| | Midnight Oil Head Injuries CD Midnight Oil Discography of CDs
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Still recording on their own Powderworks label, Midnight Oil broke through to commercial success in their native Australia with their second album, Head Injuries, which, like their debut, was a record full of tightly arranged, furiously played and sung, fast-paced rock & roll numbers. Lead singer Peter Garrett, singing angry, sometimes politically oriented (but not, at least to international listeners, entirely clear) lyrics, took a backseat to the guitar work of Jim Moginie and Martin Rotsey and especially to the driving drumming of Rob Hirst. Head Injuries was a stirring collection that served notice Midnight Oil was ready to compete beyond the borders of Australia. ~ William Ruhlmann Midnight Oil Head Injuries Songs Head Injuries Music Review Purchase Head Injuries CD To buy, Click on price to add to cart | Midnight Oil Real Thing CD (2000) (Import) Australia
Head Injuries
 $23.65
New album from legendary Aussie rock group, comprised of live and acoustic versions of 10 Oils classics, a cover of theRussell Morris track, 'The Real Thing' and 3 brand new tracks. 14 tracks in all. All live tracks were recorded live at the Metro in Sydney. 2000 release. Slimline jewel case.
REAL THING features concert and unplugged performances from Aussie rockers Midnight Oil.
With Midnight Oil's live album (Scream in Blue) and their first "greatest-hits" collection (20,000 Watt R.S.L.), it might seem strange to learn of the band releasing yet another concert album of past favorites. However, there are a few important distinctions. First, The Real Thing has four new songs straight from the studio. Second, all these ...
| | ZZ Top Mescalero CD (2003)
Head Injuries
$8.99  
ZZ Top: Bill F. Gibbons (vocals, guitar); Dusty Hill (vocals, bass); Frank Beard (drums).
Recorded at Foam Box Recordings, H-Town, Texas.
Personnel: Billy Gibbons (vocals, guitar); Dusty Hill (vocals); Frank Beard (drums).
Audio Mixer: Joe Hardy.
Recording information: Foam Box Recordings, H-Town, TX.
Photographer: Mike Waring.
Ever ...
| | Fleetwood Mac Blues Jam In Chicago V.1 CD (1969) (Import) Remastered; Germany
Head Injuries
$12.65
| | Motorhead Inferno CD (2004) Enhanced CD
Head Injuries
$9.99 
| | Midnight Oil Place Without A Postcard CD (2007) (Import)
Head Injuries
$21.45
| | Terra Diablo Deluge Songs CD (2007)
Head Injuries
$10.69
| | Iceman Robinson I've Never Been Loved CD (2001)
Head Injuries
$14.29
| | Nanci Griffith Clock Without Hands CD (2001)
Head Injuries
$9.29
This is a Hyper CD which contains regular audio tracks and provides a link to the artist's website with the help of a web browser.
Personnel: Nanci Griffith (vocals, acoustic guitar); Michael Johnson (vocals, classical guitar); Chas Williams (acoustic, electric & slide guitars, dobro); Ray Kennedy (acoustic guitar, Moog synthesizer); John Stewart (acoustic guitar); Pete Kennedy (electric, 12-string, mando & baritone guitars); Clive Gregson, Doug Lancio (electric guitar); Lee Satterfield (classical guitar, background vocals); David Davidson, David Angel (violin); Monisa Angell (viola); Ron De La Varga (cello, bass); John Catchings (cello); Jim Williamson (baritone saxophone, trumpet, flugelhorn); James Hooker (keyboards); Pat McInerney (drums, percussion); Le Ann Etheridge, Maura Kennedy, Jennifer Kimball (background vocals).
Producers: Ray Kennedy, Nanci Griffith, Peter Collins.
Engineers: Ray Kennedy, John Hurley, John Holbrook.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
Personnel: ...
| | Jean Leloup Menteur CD (2008) (Import) Import
Head Injuries
$31.89
| | Peter Hammill Union Chapel Concert CD (1997)
Head Injuries
$19.79
Prog rock figure Peter Hammill, formerly of Van Der Graaf Generator, is joined here by Guy Evans on this 1997 live effort. The songs include "Fireworks," "Accidents," and "Ship of Fools," among others.
