| | Dark Awakening, Vol. 1 CD
Electro Angels & Agony/Decoded Feedback/Soil & Eclipse/Plasti
Audio Mixer: Absurd Minds.
Recording information: AVR Studio; Nightbreed; Plastic Music; Zodiac Studios, Cheltenham, England. Dark Awakening, Vol. 1 Music Dark Awakening, Vol. 1 Songs Dark Awakening, Vol. 1 Review
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Following the tragic death of bassist Cliff Burton, Metallica regrouped with Flotsam & Jetsam bassist Jason Newsted to record this ambitious double album. Metallica made their reputation playing complex music at superhuman speed, and when James Hetfield's lyrics caught up with his compositional skills, the band became a force to be reckoned with. Everything came together on 1986's MASTER OF PUPPETS, and JUSTICE picks up where PUPPETS left off.
Utilizing intricate yet crunching riffs, layered guitar melodies and intelligent lyrics, Metallica forged an identity as the leader ...
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Thirteen examples of pleasant, mid-tempo, mildly amplified psychedelic pop, most of them owing some considerable debt to the influence of the Beatles' Rubber Soul and Revolver (though not their production), with some of the nutsy brand of humor that Giles, Giles, & Fripp later traded in. This is basically Paul McCartney-influenced psychedelia, not only in the tone and texture of the lead vocals, but the retro style of songs like "I'm So Happy," with some vaguely progressive touches that make one think of the more ornate tracks off of Bee Gees' 1st. "Montgolfier" is a folky/trippy, deliberately antiquated cut that intersects somewhere midway between the early psychedelic Bee Gees and the early work of Amazing Blondel. The group also had the temerity to write and record a bouncy number called "Drive My Car" that sounds McCartney-esque (even anticipating the scatting on the latter's "Heart of the Country") without ever sounding at all like the Beatles' song of that name. Other cuts, such as "Goodbye," contain elements that anticipate Simon & Garfunkel's "So Long, Frank Lloyd Wright." It's all under-produced, which makes the attempted guitar flourishes on "Hey You" seem a bit anemic, but imparts a nicely lean and trippy sound to "Sun Sing." Every track here was essentially a demo, a fact that may explain why the album never ...
| | L A Guns Cocked & Re-Loaded CD (2000)
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COCKED AND RE-LOADED is a re-recorded version of L.A. Guns' COCKED AND LOADED (1989).
In an obvious homage to Jeff Beck's "Shapes of Things," "Letting Go" kicks off one of the slickest and raunchiest metal albums of the '80s. This remastered package is produced by ex-Guns 'N' Roses guitarist Gilby Clarke and features a techno remix of "Rip and Tear." Danceable L.A. Guns? Well, it's the Millenium Edition.
What separated bands like L.A. Guns and Guns 'N' Roses from the rest of the hair metal pack is that both bands were there at the start of the scene, had great songs, and a street attitude. "Rip and Tear" and "Never ...
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