| | Ted Nugent Little Miss Dangerous CD Ted Nugent Discography of CDs
(1 Customer Review)
Little Miss Dangerous, originally released in 1986, featured the hits Body Talk and Angry Young Man. A must for fans of the Nuge. Features updated liner notes. 10 tracks. 2001 digitally remastered reissue.
Personnel: Ted Nugent (vocals, guitar, six string Fender bass, percussion, background vocals); Dave Amato (guitar, Roland guitar synthesizer, background vocals); Pat Leonard, Hawk Wolinski, Larry Dermer (keyboards, synthesizer); Ricky Phillips (bass, background vocals); Jay Ferguson (bass); Michael Mason, Joe Galdo, Duane Hitchings (drums, percussion); Bobby Columby, Robby Weaver, Jamie St. James, Carmine Appice, Sandy Slavin, Douglas Banker (background vocals). Producers: Ted Nugent, Michael Verdick, Pete Solley. Recorded at Channel Recording, Burbank, California between April and July 1985 and at Criteria Recording Studios, Miami, Florida between October and November 1985. Includes liner notes by Garf Graff All tracks have been digitally remastered. A Ted Nugent album full of artificially triggered sounds. ~ John Franck There's no easy way to say this but here goes: Little Miss Dangerous may be the worst Ted Nugent record ever released. Everything about this album is a huge disappointment. Who knows what the Nuge was thinking when he decided that an album full of artificially triggered sounds would be the way to go. Not only are songs like "Body Talk and "Angry Young Man" horrific, the überclichéd mid-'80s production erases any desire to ever relisten to this effort all the way through. It's a shame that this record didn't end up on a bad late-night mid-'80s cable show soundtrack -- it would have been a perfect fit. Not even composer Bill Conti can save the day on this one. This album is not just a sonic embarrassment in every way shape and form, it's a fiasco all around. Avoid at all costs. ~ John Franck 1986's LITTLE MISS DANGEROUS was Ted Nugent's third release for his new record label, Atlantic, after he'd spent almost the entire 1970s and early '80s on Epic. As with his two previous Atlantic releases, 1982's NUGENT and 84's PENETRATOR, the Nuge continues on the same musical path, forgoing his earlier caveman rock in favor of pop-metal. While the album didn't make Terrible Ted the pop-hitmaker that he had hoped (although a cameo appearance on the TV show Miami Vice was a surprise treat for fans), LITTLE MISS DANGEROUS includes the unruly title track, one of Ted's better known '80s songs.
Little Miss Dangerous Music Ted Nugent Little Miss Dangerous Songs | 1. | High Heels in Motion |
| 2. | Strangers |
| 3. | Little Miss Dangerous |
| 4. | Savage Dancer |
| 5. | Crazy Ladies |
| 6. | When Your Body Talks |
| 7. | Little Red Book |
| 8. | Take Me Away |
| 9. | Angry Young Man |
| 10. | Painkiller |
| Little Miss Dangerous Music Review Buy Little Miss Dangerous CD Purchase Little Miss Dangerous CD To buy, Click on price to add to cart | Rod Stewart Never A Dull Moment CD (1971) Gold
Little Miss Dangerous
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$12.79 Tributee: Judee Sill. In spite of her deeply troubled personal life, the late singer/songwriter Judee Sill fashioned some of the most imaginative, ambitious, and singularly moving recordings to come out of the Laurel Canyon scene of the 1970s. Her work enjoyed a dedicated, if relatively small, following (one that included the likes of XTC's Andy Partridge) up until the early 2000s, when her work was reissued on compact disc. Since then, interest in Sill's life and work has grown, and it seems like it was only a matter of time before a tribute album rolled around. Crayon Angel: A Tribute to the Music of Judee Sill, released on American Dust in 2009, is veritably star-studded, at least in indie rock terms, featuring veterans like Ron Sexsmith, Beth Orton, and the Trembling Blue Stars in addition to relative newcomers Frida Hyvönen, Final Fantasy, and Princeton. All of Sill's signature tracks are here (i.e., "Lady-O," "Jesus Was a Cross Maker"), and in keeping with Sill's odd-angled, esoteric, multi-instrumental body of work, most of the material is nice and quirky. The most successful tracks showcase each artist's particular voice while still honoring Sill's original work. Standout tracks include Final Fantasy's "The Donor," which offers a tender, cerebral interpretation of the original, and Meg ...
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