A one-time event stemming from an offer to percussionist Guy Evans to do anything he wanted at the Union Chapel in London. An idea to collaborate with Peter Hammill on a variety of semi- improvisational material partly built on samples of Hammill's music soon expanded to incorporate more traditional performance ideas as well as connections to Evans' own colleagues in the Echo City troupe. By the time the planning stage was over, Hammill and Evans had decided to bring in members of Echo City, regular Hammill collaborator Stuart Gordon, drummer Manny Elias, and, to ...
| | Bright Eyes Digital Ash In A Digital Urn CD (2005)
Head Injuries
$9.22  
Bright Eyes: Conor Oberst (acoustic guitar, Wurlitzer piano, bass guitar); Sabrina Duim (harp); Jason Boesel, Clark Baechle.
Personnel: Andy Leverett (vocals, guitar, keyboards, programming); Conor Oberst (vocals, piano, Wurlitzer organ, keyboards, sampler); Stella Mogis, Marcia Ann Taylor (vocals); Mike Mogis (guitar, Wurlitzer organ, keyboards, timpani, chimes, Theremin); Nicolas Zinner (guitar, keyboards); Sabrina Duim (harp); Kimberly Salistean, Donna Carnes (violin); Thomas Kluge (viola); Karen Becker (cello); Jiha Lee (flute); Nate Walcott (trumpet); Nick White (keyboards); Jason Boesel (drums, percussion); Clark Baechle (drums); Jimmy Tamborello (programming).
Additional personnel: Nick Zinner (vocals).
Audio Mixer: Mike Mogis.
Digital Ash in a Digital Urn is designed to be the musical polar opposite to the simultaneously-released I'm Wide Awake, It's Morning, to be the ambitious, modernistic electronic record that stands in contrast to the sepia-toned, classicist acoustic LP. The production and arrangements may have changed, but Conor Oberst's preference to lyrics over music remains the same. Nevertheless, there is more variety and dynamicism on Digital Ash, which makes it a more interesting listen than its companion, even if it's hard not to escape the feeling that the album is Bright Eyes' take on the Postal Service's Give Up. ~ Stephen Thomas Erlewine
When writing about Conor Oberst, the singer/songwriter who records with an ever-changing group of musicians under the name Bright Eyes, it's customary to state his age within the first few sentences of the piece. It is also not uncommon to read comparisons between this Nebraskan singer/songwriter and Bob Dylan, the best-known singer/songwriter to hail from the Midwest. This serves a specific purpose -- to establish a context for Oberst's songwriting, to imply that he's some kind of "genius," not in the least for writing and recording albums at such a young age, particularly since he's been recording since the age of 13. And so many albums, too! Taking a page from the Robert Pollard handbook, he equates prolificacy with profoundness, releasing multiple records each year, sometimes under different band names. All these pop critic clichés repeated ad infinitum in the new millennium's overheated media circuit settled into conventional wisdom not long after the release of his fourth proper album, Lifted or The Story Is in the Soil, Keep Your Ear to the Ground, in 2002. Positive reviews, ...
| | mr oizo Moustache (Half A Scissor) CD (2005) Half A Scissor
Head Injuries
$9.85
Mr. Oizo: Quentin Dupieux.
The head of F.com (the French label ...
| | Lifetime CD (2007)
Head Injuries
$12.29
One could hardly accuse New Jersey's Lifetime of careerism, as the band certainly took a winding road to arrive at this self-titled record. Having undergone many line-up changes and a decade-long hiatus since their previous outing, JERSEY'S BEST DANCERS, Lifetime missed the early-2000s commercial pop hardcore explosion (featuring Fall Out Boy Yellowcard, and the like), a sound that the New Jersey quintet had a huge hand in perfecting. The beauty of LIFETIME, however, is that it sounds ...
| | Christmas Break: A Relaxing Classical Mix CD (2007)
Head Injuries
$8.75
| | His Holiness The 12TH Gyalwang Drukpa All The Beings CD (2007)
Head Injuries
$25.35
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