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Dangerfield, Rodney - I Don't Get No Respect CD Cover Art
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Rodney Dangerfield I Don't Get No Respect CD

 Rodney Dangerfield Discography of CDs
5 stars (1 Customer Review)

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Recording information: 1980.
I Don't Get No Respect Music


Detailed I Don't Get No Respect Music Information



List Price $5.98 (You save $1.43)
Category Rock/Pop Albums, Spoken CDs, Comedy
Label BMG Special Products
Orig Year 1980
All Time Sales Rank   25047  
CD Universe Part number 1885808
Catalog number 145726
Discs 1
Release Date Apr 01, 2001
Studio/Live Studio
Mono/Stereo Stereo
Rodney Dangerfield I Don't Get No Respect Songs


Rodney Dangerfield I Don't Get No Respect Album Track Listing



Windows MediaRealAudio Media1.I Don't Get No Respect Set 1 - (set 1)
Windows MediaRealAudio Media2.I Don't Get No Respect Set 2 - (set 2)

I Don't Get No Respect Music Review


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Average Rating: (5 out of 5 stars) 5 stars

5 stars maybe the best stand up of all time
rodney is the best there is no one that comes close to being funny as rodney.
Submitted by wes (Fort lewis college) Verified Buyer
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The exploits of the man who gets "no respect" from anyone finally gets what he so richly deserves: Rodney Dangerfield has been immortalized on a little plastic disc. It's a good thing, too, as vinyl copies of NO RESPECT are hard to come by. The years may have dulled Dangerfield's celluloid luster and appeal, but this landmark recording is still the epitome of Rodney, recorded when he was loosening up his Borsch Belt bellyaches and eviscerating his audience with his spiciest and choicest ...
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Rush take to the stage at the famous Maracana soccer stadium in Rio De Janiero, Brazil. Shot on November 23rd, 2002, this lavish production was the final date on the band's tour. A documentary is included on the two-disc set, so enjoy the sights and sounds of this spectacular band. Revered and ...
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JOHN LENNON PLASTIC ONO BAND came out at the same time as an album by Lennon's wife Yoko Ono (also titled PLASTIC ONO BAND). John Lennon's 1970 official solo debut is as remarkable for its startling contrast to the Beatles as it is for the passion and force of its songwriting. Stripped-down, gripping, and emotionally resonant, PLASTIC ONO BAND has little to do with the hook-heavy pop of his early Beatles work, or the psychedelic, word-salad approach of his songs on SGT PEPPER'S LONELY HEART'S CLUB BAND and ABBEY ROAD. Instead, this is an album of intensely confessional songs that lay bare the personal demons Lennon was trying to exorcise at the time--the ghosts of fame, family, faith, and individual identity, among them. The sound of the album is straightforward and hard-hitting. Spare, lean rock arrangements with piano, drums, bass, and guitar frame the songs effectively, letting Lennon's narratives carry the weight. The songs are shot through with bitterness ("I Found Out"), disillusionment ("God"), and regret ("Mother"), but there are also moments of hope in "Hold On" and the achingly beautiful "Love," which ranks alongside the very best of Lennon's ballads. Lennon was undergoing primal scream therapy during these sessions and the ...
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The last solid Hi-Lo's LP before the quartet folded in 1964, This Time It's Love was a ballads-only album, and thus much less snappy and swinging than previous records like the Marty Paich extravaganza And All That Jazz or the Rosemary Clooney collaboration Ring Around Rosie. The gauzy harmonies of the Hi-Lo's were perfectly suited to slow-dance material, though, and the selections are perfect, arranged by Hi-Lo's associate Clare Fischer (who often played piano with the quartet). The performances are uniformly solid, great examples of close harmony abounding on "The Second Time Around," "My Foolish Heart," and "Catch a Falling Star." The liner notes make reference to one of "the unique characteristics of the Hi-Lo's [is], the fact that every word they sing can be understood." Hardly a ringing endorsement for music fans, but the Hi-Lo's were vocal masters with much more talent than artifice. Ironically, just as the Hi-Lo's were about to call it quits, a style of song they'd helped usher in was about to hit big on the pop charts (courtesy of the Sandpipers as well as myriad others), and not just with older audiences. ~ John Bush The last solid Hi-Lo's LP before the quartet folded in 1964, This Time It's Love was a ballads-only album, and thus much less snappy and swinging than previous records like the Marty Paich extravaganza And All That Jazz or the Rosemary Clooney collaboration Ring Around Rosie. The gauzy harmonies of the Hi-Lo's were perfectly suited to slow-dance material, though, and the selections are perfect, arranged by Hi-Lo's associate Clare Fischer (who often played piano with the quartet). The performances are uniformly solid, great examples of close harmony abounding on "The Second Time Around," "My Foolish Heart," and "Catch a Falling Star." The liner notes make reference to one of "the unique characteristics of the Hi-Lo's [is], the fact that every word they sing can be understood." Hardly a ringing endorsement for music fans, but the Hi-Lo's were vocal masters with much more talent than artifice. Ironically, just as the Hi-Lo's were about to call it quits, a style of song they'd helped usher in was about to hit big ...
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With the fusion of guitars and electronics (or more precisely, the incorporation of guitars into electronics) most producers have utilized the six string as a folksy accouterment to their laptop glitches (Greg Davis or Telefon Tel Aviv for example). Others, like Ulrich Schnauss, have flipped the concept, using their computer savvy to create waves of drone similar to the walls of flange once crafted by My Bloody Valentine and Slowdive. On his third album, Michael Beckett discovers another novel twist in the combination, crafting distorted barrages of computer and guitar noise similar to the antiguitar struggles ...
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Back once again with the ill behavior, Ralphie May's sophomore release finds the hip-hop comedian sounding just as excited as he was on his debut, but twice as comfortable. In contrast, 2004's Just Correct was a full on attack on the listener with its routines and attitude stopping just short of grating. With Girth of a Nation, Ralphie's found his voice and casually strolls through his love of black movie theaters, the mentally challenged, and his former love of drugs ("You know you're getting older when you give up all your drugs") in way that draws the audience in. Besides his pacing, his material has improved also and his "equally opportunity offender" stance works better with some layered jokes offering relief from his more straight ahead, stereotype reliant material. He actually riffs on the tired topic of black movie theaters and pulls it off, thanks mostly to his love of the African-American ...
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