| | Judas Priest British Steel CD Judas Priest Discography of CDs
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Also available in a 3-pack with POINT OF ENTRY and SCREAMING FOR VENGEANCE. Judas Priest: Rob Halford (vocals); Glenn Tipton, K.K. Downing (guitar); Ian Hill (bass); Dave Holland (drums). Digitally remastered by Jon Astley. Judas Priest: Rob Halford (vocals); Glenn Tipton, K.K. Downing (guitar); Ian Hill (bass guitar); Dave Holland (drums). Predating Metallica's self-titled blockbuster by 11 years, Judas Priest's British Steel was a similarly pitched landmark boasting many of the same accomplishments. It streamlined and simplified the progressive intricacies of a band fresh off of revolutionizing the entire heavy metal genre; it brought an aggressive, underground metal subgenre crashing into the mainstream (in Priest's case, the NWOBHM; in Metallica's, thrash); and it greatly expanded the possibilities for heavy metal's commercial viability as a whole. Of course, British Steel was nowhere near the sales juggernaut that Metallica was, but in catapulting Judas Priest to the status of stadium headliners, it was the first salvo fired in heavy metal's ultimate takeover of the hard rock landscape during the 1980s. Packed with strong melodic hooks, British Steel is a deliberate commercial move, forsaking the complexity of the band's early work in favor of a robust, AC/DC-flavored groove. It's a convincing transformation, as Priest prove equally adept at opening up their arrangements to let the rhythms breathe (something Iron Maiden, for all their virtues, never did master). The album is built around the classic singles "Breaking the Law" and "Living After Midnight," both big hits in the U.K., which openly posit Priest as a party band for the first time. But British Steel is hardly a complete break from the band's past. There are still uptempo slices of metallic mayhem bookending the album in "Rapid Fire" and "Steeler," plus effective moodier pieces in "Metal Gods" (ostensibly about gods literally made of metal, though you know full well the band wanted a nickname) and the crawling menace of "The Rage," which features arguably the best Rob Halford vocal on the album. Not everything on British Steel quite holds up today -- the British hit "United" is a simplistic (not just simplified) football-chant anthem in the unfortunate tradition of "Take on the World," while "You Don't Have to Be OId to Be Wise" wallows in the sort of "eff your parents, man!" sentiments that are currently used to market kids' breakfast cereals. These bits of blatant pandering can leave more than a whiff of unease about the band's commercial calculations, and foreshadow the temporary creative slip on the follow-up, Point of Entry. Still, on the whole, British Steel is too important an album to have its historical stature diluted by minor inconsistencies. Rather, it sealed Judas Priest's status as genre icons, and kick-started heavy metal's glory days of the 1980s. It went Top Five in the U.K. and became their first Top 40 album in the U.S., going platinum in the process and paving the way for countless imitators and innovators alike. ~ Steve Huey Not only is Judas Priest's 1980 release BRITISH STEEL one of its very best albums, it also proved to be one of heavy metal's all-time classics. After Priest spent the '70s honing its dark, heavy-duty metal to perfection, the band decided to inject more melody and universal themes into the mix for BRITISH STEEL. It was rewarded with two of its best known anthems--"Breaking the Law," and "Living After Midnight." Also included here are such metallic gems as "Rapid Fire," "Metal Gods," and "Grinder," establishing Judas Priest as one of the leaders of the early-'80s new wave of British heavy metal.Rolling Stone (12/11/03, p.113) - Ranked #68 in Rolling Stone's "500 Greatest Albums Of All Time" - "...The heartbreaker here is 'She's Out of My Life'....The record also features undeniable up-tempo tracks..." Q (8/00, p.127) - Included in Q's "Best Metal Albums Of All