| | Bert Kaempfert Traces Of Love/The Kaempfert Touch CD Bert Kaempfert Discography of CDs
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Recorded in 1969 & 1970. Includes original release liner notes.
Digitally remastered by Eliot Goshman (2001, Taragon Sound & Video Studios, Deer Park, New York).
This two-fer from Taragon Records features a pair of out of print Bert Kaempfert LPs on one compact disc: Traces of Love and The Kaempfert Touch. Originally issued in 1969 and 1970, respectively, each of the 24 tracks has a continuity dominated by easy listening versions of popular hits; highlights Include "Games People Play," "Someday We'll Be Together," "Raindrops Keep Fallin' on My Head," and "Traces." ~ Al Campbell
2 albums on 1 CD from the masterful genius of orchestral easy listening music.
2 LPs on 1 CD: TRACES OF LOVE (1969)/THE KAEMPFERT TOUCH (1970).
Producer: Milt Gabler.
Reissue producer: Eliot Goshman.
Recording information: 02/24/1969-01/06/1970. Traces Of Love/The Kaempfert Touch Music Bert Kaempfert Traces Of Love/The Kaempfert Touch Songs Traces Of Love/The Kaempfert Touch Music Review Purchase Traces Of Love/The Kaempfert Touch CD To buy, Click on price to add to cart | Very Best Of Bert Kaempfert CD (1995)
Traces Of Love/The Kaempfert Touch album
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| | Bert Kaempfert Christmas Wonderland CD (1963)
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| | Bert Kaempfert That Latin Feeling/Blue Midnight CD (1997)
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| | Bert Kaempfert Warm And Wonderful CD (1969)
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| | Bert Kaempfert Free & Easy CD (1970)
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| | Ray Conniff It Must Be Him/Honey CD (2002)
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A good matchup of two similar and consecutive LP releases is offered on this discount-priced two-fer. It Must Be Him and Honey were Ray Conniff's first two albums of 1968, and they were among his more successful, each enjoying a long chart run and earning gold record certification. Conniff had updated his arranging style by this point, adapting himself to the rock revolution by bringing in electric guitars and beefing up the sound of the rhythm section, but he hadn't changed his basic approach. All 22 tracks here are his versions of songs that were in the pop charts between 1964 and 1968, originally recorded by the likes of British Invasion acts like the Beatles and Herman's Hermits as well as a slew of middle-of-the-road pop singers. Some of the songs, notably "Yesterday," "Sounds of Silence," and "Goin' Out of My Head," as well as the trio of songs written by Burt Bacharach and ...
| | Jessica Williams In The Pocket CD (1994) Import
Traces Of Love/The Kaempfert Touch music CDs
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The idea for this album came from an appearance by this group at the 1992 Port Townsend Jazz Festival in the state of Washington. The result is a varied musical playbill of bop anthems, standards, a couple of Williams' originals and a contribution by Stevie Wonder. Williams is not wedded to any one particular model of piano playing, which is richly evident in the trio's handling of "A Gal in Calico." This tune, which Arthur Schwartz/Leo Robin wrote for the movie The Time, the Place and the Girl, is the subject of nine minutes of improvisational investigation running the performance gamut from march-like drumming by Dick Berk to pizzicato bass plucking by Jeff Johnson. Innovation and surprise seem to be Williams' theme throughout the album. None of the performances can be pigeonholed into a particular style or tempo, each being a mixture of many musical formats. Stevie Wonder's "I Really Love You" starts off as avant-garde, then segues into a dream-like melody. An 11-minute explication of "Cheek to Cheek" is filled with surprises, with the familiar melody, more often than not, barely recognizable. The playing of Jessica Williams and her cohorts is a classic example of the "stream of consciousness" approach to small group endeavor, ...
| | Jump Up And Boogie: The New Swing Collection CD (1998)
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| | Kongar-ool Ondar Back Tuva Future CD (1999)
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| | Jacques Brel Quinze Ans D'Amour CD (1992)
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| | Jazz It's A Wonderful Sound CD (2002)
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| | Al Rapone Live At Dingwall's Dancehall CD (2002)
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| | Gary Thomas Exile's Gate CD (1993) (Import)
Traces Of Love/The Kaempfert Touch album
$15.09 
As a leader, saxophonist and composer Gary Thomas is wildly ambitious. Throughout the 1980s and into the '90s, Thomas experimented with everything from free jazz and funk to heavy metal and hip-hop. Exile's Gate is another such exercise. There are two distinct bands accompanying him here. One is made up of Thomas on tenor with drummer Jack DeJohnette and guitarist Paul Bollenback with organist Tim Murphy and bassist Ed Howard. The other features the latter two musicians, Marvin Sewell on guitar and drummer Terri Lyne Carrington. The first band plays Thomas' free-spirited and aggressive originals while the second plays standards for the most part. Only Thomas would think of putting the two approaches together on one record on alternate cuts. The pace is set by the title cut that opens the set, a freewheeling, menacing journey into overdriven counterpoint, and spirited interplay between Bollenbeck and the saxophonist utilizing hard rock tropes with DeJohnette traveling from one end of the color spectrum to the other. As such, hearing the standards, which are much more finessed and restrained; they feel ...
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