| | Ted Nash Sidewalk Meeting CD - Import Ted Nash Discography of CDs
Live Recording
Personnel: Ted Nash (tenor saxophone, clarinet); Wycliffe Gordon (trombone, tuba); William Schimmel (accordion); Miri Ben-Ari (violin); Jeff Ballard, Matt Wilson (drums). Recorded at LoHo Studios, New York, New York on October 23-24, 2000. Includes liner notes by Ted Nash. Personnel: Miri Ben-Ari (violin); William Schimmel (accordion); Wycliffe Gordon (trombone, tuba); Jeff Ballard (drums). Audio Mixer: Lou Holtzman. Recording information: Loho Studios, New York, NY (10/23/2000/10/24/2000). Editor: Lou Holtzman. With Sidewalk Meeting, saxophonist Ted Nash premieres a new, highly unconventional group called Odeon. Nash, playing saxophones and clarinets, is joined by Wycliffe Gordon on trombone and sousaphone, Miri Ben-Ari on violin, Jeff Ballard and Matt Wilson on drums, and Bill Schimmel on accordion. The absence of bass -- Gordon fills in the bottom with his sousaphone as much as he can -- makes Odeon far from your ordinary jazz group, although jazz improvisation is mainly what informs the band's approach to repertoire. Nash opens with his arrangement of Claude Debussy's "Premier Rhapsody" and makes it sound like Duke Ellington. Schimmel gets his accordion to sound like a full big-band saxophone section, a feat he also accomplishes during the groovy "Jump Line." Gordon often goes for maximum effect on the wah trombone, particularly with his intro to "Sidewalk Meeting (I)," which evolves into a beautiful folk song for bass clarinet, trombone, and violin. "Sidewalk Meeting (II)" closes the album with the same melody, but hyped up to a jamboree tempo. Nash also mixes up the instrumentation with "Reverie," a masterful clarinet/accordion duet, and Thelonious Monk's "Bemsha Swing," a jam-style foray for tenor sax, sousaphone, and drums. Odeon seamlessly integrates the different sides of Nash's musical personality (he's a member of both the maverick Jazz Composers Collective and the more conservative Lincoln Center Jazz Orchestra), and that's just the kind of bridge-building that modern jazz needs. ~ David R. Adler
Down Beat (8/01, p.64) - 3 stars out of 5 - "...An enjoyable listen...with quick shifting timbres, deft dynamic control and punchy phrasing..." Ted Nash Sidewalk Meeting Songs | 1. | Premiere Rhapsodie (Debussy) |
| 2. | Jump Line |
| 3. | Reverie |
| 4. | Tango Sierra |
| 5. | Sidewalk Meeting |
| 6. | Amad |
| 7. | Bemsha Swing |
| 8. | Summer Night in the Deep South |
| 9. | Sidewalk Meeting - (reprise) |
| Sidewalk Meeting Review
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Purchase Sidewalk Meeting CD To buy, Click on price to add to cart | Gerald Wilson Detroit CD (2009)
Sidewalk Meeting
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Sidewalk Meeting
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| | Marc Copland Night Whispers New York Trio Recordings: Volume 3 CD (2009) (Import) Germany
Sidewalk Meeting
$16.09 Personnel: Marc Copland (piano); Drew Gress (bass instrument); Bill Stewart (drums). From Erroll Garner to Cecil Taylor to Bill Evans, and from Chick Corea to Thelonious Monk, a wide variety of acoustic jazz pianists have thrived in the time-honored piano trio setting (piano, bass, and drums) over the years. It's a setting that has never gone out of style in jazz, and it's a setting that has served acoustic pianist Marc Copland well in his New York Trio Recordings series. The lineup has varied from one volume to the next; on New York Trio Recordings, Vol. 3: Night Whispers, Copland is joined by bassist Drew Gress and drummer Bill Stewart (whereas he was joined by bassist Gary Peacock and Stewart on Vol. 1 and by Peacock and drummer Paul Motian on Vol. 2). The constant in the series, of course, has been Copland, who is in good form throughout this 2008 recording and enjoys a nice rapport with Gress and Stewart. Copland obviously enjoys the role of acoustic trio pianist, and his enthusiasm is evident on three Copland originals ("Scattered Leaves," "The Bell Tolls," and the title track) as well as on impressionistic performances of the standards "Emily" (no less than three different takes ...
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