| | Songs Of A Goddess: A Tribute To Tori Amos CD (1 Customer Review)
Meegs/Jessika/Voltaire/Amber Asylum/Tapping The Vein/St.Eve Songs Of A Goddess: A Tribute To Tori Amos Music Songs Of A Goddess: A Tribute To Tori Amos Songs Songs Of A Goddess: A Tribute To Tori Amos Music Review Purchase Songs Of A Goddess: A Tribute To Tori Amos CD To buy, Click on price to add to cart | Cure Join The Dots: B-Sides & Rarities 1978-2001 (The Fiction Years) CDs (2004) Remastered
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| | Gov't Mule By A Thread CD (2009)
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BY A THREAD is Gov't Mule's first studio album since HIGH & MIGHTY was issued in 2006. Since that time, bassist Andy Hess has been replaced by Jorgen Carlsson, though Hess appears on two tracks at the end of the album. Carlsson's playing style is much more aggressive than Hess', and is therefore closer - in spirit anyway - to Gov't Mule's original bassist, the late Allen Woody, though he possesses an adventurous sense of time and is harmonically more colorful than ...
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| | Joe LaBarbera Joe La Barbera Quintet Live CD (2002)
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Joe La Barbera made his professional debut in 1966 with the Sam Noto-Joe Romano Quintet, though he may be best known to jazz fans for his two-year stint between 1978 and 1980 as the drummer for the last edition of the Bill Evans Trio. This 1999 ...
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Though a commercial blip in its day, Krautrock has become one of the most enduring movements in music history, with countless indie acts namedropping ...
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| | Terry Adams Rhythm Spell CD (2007)
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Other tracks, such as "Every Thing I Do" and "One Shoe," with its funereal, old-time jazz horns and wacky keyboard sounds, take on a lush melodicism not unlike the Beach Boys' Pet Sounds and SMiLE-era sound pastiches, though whether Adams, who has always displayed a love of textured pop, was thinking along those lines is anyone's guess. "Outta Here," with its edgy, jazzy keyboard lines, hipster vocal, and funky trombone, is the requisite spacy album-closer, but unlike previous Adams solo work, it's not the norm here. The uptempo, bluesy "Nature's Gonna Pay You Back" is a serious eco-sanity plea, while "Umbrella," which is, yes, about the pitfalls of trying to use an umbrella, is a beautifully harmonic doo wop that straddles a line between Dion & the Belmonts and Jonathan Richman & the Modern Lovers. "1400 Miles" echoes the Lovin' Spoonful, and tunes like "Never Before, Never Again," "'Til It's Over," and the title track would make perfect additions to the Q's bottomless stage repertoire, once bassist Joey Spampinato and his guitarist brother, Johnny Spampinato, were able to inject their thoughts into it. Adams' penchant for novelty is present in "What a Mess" and "Give Pancho a Little Kiss," with its south-of-the-border reverbed vocal and Hammond organ-style soulful keys. Adams is nothing less than one of the most underrated musicians in the history of rock, and with Rhythm Spell he's finally made an album outside of the mother band that shows off why he and his band still draw a faithful crowd even though the charts and radio have never been kind to them. ~ Jeff Tamarkin
On his few excursions outside of the confines of NRBQ, the band's co-founder and keyboardist has tended to emphasize his more eclectic, unconventional side (with Terry Adams, that may just be the only side there is, but that's another story). Rhythm Spell is the first time he's used the solo pulpit to do what he normally does with the Q: although his Sun Ra-esque avant-garde tendencies are never too far away, Adams is rockin' and rollin' on this one, and in the process he's made the best NRBQ album that the Q never made. One other mainstay of the band is on board, 30-plus-year drummer Tom Ardolino. The other most notable musician on the set is the bassist T-Bone Wolk, a veteran of many a session. Joey Interlande handles acoustic guitar, Charlie Schneeweis the trombone, Jeff Benko guitar, and Jake Jacobs background vocals. All the rest is Adams, who wrote and sings everything here, and plays his trusty clavinet in multiple ways -- how does he do it, folks? -- throughout. The songs are keepers, too, some of the best he's written in years. The opener, "Howard Hughes," has less to do with the reclusive rich man than it does with giving Adams a chance to ask "Howard Hughes? Larry Fine, ...
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