalo Schifrin's soundtrack to the 1967 chain-gang drama starring Paul Newman concentrates on the sounds and instruments of rural America, from the use of banjos and harmonica in the main title ...
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Includes liner notes by Alex Cox.
Ddigitally remastered by Jim Phillips (Universal Mastering Studios-West, North Hollywood, California).
Audio Remasterer: Jim Phillips.
Liner Note Author: Alex Cox .
Unknown Contributor Roles: Gary Oldman; ...
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The liner notes for this CD, written by film director Phil Robinson (\"Field of Dreams\", \"Sneakers\", \"The Sum of All Fears\") tell this story: I met him in 1992, when he was lead guitarist for a war-time production of the American musical \"Hair\" in Sarajevo, but it was much later when I learned his name was Amir. Everyone in Sarajevo had a nickname, and his was Lazy. That\'s how I was introduced to him, and I quickly assumed it was sort of like how Clapton\'s chums nicknamed him \"Slowhand\", because this skinny kid with the scraggly beard and USA baseball cap seemed anything but lazy when he played the guitar. Blisteringly-fast leads, taste, tone, talent, he had it all. Heavy-metal, blues, straight-ahead rock, you name it, he played it, and brilliantly. After the show, we sat in a smoke-filled bar and he told me of the months of rehearsals that had gone into the show; how important it was for the artists and the audience to keep this sort of thing alive; the hardships of putting on a show with an emergency generator, enough power for one spotlight, and mortars and snipers outside. \"Look,\" he sighed, pulling back one side of his jacket, \"I have to carry gun.\" Indeed, there was a holstered pistol on his hip. \"What\'s that for,\" I asked?\"To make sure I get to theatre.\"I made a mental note to remember this the next time someone on a movie complained to me about their motor home.We met again a year later. The war was still raging, and he was thinner, but just as determined to make a difference. \"I\'ve learned a lot about life in the past 18 months,\" he mused. \"Mostly what I\'ve learned is that in times like this good people get better, and bad people get worse.\" A few weeks later, he was walking down the wrong street at the wrong time, some mortars exploded, and he was badly injured. My assistant Laura worked the phones for weeks until she found the hospital in Denmark to which he\'d been sent for ...
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