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U.D.O. - Mean Machine CD Cover Art CD music music CDs songs album

U D O Mean Machine CD - Import

 U D O Discography of CDs
4.5 stars (2 Customer Reviews)

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Udo includes: Udo Dirkschneider (vocals); Mathias Dieth (guitar).
All tracks are digitally remastered.
Mean Machine Music


Detailed Mean Machine Music Information



Category Rock Albums, Heavy Metal CDs, Rock/Pop, Hard Rock
Label Breakin'
Orig Year 1997
All Time Sales Rank   38291  
CD Universe Part number 1830991
Catalog number 235731
Discs 1
Release Date Aug 21, 2001
Studio/Live Studio
Mono/Stereo Stereo
Recording Time 40 minutes
Additional Info Germany
U D O Mean Machine Songs


U D O Mean Machine Album Track Listing



1.Don't Look Back
2.Break the Rules
3.We're History
4.Painted Love
5.Mean Machine
6.Dirty Boys
7.Streets on Fire
8.Lost Passion
9.Sweet Little Child
10.Catch My Fall
11.Still in Love With You
Mean Machine Music


Mean Machine Other Versions



Mean Machine Music Review


Customer Mean Machine Reviews 




Average Rating: (4.5 out of 5 stars) 4.5 stars

5 stars Wanderful
LOve it, Love it, Love it!!! Well, mostli it's just a musik and sound, maybi spirit too. But that is enough for me to enjoy it!!!
Submitted by grisyuk (Washington DC.) Verified Buyer
Was This Review Helpful? Yes No

4 stars top notch metal only the way udo can give you
awesome,excellent, and out of this world, put this in your collection of metal as soon as you can. if you like primal fear, savatage, w.a.s.p., judas priest, or any other top notch metal acts then heres your chance to kick your collection up a notch , and at a great price. brandon whitson of n.c.
Submitted by brandon whitson (north carolina)
Was This Review Helpful? Yes No

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Personnel: Udo Dirkschneider (vocals); Mathias Dieth (guitar); Thomas Smusznyski (bass); Stefan Schwartzman (drums).
Recorded at Dierks Studios, Cologne, Germany between October 1989 & January 2000.
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Remastered. 2 Bonus Tracks Accept: Udo Dirkschneider (vocals); Wolf Hoffman, Hermann Frank (guitar); Peter Baltes (bass); Stefan Kaufmann (drums).
Producer: Accept.
Reissue producer: Jeff Magrid.
Recorded at Dierks Studios, Cologne, Germany in July & August 1983. Originally released on Portrait (39241). Includes liner notes by Don Raye.
Digitally remastered by Joseph M. Palmaccio (Sony Music Studios, New York, New York).
Audio Mixer: Michael Wagener.
Recording information: Dierks Studios, Cologne, Germany (07/1983-08/1983).
Photographers: Dieter Eikelpoth; Fin Costello; Gary Gershoff.
Accept's most notorious album, Balls to the Wall was also their biggest commercial success. Following hot upon the heels of their creative breakthrough, Restless and Wild, you'd also be hard pressed to find a more sexually charged record in any musical genre. Its hysterically nonsensical lyrics notwithstanding, the legendary title track remains ...

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The Corrs: Jim Corr (vocals, guitar, keyboards); Sharon Corr (vocals, violin); Andrea Corr (vocals, tin whistle); Caroline Corr (vocals, drums, bodhran, percussion).
Recorded at Ardmore Studios in Dublin, Ireland in January 2002.
You knew the Corrs had made it when they played the final JFK Awards ceremony of the Clinton administration. Playing it would have been achievement enough, but their status as a happening thing was cemented at the end of the ceremony, during the encores, when everybody was taking their final bows. Bill moseyed up over to Andrea, put his arm around her, and when she was looking away, sized her up -- at precisely the same moment Chuck Berry was checking her out. If that doesn't mean that you've broken America, entering its pop culture, I don't know what does, expect for maybe a VH1-endorsed piece of product like Live in Dublin. Lo and behold, that's exactly what the Corrs received in the spring of 2002, a year and a half after "In Blue" and its accompanying single "Breathless" broke down the doors in America for the U.S. Only two songs on this set list are shared with In Blue, but that doesn't mean that the group returns to their slightly more traditional Celtic roots on the remainder of the songs. Sure, there are hints of that, but there are also four pop covers, two of them ("Little Wing" and "Ruby Tuesday") featuring Ron Wood, with another song, the Lee Hazelwood/Nancy Sinatra duet "Summer ...

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UK remastered pressing of the 1980 self titled debut album. EMI. 2006. Personnel: Michael Schenker (guitar); Gary Barden (vocals); Paul Raymond (guitar, keyboards); Chris Glen (bass); Cozy Powell (drums).
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Michael Schenker Group: Michael Schenker (guitar); Gary Barden (vocals); Mo Foster (bass); Don Airey (keyboards); Simon Phillips (drums).
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Personnel: Michal Schenker (guitar); Gary Barden (vocals); Chris Glen, Mo Foster (bass); Simon Phillips, Cozy Powell (drums).
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This reissue of rocker Michael Schenker Group's 1981 release MSG is digitally remastered and features the tracks "Armed And Ready" and "Cry For The Nations."
After his lengthy stints with the Scorpions and UFO, Michael Schenker could be forgiven for indulging his incendiary fretboard skills throughout the entirety of this 1980 solo debut. Instead, it's a solid group effort that has aged surprisingly well, with Schenker artfully deploying his talents on full-bodied hard rock outings such as the opening "Armed and Ready" and the riff-heavy "Victim of Illusion." Vocalist Gary Barden proves himself more than able to withstand Schenker's pyrotechnics, while the whole enterprise is propelled by the remarkable percussive dexterity of the veteran British drummer Simon Phillips.
The concept may seem patently absurd, but guitarists were held in such high regard during the late '70s and early '80s that many elite players were given to tantrums and notions of self-worship usually reserved only for singers and divas. And maybe no one better exemplified this six-string megalomania than German guitarist Michael Schenker, whose turbulent flights of emotional fancy had already earned him the "Mad Michael" nickname during his mercurial tenure with Brit rockers UFO. Of course, this behavior simply went into overdrive when the guitar legend launched the Michael Schenker Group with a 1980 self-titled album, which was at times as unstable as the man himself. Witness the downright weird, Jimmy ...

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