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Ravel / Rubinstein / Tchaikovsky - Rubinstein Collection, Vol. 25 CD Cover Art
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Rubinstein Collection, Vol. 25 CD

 Ravel / Rubinstein / Tchaikovsky CDS
5 stars (1 Customer Review)

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 Our Price: $7.69  CD
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Category Classical, Romantic Period, 20th Century Period, Orchestral/Symphonic, Trio
Rubinstein Collection, Vol. 25 Music


Detailed Rubinstein Collection, Vol. 25 Music Information



List Price $7.99 (You save $0.30)
Label Rca Red Seal
Orig Year 7/10/2001
All Time Sales Rank   8500  
CD Universe Part number 1946676
Catalog number 63025
Discs 1
Release Date Jul 10, 2001
Recording Time 1 5
Rubinstein Collection, Vol. 25 Classical Review


Customer Rubinstein Collection, Vol. 25 Reviews 




Average Rating: (5 out of 5 stars) 5 stars

5 stars A revelation
This recording was a revelation to me. I purchased it primarily for the Ravel Trio after hearing a performance of the Jan Pascal Tortelier orchestration by the Pittsburgh Symphony. I had never heard the Tchaikovsky Trio. Both pieces are fabulous and masterfully played by Rubinstein, Heifetz, and Piatagorsky. Best of all, the sound quality is exceptional for a recording that is nearly 60 years old!
Submitted by Peter (Pittsburgh, PA) Verified Buyer
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Rubinstein Collection, Vol. 25 Music


Elements featured on Rubinstein Collection, Vol. 25 CD



Composers on Rubinstein Collection, Vol. 25 CD : Maurice Ravel, Peter Ilyich Tchaikovsky

Performers on Rubinstein Collection, Vol. 25 CD : Gregor Piatigorsky, Jascha Heifetz, Artur Rubinstein [Piano]