Time" - "...3 of the 9 tracks became Top 30 hits, but it was the raw riffage and unashamed heavy metalness of 'Rapid Fire', 'Steeler' and 'Grinder' which made BRITISH STEEL so influential..." Kerrang (Magazine) (p.52) - "To define heavy metal to someone who has never heard it, simply furnish them with a copy of BRITISH STEEL." Judas Priest British Steel Songs British Steel Music Review Average Rating: (4.4 out of 5 stars)    List All Reviews Excellent foundation British Steel is a must-have for anyone who is not only a serious metal fan, but also a Judas Priest fan. The music is hard-driving, basic, and not over-produced. The music and lyrics are kept simple and lay a great foundation for all Judas Priest music that would follow. It's a definite winner! Submitted by Brian (St.Louis, MO, USA)  Was This Review Helpful? Yes No
Brings Back Fond Memories This is the first thing I ever heard by JP when I was just a little kid. I recall first hearing it on vinyl. Alas! Those were the days. But nevertheless, it translates excellent onto CD, what with the digital remastering and all. This is an outstanding Priest album with several wonderfully crafted metal tracks. Among them are Breaking the Law, United, Grinder, Living After Midnight, and, who can forget, Rapid Fire. If you only buy one JP release in your entire life, make it this one. Submitted by Brent (Yorktown, VA, USA)  Was This Review Helpful? Yes No
Strong JP release If you like JP, this is one of their best. Submitted by a reviewer (Dallas, TX, USA)  Was This Review Helpful? Yes No
mighty priest in their prime a metal masterpiece that defines the term heavy metal till this day....arguably the best metal album of all time.This is where it all got started!!!!!!!!!!! Submitted by power_hunterofmetal ("new york city,USA") Was This Review Helpful? Yes No
ALL HAIL THE METAL GOD ROB HALFORD I REMEMBER WHEN ROB SANG GRINDER WITH PANTERA MAN IT SOUNDED HEAVY I THINK IT WAS BETTER THAN THE ORIGINAL BUT ON THIS ALBUM I LIKE BREAKIN THE LAW MAN THAT IS A CLASSIC. Submitted by TRAVIS (Muskogee,OK, US OF A) Was This Review Helpful? Yes No
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Purchase British Steel CD To buy, Click on price to add to cart | Judas Priest Screaming For Vengeance CD (1982)
British Steel
$6.79 Also available in a 3-pack with BRITISH STEEL and POINT OF ENTRY. Judas Priest: Rob Halford (vocals); Glenn Tipton, K.K. Downing (guitar); Ian Hill (bass); Dave Holland (drums). Recorded at Ibiza Sound Studios, Ibiza, Spain. Digitally remastered by Jon Astley. Judas Priest: Dave Holland , Glenn Tipton, Ian Hill, K.K. Downing, Rob Halford. Personnel: Rob Halford (vocals); Glenn Tipton, K.K. Downing (guitar); Ian Hill (bass guitar); Dave Holland (drums). Audio Remasterer: Jon Astley. Liner Note Author: Judas Priest. Recording information: Compass Point Studios, Nassau, Germany (??/1982-08/1985); Ibiza Sound Studios, Ibiza, Spain (??/1982-08/1985). Photographers: Mike Abrams; Neal Preston; Steve Joester; Todd Kaplan; Simon Fowler. Judas Priest rebounded from the shaky Point of Entry with Screaming ...
| | Judas Priest Defenders Of The Faith CD (1983)
British Steel
$7.59 ;2 New Bonus Tracks
Judas Priest: Rob Halford (vocals); Glenn Tipton, K.K. Downing (guitar); Ian Hill (bass); Dave Holland (drums). Digitally remastered by Jon Astley. The last quality album from Judas Priest's commercial period, Defenders of the Faith doesn't quite reach the heights of British Steel or Screaming for Vengeance, in part because it lacks a standout single on the level of those two records' best material. That said, even if there's a low percentage of signature songs here, there's a remarkably high percentage of hidden gems waiting to be unearthed, making Defenders possibly the most underrated record in Priest's catalog. Musically, it follows the basic blueprint of Screaming for Vengeance, alternating intricate speed rockers with fist-pumping midtempo grooves and balancing moderate musical sophistication with commercial accessibility. It's a craftsmanlike ...
