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Fight Club Review
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Purchase Fight Club CD To buy, Click on price to add to cart | The Ultimate Bee Gees CDs (2009)
Fight Club
 $15.24   
Functioning as something of a replacement for the 2001 collection Their Greatest Hits: The Record, The Ultimate Bee Gees covers much of the same ground as that double-disc set, albeit in not quite so linear a fashion. The Record marched through its 40 tracks chronologically, opening with the stately baroque Beatlesque pop of the '60s and then winding through the '70s, whereas this opens with ...
| | Isaac Hayes Shaft (Deluxe Edition) CD (1971) Bonus Track; Remastered; Deluxe Edition
Fight Club
$9.58
Despite its codification into our collective pop culture consciousness, Isaac Hayes' "Theme From Shaft" is a highly original composition. It's been remade by Hayes himself for the remade Shaft film, and appropriately kicks off this collection of tunes from the movie by some of R&B's New Jacks.
A diverse selection of artists encompass the collection, from lascivious soul stirrer R. Kelly to the rugged Latin hip-hop of Fulanito, along with many other noteworthy diversions that represent the many flavors of contemporary urban soul. Most of the material focuses ...
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| | Queen Latifah All Hail The Queen CD (1989)
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Emerging from East Orange, NJ in the days when hip-hop gear meant kente cloth & afrika medallions àand fellow Native Tongues were achieving cross-over success on "Yo! MTV Raps" (guest appearances from De La Soul & Monie Love show a strong Native Tongues connection which eventually faded as the Queen placed more focus on developing her own Flavor Unit posse), Latifah added a more explicit afro-centric edge to the common sense feminism pioneered by MC Lyte and Roxanne Shante. She also added a more eclectic cross-section of sounds to their palette of samples. After briefly providing beat-box for the all-girl crew Ladies Fresh, she made her name as a solo artist with the reggae hook of "Wrath of My Madness" in 1988. While overall her debut LP relies on the sounds of break-beat legend Mark The 45 King, exceptions to the rule include a harder edged track contributed by KRS-ONE ("Evil That Men Do"), heavy rockers-style reggae laced by Daddy-O of Stetsasonic ("The Pros"), and a token house track ("Come Into My House"). Occasionally dated, ALL HAIL THE QUEEN nevertheless contains enough gems ("Latifah's Law," "Ladies First," "Wrath Of My Madness") to stand alongside any classic LP of ...
| | Belle & Sebastian Boy With The Arab Strap Vinyl LP (1998)
Fight Club
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After 1997's IF YOU'RE FEELING SINISTER made them critics' darlings, Scottish octet Belle And Sebastian ran ...
| | Jamiroquai Dynamite Vinyl LP (2005)
Fight Club
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| | Prince Purple Rain Vinyl LP (2007) (Import)
Fight Club
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| | John Zorn Dreamers CD (2008)
Fight Club
$12.99
The Dreamers, by John Zorn and his septet, is for all practical purposes a sequel of sorts to 2001's The Gift, which was -- and perhaps remains -- Zorn's most "accessible" record. That said, there some key differences in the approach to this new set. Most of the band from the former record are back: guitarist Marc Ribot is here, as are keyboardist Jamie Saft, drummer Joey Baron, bassist Trevor Dunn (who was one of three bassists on The Gift), and percussionist Cyro Baptista. Zorn does play some alto saxophone as well, but his performance is not prevalent as an instrumentalist. Dave Douglas' trumpet is absent, and has been replaced by the vibes work of Kenny Wollesen. The music? It's funnier in a way, trickier and more exotic without being "exotica" the way The Gift was. In fact, one can hear the actual influences on Zorn's musical consciousness, literally pick them out track for track on The Dreamers. The devotion the composer has for popular styles is well documented -- whether from film noir and exploitation movie soundtracks, surf music, incidental commercial music, library records, etc. Things are fairly straightforward here until "Toys," track five of this 11-cut, nearly 53-minute album. "Mow Mow," which may be a play on the term "Mau Mau," is a nearly straight-ahead surf ballad that comes more from the Ventures than from Dick Dale. It's not blasted with reverb and its tempo is easy and breezy, offering a twilight look at the world. The beautiful organ work by Saft and the timing of Wollesen's vibes are uncanny, as they bracket Ribot's understated and elegant guitar work. The piece croons and drifts its way though several surf motifs before whispering to a close. "Uluwati" threatens to become another surf number, but instead it veers left and becomes a kind of incidental television theme number. One can picture a blend of The Simpsons and The Jetsons here, with the interplay between the guitars and vibes and the reverbed hand percussion skittering in the backdrop. This is the way Piero Umiliani would sound with Duane Eddy.
As unlikely as it may seem, television theme music rears its head in the piece immediately following this one, too. "A Ride on Cottonfair" evokes no one if not Vince Guaraldi and his Peanuts themes. It swings and is full of striking, even knottily percussive right-hand work by Saft, but it's woven so tightly into the melody that the improvisation that does take place -- pushed forward by the incredible brushwork of Baron and Dunn's upright bass solo -- feels like the interlude in an episodic cartoon. Wonderful stuff. "Anulikwutsayl," the fourth cut, is a nine-minute workout for guitar, organ, and percussion that goes right to the heart of Santana during his Caravanserai/Welcome period. Ribot sounds nothing like him, using his edgy Fender as opposed to the Les Paul, but the impression is immediate. But it's more than this, too, because it sounds like Santana and Gregg Rolie's organ playing the soundtrack ...
| | Art Bleek Urban Watcher EP Vinyl LP (2008) (Import)
Fight Club
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| | Art Tatum Vinyl LP (2009) (Import) VV; Limited Edition
Fight Club
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| | Don Cherry Mu Second Part Vinyl LP (2009)
Fight Club
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