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A veteran tenor saxophonist who gained early recognition for his work with the Lennie Tristano school, Ted Brown has remained fairly obscure despite his consistent creativity. This superior trio set with the great bebop pianist Hod O'Brien and bassist Jacques Schols, features Brown at the top of his form. Other than his own "Smog Eyes" and the lesser-known "Trane's Slo Blues," all of the tunes are familiar bebop standards, but Brown, O'Brien, and Schols uplift and infuse them with fresh ideas. Among the more memorable selections are "Trane's Slo Blues," "Lester Leaps In" and "Lover Come Back to Me." Quite possibly this is the definitive Ted Brown set to acquire; certainly it is highly recommended to lovers of straight-ahead jazz. ~ Scott Yanow tenor saxophonist's trio w. Hod O'Brien on piano and Jacques Schols on bass, recorded Oct. 4 & 10, 1987 Recorded live at Cristofori, Amsterdam, Holland on October 4, 1987 and at Studio 44, Monster, Holland on October 10, 1987. Includes liner notes by Mark Gardner. Personnel: Ted Brown (tenor saxophone); Hod O'Brien (piano). Liner Note Author: Mark Gardner. Recording information: Cristofori, Amsterdam, The Netherlands (10/10/1987); Studio 44, Monster (10/10/1987). Photographer: Frans Schellekens. Personnel: Ted Brown (tenor saxophone); Hod O'Brien (piano); Jacques Schols (bass).
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With BIRTH OF THE COOL, Miles Davis distilled a new tonal palette for jazz. As early as 1954, Miles reacted to the escalating chordal complexity of hard bop by fashioning an evocative blues based on a simple scalar pattern ("Swing Spring"). KIND OF BLUE was the ultimate fulfillment of this approach, with Miles providing his collaborators little more than outlines for melodies and simple scales for improvisation. By emphasizing the blues and the improvisor's melodic gifts, KIND OF BLUE precipitated a major stylistic development--modal jazz. Charles Mingus had experimented with pedal points throughout the 1950s, and the melodic freedom of Ornette Coleman's Atlantic sides was also predicated on freedom from chord changes. But KIND OF BLUE was to prove the most influential, enduring work of its kind. There was just such a vibe about these 1959 sessions--Miles' lyric genius and burgeoning stardom, the innovative voicings and rarefied touch of pianist Bill Evans, the electrifying presence of Coltrane and Cannonball--that some thirty-plus years after its initial release, KIND OF BLUE is still recognized as Davis' point of departure towards jazz's less-explored regions. Bill Evans' translucent chords and Paul Chambers' famous bass line herald the revolution that is "So What": Davis and Evans' taut, coiled lyricism stands in sharp relief to the saxophonists' labyrinthine elation. The fat, shimmering beat of the classic Evans/Chambers/Cobb rhythm team is an oasis of calm throughout the childish blues "Freddie Freeloader." Often credited to Davis, "Blue In Green" is an Evans masterpiece, in which the rhythmic oasis becomes a smoky mirage for Davis' minor reveries on muted horn. The waltzing "All Blues" is one of the smoothest, most swinging grooves in the history of jazz, while "Flamenco Sketches" reflects Miles fascination with the earthy melodies and brooding metaphors of the Iberian peninsula...a harbinger of his next masterpiece, SKETCHES OF SPAIN. KIND OF BLUE remains M
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Glenn Gould Anniversary Edition -Bach: Piano Concertos Vol 2, 3 & 7
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Live Recording Recorded at Estudios Infinity, Madrid, Spain in March-May 1999. Personnel: Martirio (vocals); Raul Rodriguez (guitar, tres, percussion); Paco De Amparo (guitar); Jorge Pozas (cello) Chano Dominguez (piano); Javier Colina (bass); Guillermo McGuill (drums, cajon); Rogerio De Souza (percussion); Pepe Torres (feet, compas); Luis Torres (compas).
Original Four Seasons / Vanessa-Mae
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Rubinstein Collection, Vol. 25
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The main question here is what they mean by "original," since this performance is based on the usual version of Vivaldi's famous set of concertos. What is different is that this is not Vivaldi's original, but an arrangement, though not one that departs much from what one would normally hear. Toying with these pieces is commonplace in modern baroque practice, since it is believed Vivaldi expected his soloists to embellish their lines. Nigel Kennedy's popular recording took quite a few liberties; Vanessa-Mae is perhaps a little more ostentatious than most when it comes to ornamentation, and the improvising extends to the ensemble at large, but it's still pretty much Vivaldi's 'Four Seasons' played by a talented extrovert with a somewhat romantic attitude. Much the same could be said of the ensemble arrangement of Tartini's 'Devil's Trill' Sonata, but the dance-beat arrangement of material from that work is not to be missed, perhaps the highlight of the disc. Personnel: Tamiko Kobayashi, Yuri Zhislin, Vasko Vassilev (violin); Andrew Shulman (cello).
Classics - Handel: Water Music / Mackerras, St. Luke's
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Ireland, Mother Ireland
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Personnel: Gary Lakes (vocals), Kevin Murphy (piano).
Monteverdi: Sacred Music Vol 2 / Robert King, King's Consort
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Choir Of The King's Consort, The King's Consort,Robert King Personnel: Roy Rashbrook, Daniel Auchincloss, Rogers Covey-Crump (tenor); Stephen Carter, Robin Blaze, Ian Aitkenhead (countertenor); Lynda Sayce, Eligio Quinteiro (chitarrone); Timothy Amherst (violone); Andrea Morris, Simon Jones (violin); Paul Tindall, Andrew Tortise, Mark Dobell, Charles Daniels, James Gilchrist, Tom Phillips, Angus Smith (tenor saxophone); Abigail Newman, Tom Lees (tenor sackbut); Adrian France (sackbut); Gary Cooper (organ). Recording information: St Jude-on-the-Hill, Hampstead Garden Suburb, London, E (02/10/2003-02/15/2003).
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Brutsch Martin: Works For Guitar / Harald Stampa, Et Al CD  (2009)

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Bach: Well-Tempered Clavier Book 1
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