| | Lisa Stansfield Face Up CD Lisa Stansfield Discography of CDs
This is the Japanese import editon of Lisa Stansfield's FACE UP including a bonus recording.
Face Up is Lisa Stansfield's first offering for the new millennium, and on this disc she treads similar waters as on previous albums, except for a few more adventurous outings. The album's first single, "Let's Just Call It Love," incorporates the British garage 2step beats introduced to Americans and popularized earlier in 2001 by fellow Brit Craig David, and makes for an unusual but interesting leadoff single. The album's opener, "I've Got Something Better," is classic, funky Lisa Stansfield at her best, and the song gets more and more fun with each repeated listening. Other standouts include the Burt Bacharach-ish show-stopping ballad "How Could You?," the pleading "Don't Leave Now I'm in Love," and the set's most obvious hit, the breezy, disco-laced anthem "8-3-1." The title track is the album's requisite Barry White tribute, and the album's irresistibly funky closer, "All Over Me," is this set's answer to her previous album's "The Line." This disc does have its share of filler, including the Destiny's Child-sounding "Boyfriend," which is quite immature for a sophisticated gal like Lisa, and the silly ditty "Candy." Stansfield's pipes get quite gritty on the ballad "Didn't I," and "Wish on Me" is as sensitive and acoustic as the "Rochdale Queen" gets. Once again, this reliable singer, without straying too far from her signature formula, delivers a high-quality set, despite the presence of a few dull moments. ~ Jose F. Promis
Japanese edition of long awaited 2001 album for the female Barry White who had hits with 'All Around the World', 'You Can't Deny It' & 'This Is the Right Time'. Includes the first single 'Let's Just Call It Love' & includes bonus tracks 'Can't Wait To' and 'Let's Just Call It Love (Dreemhouse Mix-Full Extended Version)'. 15 tracks in all. Face Up Review
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Purchase Face Up CD To buy, Click on price to add to cart | Whitney Houston I Look To You CD (2009)
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Despite her star having lost some of its luster in the 2000s, Whitney Houston is still regarded as a benchmark for modern singers ...
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Don't let the title fool you; after listening to The Only Doo-Wop Collection You'll Ever Need, you'll definitely want more. This is a good starting point for the curious, since all the basics are here in the original hit versions: ...
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Live Recording
Engineers include: Tony Sheppard, Erik Zobler, Barry Rudolph.
Personnel: Jamecia Bennett (vocals, soprano); Core Cotton, Carrie Harrington (vocals, alto); Terrence Frierson, Patricia Lacy, Kimberly Brown (vocals, tenor, tenor saxophone); James F. Wright (vocals, baritone); David B. Young, Michael L. Bowens (vocals, bass voice); Mervyn Warren (vocals, piano, keyboards, drums, programming, drum programming, background vocals); Richard Smallwood (vocals, keyboards, programming); Donna McElroy, Howard Hewett, Angela Wright, Patti Austin, Take 6, Vicki Hampton, Chris Willis, Kim Fleming, Bob Bailey (vocals, background vocals); Commissioned, Daryl Coley, Jackie Ruffin, Dianne Reeves, Janice Chandler, Melvin Warren, Dennis Sawyers, Caroline Evans, Carolene Evans, David Young, Pat Lacu, Michael Weeks, David Young, Darlene Simmons, Al Jarreau, Michelle Weeks, The Richard Smallwood Singers, Stevie Wonder, Tevin Campbell, The Boys Choir of Harlem, The Clark Sisters , Tramaine Hawkins (vocals); Mike-E (rap vocals, guitar); Leaders of the New School ...
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"Lifetime" was nominated for the 2002 Grammy Award for Best Male R&B Vocal Performance.
Rebounding from the slight sophomore lag generated by 1998's EMBRYA, Maxwell's follow-up NOW abandons the neo-soul man's usual M.O. of using a conceptual arc of songs, and instead focuses on individual cuts. Romance remains the main ingredient found in this Brooklyn native's banquet of song, and although he stands firmly in the neo-soul camp of D'Angelo and Erykah, his use of various stylistic nuances once again stamps him as an original item. Twangy country-flavored licks and subtle DJ scratches pop up throughout the lament "Was My Girl," and scratchy rock guitar riffs are sparingly used over the heavy groove of "Temporary Nite." At the centerpiece is a studio version of Kate Bush's "This Woman's Work," a staple of Maxwell's concerts previously showcased on the live 1997 EP UNPLUGGED. Delivered with a crystalline falsetto, delicate strings and subtle pedal steel, it's a daring move worthy of Prince-ly accolades.
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| | Whispers Live From Las Vegas DVD (2007)
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This DVD is part of a "Home to Car" media pack. Those who want to listen can pop the CD (Also available for purchase separately) into their automobile's CD player, and those who want to see the performance can watch on this DVD/Video in the comfort of their home. For the first time in the Whispers 44 years of performing all over the world, this DVD captures The Whispers performing 19 of their most popular classics and current hits. Filmed before a live audience at Texas Station Hotel and Casino in Las Vegas, Nevada, this masterpiece was created for the pure enjoyment of the Whispers’ fans. It opens with the crowd on their feet singing along with "It's A Love Thing", then moves along in perfect transition with "All the Way", and breaking out with the funky, foot-stomping "In the Raw'. Beginning with "I Only Meant to Wet My Feet", they take the audience on a historic journey through the 70's, 80's, 90's and the new millennium with cuts from their 2006 CD, "For Your Ears Only, "Butta" and "Get It On". The Whispers' band, the best and funkiest on the tour circuit, brings the house down on the finale, "Rock Steady", leaving the crowd mesmerized.This rare collectible couldn't have come at a better time in the Whispers' career where the lead vocals of Scotty and Walter Scott still resonate the smooth, silky sounds of the past and dynamic choreography of Nicholas Caldwell and Leaveil Degree is at its best. The street-corner harmony is incomparable to their contemporaries, ...
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Well, nothing moves me more than a lyrical song that is emotionally driven. When I was young I started out learning the organ, graduated to the piano, and played my way through a music degree at the University of Alberta. It wasn't until later that I discovered the beauty of creating song through voice and guitar. Self-taught with both, I consider myself a bit of a hack, especially relative to the amount of time I spent with various teachers, working to perfect my classical piano skills. Despite this, I do think that I have cultivated a sound that works: allowing simple harmony to be the backbone for lyrical melodies. Though I love the piano, and I love to play classical music, and I even enjoy writing ...
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