| | Roy Roberts Burnin' Love CD Roy Roberts Discography of CDs
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Recording information: Rock House Records.
Personnel includes: Roy Roberts (guitar); Rusty Smith.
Personnel: Roy Roberts (vocals, guitar); Bob Margolin (slide guitar); Scott Adair (tenor saxophone, baritone saxophone); Rusty Smith (trumpet, trombone).
Living Blues (9-10/01, p.43) - "...Soulfully satisfying..." Roy Roberts Burnin' Love Songs | 1. | Burnin Love |
| 2. | Couldn't See the Tears for the Rain |
| 3. | Next Time, The |
| 4. | Leave My Woman Alone |
| 5. | Dirty Old Man |
| 6. | Can't Have It Your Way |
| 7. | I've Got Troubles |
| 8. | Let's Straighten It Out |
| 9. | I'm in Love |
| 10. | That's Alright |
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Burnin' Love Review
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Purchase Burnin' Love CD To buy, Click on price to add to cart | Johnny Otis 1945-1947 CD (2002)
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Soul belter J.J. Jackson is best known for his 1967 smash, "But It's Alright," but he has some fine singles and a couple of excellent albums as well, and 1967's But It's Alright on the Calla label is one of them. Kicking off with the infectious title track, the record alternates between flat-out rockers like "I Dig Girls," "Come See Me (I'm Your Man)" (which ...
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One has to wonder what it will take, if anything, for Scottish singer/songwriter Jackie Leven to make a name for himself stateside. His unflinching yet redemptive songs of the dark sides of archetypical manhood, and his unwavering gaze into the abyss to discover meaning and truth in modern life are lushly orchestrated, gorgeously sung, and beautifully rendered, almost unbearably so. On his latest studio effort, Shining Brother, Shining Sister, Leven goes once more into the heart of the matters of the heart with a team that includes David Thomas, Robert Bly, Deborah Greenwood, Ron Sexsmith, Michael Cosgrove, Joe Shaw, and the help of poets such as Edith Sitwell, Rainer Maria Rilke, Osip Mandelstam, and Pablo Neruda. The set opens with "Classic Northern Diversions," a tough, sound effect- laden journey into the darkness of anger and regret. Sirens, drum machines, synths, and the pulse of Leven's guitar push his voice forward into the depths: "It took me fifty long years to work out/that because I was angry didn't mean I was right/Now I'm sitting in a bar alone/with the jukebox playing a terrible song/The bartender says I see it's you again/I've been drinking deep from a jar of pain/Oh I remember once I went home like this/I had mother in tears as I felt her kiss/Now my mother is heaven bound/And her body lies in unmarked ground/In every heart in every home/there's a dying man who lives alone/He close the door and he turns away/And the tide rushes in on a fatal shore..." The guitars wrangle and roil, the synths pulse, and the skitter of the snare careens across the mix. There is no mope, no wistful longing in Leven's delivery, it's pure, feral self-assessment, without irony or pity. The fact that his mellifluous tenor flows like water only drives the stake deeper. Leven walks a line between rock and roll, blues, classic 1960s pop, and Celtic folk music with a seamless ...
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