| | Mark O'Connor Hot Swing CD Mark O'Connor Discography of CDs
(1 Customer Review)
|
|
Not available
Our Price: $7.92
|  |
Violinist Mark O'Connor joined forces with bassist Jon Burr and guitarist Frank Vignola for this sensational concert in tribute to Stephane Grappelli, the grand old man of jazz violin until his death just shy of 90 in 1997. O'Connor was captivated by the Frenchman's playing at an early age and played along side him on several occasions, while Burr was Grappelli's regular bassist during the final decade of his career. O'Connor salutes his mentor without emulating his style directly; in fact, only three of the songs are associated with Grappelli: the lovely ballad "Nuages," composed by Grappelli's partner, Django Reinhardt; a wild reworking of "Minor Swing" (a Grappelli-Reinhardt collaboration); and an easygoing stroll through Duke Ellington's "Satin Doll," a song which Grappelli played often on stage. But it is O'Connor's swinging originals that command the most attention. "Swingin' on the 'Ville" is a lively opener that features blistering solos by all three men, while the complex swinger "Sweet Suzanne" seems to be inspired by the chord changes to a mix of different standards (including "(Back Home Again In) Indiana" and "Limehouse Blues"), and "In the Cluster Blues" is a subtle but soulful blues. Burr's emotional ballad "Lament" is another memorable highlight. The finale is "O'Connor"'s amusing "Pickles on the Elbow." The playing by all three musicians is at a consistently high level throughout the concert. This should be considered an essential CD for swing fans. ~ Ken Dryden
Recorded live at South Street Community THeater, Morristown, New Jersey on February 19, 2000. Includes liner notes by Arnold Steinhardt.
Personnel: Mark O'Connor (violin); Frank Vignola (guitar).
Liner Note Author: Arnold Steinhardt.
Recording information: South Street Community Theater, Morristown, NJ (02/19/2000).
Photographer: Mark O'Connor .
Personnel: Mark O'Connor (violin); Frank Vignola (guitar); Jon Burr (bass).
Mark O'Connor Hot Swing Songs | 1. | Swingin' on the 'Ville | $0.99 | |
| 2. | Nuages | $0.99 | |
| 3. | Sweet Suzanne | $0.99 | |
| 4. | Satin Doll | $0.99 | |
| 5. | Minor Swing | $0.99 | |
| 6. | In the Custer Blues | $0.99 | |
| 7. | Lament | $0.99 | |
| 8. | Pickles on the Elbow | $0.99 | |
| Purchase Hot Swing CD To buy, Click on price to add to cart | Linda Ronstadt Heart Like A Wheel CD (1974) Gold; Remastered
Hot Swing album
$25.65
| | Brooks And Dunn - The Greatest Hits Video Collection DVD (1997)
Hot Swing CD music
$13.25
| | Jerry Clower - Clower Power DVD (2006)
Hot Swing music CDs
$8.75
| | Christmas With Buck Owens And His Buckaroos CD (1965)
Hot Swing songs
$8.25
| | Percy Sledge 22 All-Time Greatest Hits CD (2003)
Hot Swing album
$9.69
| | John Denver Rocky Mountain High CD (1972)
Hot Swing CD music
$6.75
| | Mister Yellowman CD (1982)
Hot Swing music CDs
$14.65 In the early 1980s, Yellowman pretty much ruled the dancehalls, only Josey Wales and Charlie Chaplin were a threat, at least until a small, furry rodent -- Eek A Mouse -- scurried onto the scene. And as different as these four DJs were, they did share one thing in common, studio time with producer Henry "Junjo" Lawes, the man behind some of their greatest recordings. Mister Yellowman was the DJ's first album with Lawes, and remains one of his best. Backed by the seminal Roots Radics and Earl "Chinna" Smith's Hi Times band, the deep roots that both created were further finessed by Lawes into a simmering stew of dancehall-inflected rhythms shot through with dub. Thematically, Yellowman drifted between boasts about his appeal to the opposite sex and ...
| | Terry Allen Lubbock (On Everything) CD (1979)
Hot Swing songs
$15.05
| | Steve Taylor Who Pays The Piper CD
Hot Swing album
$7.79
| | Willie Nelson Teatro CD (1998)
Hot Swing CD music
$8.09 All tracks have been digitally mastered using HDCD technology.
TEATRO was nominated for the 2001 Grammy Award for Best Long Form Music Video.
After working his atmospheric magic on Bob Dylan (TIME OUT OF MIND) and Emmylou Harris (WRECKING BALL), producer Daniel Lanois takes on another American original: Willie Nelson. The result is an album that's at once timeless and up-to-the minute. Lanois brings Willie's instantly recognizable voice front and center, but underscores his acoustic guitar picking with complex percussion and drums, as well as organ and harmonica. The Lanois-written "The Maker" is the most fleshed-out instrumentally, and sounds like an outtake from Harris' WRECKING BALL. Harris herself appears on 11 of the 14 songs, handling the difficult task of singing harmony with Willie's distinctive around-the-beat style phrasing.
Half the songs were written by Willie in the sixties, when his career was on the rise but his personal life was in ruins. The material is almost uniformly despairing, with titles like "I've Just Destroyed The World" and "Darkness on the Face of the Earth." The newer songs, like ...
| | Buttless Chaps Love This Time CD (2003)
Hot Swing music CDs
$13.35 Those winking Canadians in Buttless Chaps turn in their fourth studio effort with Love This Time (Mint), a quietly determined mishmash of pastoral, character-driven pop songs upgraded with vintage-sounding synthesizers. With the album unified ...
| | Tekameli Religious Gypsy Songs CD (2003) Import
Hot Swing songs
$16.59
| | Newfound Road Somewhere Between CD (2004)
Hot Swing album
$14.49
| | Bothy Band Out Of The Wind - Into The Sun CD (1977) (Import) United Kingdom
Hot Swing CD music
$15.75
| | Richard Franklin Just The Three Of Me CD (2009)
Hot Swing music CDs
$14.79 Artist notes:This project indulges my fondness the guitar/bass/drums (GBD) "power" trio format as well as a broad range of my guitar influences.The GBD trio is as stripped down as can be while still maintaining the foundations and feel of a band. The primary challenge falls on the guitarist, who must carry both harmony and melody. The bassist must also on occasion be called on to provide more harmonic or rhythmic support that would be necessary in a larger group. At the same time, however, there is considerably greater freedom. The guitarist can play with harmonies and substitutions that would be impossible if playing with a keyboard. The bassist has more rhythmic and melodic latitude as well. Since I play both the guitar and bass parts here, all that freedom was mine. The other primary characteristic of this project is that it allowed me to honor the many fine guitarists in a wide ...
|
|
|