| | Larry Koonse Secret Tea CD Larry Koonse Discography of CDs
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Our Price: $13.45  CDFor Sale Usually ships in 1-2 days
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Audio Mixers: Chris Wabich; Anders Swanson.
Liner Note Author: Putter Smith.
Recording information: ADW Studios, Los Angeles, CA.
Personnel includes: Larry Koones, Anders Swanson, Chris Wabich.
Personnel: Larry Koonse (guitar); Larry Koonse; Anders Swanson (bass guitar); Chris Wabich (drums).
Larry Koonse Secret Tea Songs | 1. | Nobody Else But Me |
| 2. | Sophisticated Lady |
| 3. | Secret Tea |
| 4. | Stablemates |
| 5. | Very Early |
| 6. | Barbados |
| 7. | My Brother's Name |
| 8. | Bye-Ya |
| 9. | Living Room |
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Secret Tea Review
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Purchase Secret Tea CD To buy, Click on price to add to cart | Larry Koonse Americana CD (2002)
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While the tune "Walk, Don't Run" was such a smash for the Ventures it became synonymous with their name, the version by its composer, jazz guitarist Johnny Smith, is well-worth a listen itself. This Roulette album taking its name from the song came out in 1954, after Smith had become well-established as a NBC Studios staff guitarist who could be heard on television, on radio, and with the NBC Orchestra. Smith's quartet with rhythm guitarist Perry Lopez, drummer Don Lamond and bassist Arnold Fishkin features the original version of ...
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| | George Shearing Lullabies Of Birdland: A Musical Autobiography CDs (2004)
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Recorded between 1949 & 2000. Includes liner notes by Alyn Shipton.
In 1979, after a number of years in semi-obscurity, pianist George Shearing made a comeback by signing to Concord. Over the next ten years he showed that he'd lost none of the subtlety that had won him accolades when recording with his quintet in the 1950s and 1960s. Lullabies of Birdland: A Musical Autobiography recaps Shearing's long career, starting with "September in the Rain" in 1949 and ending with "Fly Me to the Moon" -- recorded appropriately at Birdland -- in 2000. The pianist's most famous composition, the title cut, appears in three different settings over the course of two discs: the first with the George Shearing Quintet in 1952, the second with Tito Puente in 1985, and the final one, featuring a stripped-down setting, in 1987. There are many surprises on these discs, including the startling arrangement and performance on a nearly ten-minute version of "Love for Sale." There are also a number of equal billings with partners like guitarist Jim Hall, pianist Marian McPartland, and singer Mel Tormé. The only small complaint is that much of the content of Lullabies of Birdland is comprised of material recorded between 1979 and 1989 (the years he spent with Concord). Only five cuts represent his work between 1949 and 1979, and only two represent his work in the '90s, meaning that these discs fail to give a full-fledged "autobiography" as promised in the album's subtitle. Lullabies of Birdland is nonetheless a fine collection, and an excellent introduction to Shearing's work at Concord. ~ Ronnie D. Lankford Jr.
Ray Gonzalez (trumpet); Warren Vache (cornet); Barry Tuckwell (French horn); George Masso Jimmy Frisaura (trombone); Kenny Davern (clarinet); Marjorie Hyams, Joe Roland, George Devens, Buddy Montgomery (vibraphone); Marian McPartland, Hank Jones (piano); Chuck Wayne, Dick Garcia, Toots Thielemans, Wes Montgomery, Jim Hall (guitar); Neil Swanson, John ...
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Arguably, the Scandinavian countries have become to the death metal/black metal field what Chicago is to the blues -- not the place that gave birth to the genre, but definitely the place that came to dominate it. While death metal/black metal didn't get started in Scandinavia any more than the blues were invented in Chicago, the list of important death metal and black metal bands that have come from Sweden, Norway, or Denmark is endless. That said, one can give props to the Nordic countries without neglecting what the rest of Western Europe has to offer -- and in the Netherlands, one of the more noteworthy death metal/black metal bands of the '90s and 2000s has been God Dethroned. Lair of the White Worm doesn't break any new ground for the Dutch moshers, but it's a respectable, above-average effort that illustrates their ability to incorporate elements of power metal and thrash without sacrificing their death metal/black metal brutality. It would be a mistake to categorize this 40-minute CD as either "melodic death metal" or "symphonic black metal"; Lair of the White Worm isn't as melodic or as musical as In Flames, At the Gates, ...
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| | Audio Lotion Metrosensual CD (2006) (Import)
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