| | Judas Priest Point Of Entry CD (1981)
British Steel
$7.59 Also available in a 3-pack with BRITISH STEEL and SCREAMING FOR VENGEANCE. Judas Priest: Rob Halford (vocals); Glenn Tipton, K.K. Downing (guitar); Ian Hill (bass); Dave Holland (drums). Digitally remastered by Jon Astley. Judas Priest: Dave Holland , Glenn Tipton, Ian Hill, K.K. Downing, Rob Halford. Personnel: Rob Halford (vocals); Glenn Tipton, K.K. Downing (guitar); Ian Hill (bass guitar); Dave Holland (drums). Audio Mixer: Tom (Colonel) Allom. Recording information: Puk Studios, Denmark (1981). Photographer: Art Kane. Having reinvented themselves as an arena metal act with the hugely successful British Steel, Judas Priest naturally opted to stay the course with Point of Entry, keeping things simple while adding a bluesy boogie in places, a sound they hadn't really attempted in quite some ...
| | Judas Priest Stained Class CD (1978)
British Steel
$6.75 ;2 Bonus Tracks,One Studio,One Live
Personnel: Rob Halford (vocals); Glenn Tipton, K.K. Downing (guitar); Ian Hill (bass); Dave Holland (drums). All tracks have been digitally remastered. Judas Priest: Rob Halford (vocals); Glen Tipton (guitar, background vocals); K.K. Downing (guitar); Ian Hill (bass); Les Binks (drums). Producers: Dennis MacKay, James Guthrie, Judas Priest. Engineers include: Neil Ross, Ken Thomas, Paul Northfield. Principally recorded at Chipping Norton Studios, Cotswold, England in 1978. Includes liner notes by Judas Priest. Digitally remastered by Jon Astley. Personnel: Glenn Tipton (vocals, guitar); K.K. Downing (guitar); Ian Hill (bass guitar); Les Binks (drums). Audio Remasterer: Jon Astley. Recording information: Advision Studios, ...
| | Judas Priest Hell Bent For Leather CD (1979)
British Steel
$6.75 The British version of this release is titled KILLING MACHINE. Judas Priest: Rob Halford (vocals); Glenn Tipton, K.K. Downing (guitar); Ian Hill (bass); Les Binks (drums). Principally recorded at Utopia, Basing Street and CBS Studios, London, England in 1978. Includes liner notes by Judas Priest. Digitally remastered by Jon Astley. Personnel: Glenn Tipton (guitar); Ian Hill (bass guitar); Les Binks (drums). Audio Remasterer: Jon Astley. Recording information: Basing Street (1978); CBS Studios, London, England (1978); Utopia (1978). Photographers: Robert Ellis ; Bob Elsdale; Terry Lott; Fin Costello. Titled Killing Machine in the U.K., but given a less violent moniker for U.S. release (as if that makes any sense), Hell Bent for ...
