| | Les Paul Columbia Singles Collection CD Les Paul Discography of CDs
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This 21-track collection on Collectables contains every single Les Paul & Mary Ford cut for the Columbia label between 1958 and 1962. While it's true that the years on Capitol are their best known, these singles are sure to please any fan. Whether it's a folk song such as Leadbelly's "Goodnight Irene," a rollicking R&B number like Chuck Willis' "It's Too Late," or a stylish original such as "Take a Warning," the shined-up pop sound and blazing guitar wizardry of Paul and Ford continue to be in plentiful supply on these sides. The sound is acceptable and the price is decent, if not bargain basement. This serves as a great bookend to the Capitol sides and should be considered as such -- not a proper introduction to their best work. ~ Thom Jurek
Recorded between 1958 & 1963.
Liner Note Author: Al Fichera.
Recording information: 07/13/1958-03/15/1962.
Arranger: Les Paul. Columbia Singles Collection Music Les Paul Columbia Singles Collection Songs Columbia Singles Collection Review
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36 x 48 inch
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16 x 21 inch
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Purchase Columbia Singles Collection CD To buy, Click on price to add to cart | Johnny Otis 1945-1947 CD (2002)
Columbia Singles Collection album
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Growing up among Afro-Americans in Berkeley, CA, Greek-American Johnny Otis (born John Veliotes) always identified strongly with people of color. Before he had attained the age of 20 he was gigging with black jazz bands throughout the Southwest, and eventually organized an ensemble deliberately patterned after Count Basie's orchestra. This highly charged album of historical musical artifacts documents the very beginning of Johnny Otis' recording career. With one apparently unobtainable exception, the Classics Blues & Rhythm Series has assembled all of Otis' Excelsior recordings, made in Los Angeles between 1945 and 1947. This provides background and context for his more well-known Savoy material, and indeed for ...
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Jamie/Guyden Dist. Co. celebrates its 50th anniversary by celebrating the artists and musicians of its past with contemporary remixes by Paul Simpson and Tom Moulton of the labels' classic hits like "Yes, I'm Ready" by Barbara Mason and "Waitin for the Rain" by the Fantastic Johnny C. Paul Simpson, whose remix of Marvin ...
| | Jan & Dean Surf City/Dead Man's Curve/The New Girl In School CD (2004) (Import) United Kingdom
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This two-fer from Beat Goes On features a pair of out-of-print Jan & Dean Liberty LP's: Surf City and Dead Man's Curve/The New Girl in School originally released in 1963 and 1964, respectively. Included among the 24 songs are the hits "Surf City," "Honolulu Lulu," "Dead Man's Curve" and "Linda," along with top-notch hot rod tracks like "3-Window Coupe," "Mighty G.T.O.," and "Bucket "T." This is an enjoyable, fun reissue recommended to both collectors and casual listeners. ...
| | J J Jackson But It's Alright CD (1967)
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Soul belter J.J. Jackson is best known for his 1967 smash, "But It's Alright," but he has some fine singles and a couple of excellent albums as well, and 1967's But It's Alright on the Calla label is one of them. Kicking off with the infectious title track, the record alternates between flat-out rockers like "I Dig Girls," "Come See Me (I'm Your Man)" (which was written by Jackson, covered by the Pretty Things, and then reclaimed powerfully here), and "Boogaloo Baby," midtempo groovers like "You've Got Me Dizzy" and "The ...
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This CD contains B.B. King's first ABC-Paramount studio efforts -- Mr. Blues (1962) and Confessin' the Blues (1965), respectively. While there are inevitable similarities between the projects, offering them back-to-back allows listeners an acute sense of King's rapid maturation and development during what was by all accounts the nexus of the guitarist/vocalist's career. The dozen-song Mr. Blues was a haphazard start for King with the contents taken from three different recording sessions in a 13-month period (March 1, 1962 through April 11, 1963). Based on the results, the artist was being presented as a blues shouter, supported by an antiquated big band and/or orchestra. Arguably the best of the lot comes from the Maxwell Davis led ensemble on the first of several Big Joe Turner tunes, the Ahmet Ertegun penned "Chains of Love." The upgrade of Ivory Joe Hunter's "Blues at Midnight" is closer to the spirit ...
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