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Perhaps it's an album made even more interesting by virtue of Rjyan Kidwell's eventual attempts to extricate himself from an insular and exclusive electronic music community, but even within IDM's own rigid terms, Role Model is a beautiful, caterwauling mess. To be this technically proficient (and this willfully experimental) at the age of 19 is one matter, but Kidwell's impressive compositional command at this early stage is another entirely. From the opening acid-tinged wibblings of the Aphex Twin-inspired "At Least I Can Say I Tried" to the twitchy, mutilated cut and paste of the chiming "Am I Soundboy" through to the gutsy rejig of the Dismemberment Plan's "Academy Award," this is clearly the work of a kid who values melody and structure above all else. Alas, even in view of Kidwell's general adherence to this template, there remain a few critical missteps; a host of frankly unlistenable stabs of white noise render "Again and Again" a "punk" misunderstanding while the stuttering "Love Cop" fails to engage in any meaningful way. In the context of the record, however, these misfires amount to minor quibbles; while not as forward thinking or as rabble-rousing as most of Kidwell's later records, Role Model is a crucial formative step forward. ~ Mark Pytlik
;2 Bonus Tracks
Liner Note Author: Cex. Role Model Review
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Purchase Role Model CD To buy, Click on price to add to cart | Amon Tobin Out From Out Where CD (2002)
Role Model album
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| | U N K L E Never, Never, Land CD (2004)
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"In a State" is a smooth, groove-heavy track, with File crooning a refrain that seems like it finally escaped from some mid-1990s dance-floor. Even some Stone Roses get thrown into the mix, with vocalist Ian Brown and bassist Mani reuniting on "Reign." The range of styles and moods here is impressive, considering that it all comes together with the epic scope of a soundtrack to some film too cool to ever be released.
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$15.65 Reissue of a 1965 LP, with many bonus tracks. In the U.K., Lulu first reached stardom as a gutsy belter of R&B tunes, delivered with a maturity and soulfulness that belied her teenage years. This 20-song compilation of material from 1964 to 1966 is the best CD reissue of her early work, although it's missing some of her better cuts. It includes her two mid-'60s British Top Ten hits, a cover of the Isley Brothers' "Shout" and the mid-tempo pop/soul tune "Leave a Little Love." Elsewhere, you get the spunky "I'll Come Running Over," which features Jimmy Page on guitar, and a raunchy cover of the obscure Rolling ...
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