| | Judas Priest Painkiller CD (1990) Bonus Tracks; Remastered
British Steel
$6.79
| | Ihre Kinder Live 82 CD (2005)
British Steel
$13.49
| | Magic Kingdom Metallic Tragedy CD (2004)
British Steel
$14.29
| | Gene Loves Jezebel Exploding Girls CD (2003)
British Steel
$15.05
| | Jimmy Lee Hannaford Outside In CD (2002)
British Steel
$16.45
| | Sesshin CD (2005)
British Steel
$12.69 John D'earth, Members of Old School Freight Train, Agents of Good Roots, Modern Groove Syndicate, and Fair Weather Bums join Charlottesville based drummer James McLaughlin to create this unique instrumental jazz album. This project was mixed and mastered by Chapman Stick master Greg Howard in May, 2005 and released on Mountainside Records."The first disk I stumbled upon is a magical offering I feel privileged to be one of the first to hear. Sesshin is pure down-tempo ecstasy. Produced entirely by James McLaughlin at his Mountainside Studios, Sesshin is the best takes from endless jam sessions there. While Sesshin is smooth, and it is jazz, I hesitate to call it "smooth jazz," the overproduced, reverb-heavy, synthetic drumming garbage played late at night on most public radio stations. Sesshin is smooth in the classic, dark-speakeasy, cigarette-in-mouth, too-cool-for-school way. McLaughlin plays the drums, laying down the backbeat for some of the town's finest youngsters and veterans. Jesse Harper (guitar), Darrell Muller (bass), and Daniel Clarke (keyboards) are the backbone. Guests include JC Kuhl on sax and John D'earth on trumpet. Special kudos to Andy Thacker, who shows how to work a mandolin into the music the one and only way it should be done. Sesshin is a one-time offering showcasing the wide range of Charlottesville's musical talent. They have a gig scheduled for next month at the Gravity Lounge. I suggest that you do not miss the show."Damani Harrison, The Hook, 6.30.05McLaughlin's all star Sesshin spans musical genresBy Jedd FerrisDaily Progress correspondentFriday, July 8, 2005Since moving to town three years ago, local drummer, producer and engineer James McLaughlin has had a chance to play with some of Charlottesville's best musicians, so earlier this year, he decided to get them all under one roof to record a super jam session. Enlisting a who's who from a wide range of genres from traditional jazz to bluegrass to roots rock to funk, McLaughlin opened his Mountain Records studio to create "Sesshin," a new album that blends a creative twist of styles and offers a time capsule concoction of Central Virginia's home grown music scene. "I wanted to get the best possible people and give them a chance to do something different that they might not normally do," says McLaughlin "The idea musically was to combine the instrumental jazz background that I have with some of the more acoustic, folk flavors of the area in Charlottesville." The nine tracks for the album started with the foundation of McLaughlin on drums along with Old School Freight Train's Darrell Muller on bass and Jesse Harper making a rare showcase of electric guitar. Flavors were then added from different ends of the spectrum; the brass highlights of longstanding legend John D'earth on trumpet and J.C. Kuhl, formerly of Agents of Good Roots, on saxophone, the range of keyboard gadabout Daniel Clarke and the string touches of another Freight ...
| | Notes On A Scandal CD (2007) Original Soundtrack
British Steel
$13.79 Composer: Philip Glass. Audio Mixer: Michael Riesman. Liner Note Authors: Richard Eyre; Philip Glass. Recording information: Air Studios, London, England. Richard Eyre's film NOTES ON A SCANDAL stars Cate Blanchett as a free-spirited teacher who is arrested for having sex with an underage student. The film is distinguished by its intelligent script, powerful performances, and harrowing emotional dynamics, as well as its excellent score (courtesy of Phillip Glass). As with THE THIN BLUE LINE and THE HOURS, Glass created a piece of music that not only helps build mood and atmosphere, but actually enhances the sense of dramatic development. Glass's score underpins the emotional intensity of the film, ...
| | Echoes Of Eternity Forgotten Goddess CD (2007)
British Steel
$13.49 Echoes of Eternity: Francine Boucher (vocals); Brandon Patton (guitars); Duane Cowan (bass guitar); Kirk Carrison (drums). Personnel: Brandon Patton (guitar); Elizabeth Wright (cello); Kirk Garrison (drums). Additional personnel: Robert Anderson (violin); Elizabeth Wright. Recording information: RavensWork Studios. Arrangers: Brandon Patton; Kirk Garrison. Faithful fans will be the first to admit that heavy metal is rarely sexy (sexist? Yes; sexy? No), but Echoes of Eternity are clearly a band at ease with their sexuality -- or ...
| | P-38'S Funk Zone CD (2008)
British Steel
$9.85
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