| | Tom Rush Live At Symphony Hall, Boston CD Tom Rush Discography of CDs
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Recorded live at Symphony Hall, Boston, Massachussetts. Includes liner notes by Bill DeYoung.
Digitally remastered by Dan Hersch (DigiPrep, Hollywood, California).
Personnel includes: Tom Rush (vocals, acoustic guitar); Eric Lilljequist (acoustic & electric guitars, background vocals); Trevor Veitch (acoustic & electric guitars); David Buskin (acoustic guitar, piano, synthesizer, percussion, background vocals); Robin Batteau (violin, percussion); David Darling (cello); Joshua Shneider (saxophone); Irwin Fisch (piano); Ray Colcord (synthesizer); Paul Guzzone, Kevin Jenkins (bass); Wells Kelly (drums); Tutti Ensemble (background vocals).
Compilation producers: Cary E. Mansfield, Tom Rush.
Live At Symphony Hall, Boston Music | List Price | $16.98 (You save $3.03) | | Category | Rock/Pop Albums, Rock CDs, Country, Folk Music, Folk, Live Performances, Singer/Songwriter | | Label | Varese Sarabande | | Orig Year | 2001 | | All Time Sales Rank |  70065  | | CD Universe Part number | 1880635 | | Catalog number | 066222 | | Discs | 1 | | Release Date | Jun 05, 2001 | | Studio/Live | Live | | Mono/Stereo | Stereo | | Personnel | Ray Colcord - synthesizer
Wells Kelly - drums
Tom Rush - vocals, acoustic guitar
Robin Batteau - violin, percussion
Trevor Veitch - acoustic & electric guitars
Kevin Jenkins - bass
David Buskin - acoustic guitar, piano, synthesizer, percussion, background vocals
David Buskin - acoustic guitar, piano, synthesizer, percussion, background vocals
Eric Lilljequist - acoustic & electric guitars, background vocals
Irwin Fisch - piano
Joshua Shneider - saxophone
Tutti Ensemble - background vocals
Paul Guzzone
Also: David Darling |
Tom Rush Live At Symphony Hall, Boston Songs | 1. | Merrimac County | $0.99 | |
| 2. | On the Road Again | |
| 3. | Joshua Gone Barbados | |
| 4. | Kind, Kind Lovin' | |
| 5. | Louisiana Eyes | |
| 6. | Jazzman / Jonah | |
| 7. | Dreamer, The | |
| 8. | Jamaica, Say You Will | |
| 9. | Wasn't That a Mighty Storm | |
| 10. | Late Night Radio | |
| 11. | Anna | |
| 12. | Blow, Whistle, Blow | |
| 13. | Urge For Going  | |
| 14. | Beam Me up Scotty | |
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Live At Symphony Hall, Boston Review
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Purchase Live At Symphony Hall, Boston CD To buy, Click on price to add to cart | Tom Rush Merrimack County/Ladies Love Outlaws CD (2001) (Import) United Kingdom
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In 2001, BGO released Merrimack County/Ladies Love Outlaws, which compiled two albums -- Merrimack County (1972, originally released on Columbia) and ...
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Ever since 1947, when record company owner Moses Asch declared bankruptcy and his former partner and creditor Herbert Harris of Stinson Records held onto a batch of Asch's Woody Guthrie masters in lieu of payment, those tracks, a small part of a cache of hundreds of casually recorded songs Guthrie and such friends as Cisco Houston and Sonny Terry made starting in April 1944, have been issued over and over on albums that, while unauthorized, are not strictly speaking illegal. (Asch disputed Harris' ownership of the tracks, but neither had the wherewithal to pursue claims in court.) The first of these albums were on Stinson Records, of course, but they have appeared on many labels since. Here is another collection of a baker's dozen of them, licensed from San Juan Music Group by Purple Pyramid. Of course, they are not "the very best of" Woody Guthrie by any stretch of the imagination, just some old folk songs, sometimes boasting new lyrics from Guthrie, and the occasional Guthrie original, such as "Pretty Boy Floyd." With Houston chiming in on tenor vocals here and there, plus Sonny Terry's harmonica added to the guitar and/or mandolin accompaniment, the style is somewhat akin to the old-timey country music of such '30s artists as the Monroe Brothers. But, for the most part, this is not the Woody Guthrie of "This Land Is Your Land," and thus far from his best. Purple Pyramid has taken two actions to separate its release from the pack of similar competitors, one laudable, but the other deplorable. Bringing in Dave Thompson to write liner notes on each individual song was a good idea, along with listing recording dates and personnel. But employing one Danny B. Harvey to undertake a "remix" of "Worried Man Blues" (billed as a "bonus track") was a disastrously bad idea. Of course, "remix" in this context means that Harvey has overdubbed instruments on the existing track; he turns "Worried Man Blues" into a Carl Perkins-like rockabilly track with the addition of guitar, acoustic bass, and snare drum. The result is just as bad as it sounds like it would be, turning this disc into a mockery. ~ William Ruhlmann
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