| | Country Line Dancing CD
Includes 20 foot-stomping line-dancing tunes. Country Line Dancing Music Country Line Dancing Songs | 1. | Trail of Tears - Billy Ray Cyrus |
| 2. | If You're Ever Down in Dallas - Lee Ann Womack |
| 3. | Dream Walkin - Toby Keith |
| 4. | You Wanna What - Alecia McRight |
| 5. | I'll Take Texas - Vince Gill |
| 6. | Shut up and Drive - Chely Wright |
| 7. | That's the Way You Make an Ex - Mark Chesnutt |
| 8. | O'Lonesome - Danni Leigh |
| 9. | High Low and in Between - Mark Wills |
| 10. | Rock This Planet - Billy Ray Cyrus |
| 11. | Till You Love Me - Reba McEntire |
| 12. | Little Did I Know - Sammy Kershaw |
| 13. | Waltz Across Texas - Ernest Tubb |
| 14. | Rose of Memphis - Rodney Crowell |
| 15. | Hey Good Lookin - Hank Williams |
| 16. | Driving My Life Away - Rhett Akins |
| 17. | White Lightning - George Jones |
| 18. | Sea of Cowboy Hats - Chely Wright |
| 19. | Quarter at a Time, A - Larry Boone |
| 20. | Honky Tonk Walkin |
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Country Line Dancing Music Country Line Dancing Review
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Purchase Country Line Dancing CD To buy, Click on price to add to cart | Square Dance Music & Calls CD (1994)
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3CDS
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Country Line Dancing
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This two-fer assembles both of Bobby Sherman's 1970 releases on the Metromedia label. Buoyed by the pop smash "Easy Come, Easy Go," Here Comes Bobby is one of Sherman's more engaging LPs. In other words, it's still bubblegum, but its flavor is long-lasting. Credit contributions from top-drawer songwriters including John Sebastian ("She's a Lady") and the team of Cynthia Weil and Barry Mann ("Make Your Own Kind of Music"), which elevate Sherman above the teen idol norm. The singer also contributes two of his own originals, "July Seventeen" and "Two Blind Minds," and proves himself a capable and lively songwriter. With Love, Bobby features two major hits, "Julie Do Ya Love Me" and "Hey Mister Sun," but isn't quite as consistent, forgoing the Brill Building-lite popcraft of ...
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For a period in the early 1990s, Garth Brooks was not only the biggest star in country music, he was one of the biggest stars in music, period. An unassuming Oklahoman who fused the blue-collar ethic of new traditionalist country with an unapologetic pop side that drew on his love of 1970s ...
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All tracks have been digitally mastered using HDCD technology.
The first thing you hear on this two-disc live album is Young's voice wryly asserting that "It all sounds the same...It's all one song." While this self-effacing assessment of the Young/Crazy Horse oeuvre echoes the feeling of many critics, on YEAR OF THE HORSE, recorded in several cities during the band's 1996 world tour, nothing could be further from the truth.
Young's caveman-on-acid guitar solos and the primal fury of Crazy Horse can still topple mountains. And Young's choice of material leans more toward obscure gems like "When Your Lonely Heart Breaks" from the under-rated LIFE than played-out hits like "Cinnamon Girl." While they never sound like anything other than Crazy Horse, the band switches easily from an acoustic, bluesy "Mr. Soul" to the loping lament of "Big Time" from 1996's ...
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On his first record since his Oscar nomination courtesy director Gus Van Zandt's use of his music in the film "Good Will Hunting," Elliott Smith returns with another album's worth of gorgeous misery. Like Nick Drake before him, Smith has the ability to conjure beautifully poignant pathos, wrapping it in an elaborately arranged package worthy of a George Martin or Brian Wilson. Working with Beck/Foo Fighters producer Rob Schnapf, Smith uses Abbey Road Studios for some of these sessions, dressing up his tortured lyrics with orchestral arrangements that avoid any hint of mawkishness.
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In retrospect, Joan Baez's 1960 debut doesn't sound like the work of a person who would go on to be proclaimed the queen of folk music, but on the other hand, Bob Dylan's first album doesn't sound like he'd be named the king, either. A plainly-produced, live-sounding voice and guitar album--Fred Hellerman plays ...
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Yoruba Dream is an intriguing concept -- the basis of the album is a series of the essential bata rhythms and chants of Santeria, relatively untouched in composition and lyrical content. While the lyrics are a mix of Spanish and Yoruba, a careful listener can very quickly notice the similarity of song structures and lyrics (even without recognizing the lyrics) with other Yoruba and Santeria albums (even Olatunji's Drums of Passion can be referenced here ...
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Imagine the early Palace Brothers playing with My Morning Jacket's chops and you start to get an idea of what to expect from Canadian three-piece Elliott Brood. Playing what they like to describe as "death country," Elliott Brood are, like Palace, obsessed with the dark corners of this life -- alcohol, violence, busted love affairs, family strife, the sadder burdens of history -- but what sometimes seemed like a dramatic affectation coming from Will Oldham sounds like a harsh but honest vision of the world as seen by lyricist and lead singer ...
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